The Foreign Films and The Tonighters

The Record Collector

The Foreign Films “The Record Collector”

Commanded by Bill Majoros and assisted by a collection of musicians like Steve Eggers (The Nines), Carl Jennings, and the late Wim Oudijk to name a few, The Record Collector is an expansive box set.

Like Robert Harrison’s (Cotton Mather) recent I-Ching song cycle, the music is varied in style and touches several themes. There are six sides to the entire project and many songs can be heard on Bandcamp. The vinyl version includes 3 records and a 12 page booklet with a short story “Emily Blue and The Star on The Moon.” The songs all relate to the story of a lonely star-struck girl and her adventures.

Starting With “Shadow in The Light” it builds to a solid chorus, with lots of energy, but then we hit the ELO-like epic “The Sun Will Shine Again” as it slowly wraps around you with its harmonies and guitar solos, it feel like an album finale in “Let It Be” fashion, not a second song. “Junior Astronomer’s Club” has a swirling psyche-pop feel, Majors vocals are soft and brimming with earnestness. The harmonies are extraordinary, for example on “Cinematic Kiss (in Dreams).”

At points the psychedelics approach Pink Floyd proportions like on “Emily Blue,” and “Emily’s Dream Sequence” but its the power pop gems here that will ring your bell. Some great ones early on are “Broken Dreams,” and “Lucky Streak.” There are a few outlier pop songs like “Land of 1000 Goodbyes” with guest Kori Pop delivering with her silken vocals. Kori and Bill make a great duet on “State of The Art.” There are elements of Bowie-like glam, folk-pop, and blues sprinkled throughout, but with 31 tracks it’s a lot to take in. As a passion project, this succeeds because Majoros puts a lot of craftsmanship into each musical phrase and the overall story. A concept album can be like a large meal, you take in each morsel and savor it. Highly Recommended.

Amazon breaks this into 2 albums: Junior Astronomers Club & The Record Collector


The Tonighters “Kathleen Rose” EP

A new UK band from Newcastle that has a great power pop sound. Check out the opener “Kathleen Rose” and the acoustic “Flower.” Lead singer Billy G does a crackerjack job. I can’t wait to hear more — someone sign this guy to a label! Listen and hope downloads are coming soon.

Nine Violets and The EyeRollers

Nine Violets

Nine Violets “Chapter One”

After an appearance at IPO Liverpool, I was impressed by the big single “I Will Let You Down,” so I contacted Nine Violets lead singer Matt Johnson and promptly agreed to distribute the band’s unsigned debut. “I Will Let You Down” has a Beatlesque feel, catchy hook, and the follow up “24-7” is a driving jangle pop gem. Matt recorded everything with partner Paul Copley at Laurel House Studios in Wakefield, West Yorkshire.

A strong melody and strings support the compelling “Same Old Story.” The ballad “Mrs. Happy” has the uncanny feel of a lost Hollies tune and Matt sounding very much like Alan Clarke. “Sonnet” channels Oasis with its layered production and the Beatle-isms are subtle with the exception of the obvious “Ballad of The Beatles” and “Sgt. Major.” While a few tracks could use more polish (Nice backing vocals on “Still Crazy” are nearly inaudible) the songs are well structured and well worth a recommendation. This debut is a perfect example of getting the scoop on a band before they get really big.

Bandcamp exclusive

The EyeRollers

The EyeRollers “Hidden Holidays”

Hard rocking power pop from Hamilton, Ontario – and the band just completed a tour with The Nines.  The EyeRollers have taken The Cheap Trick template and added a modern twist here, and while the opener “Both Ways” is a pretty MOR rock tune, the follow up “Turn Around” is a fantastic example of melodic rock and roll with a great hook.

“Majorica” also features a great guitar riff and plenty of vocal personality with its psyche-pop sheen. “How Would I Know?” and “Back In School” have a heavier vibe and are also keepers. “Till You are Gone” starts almost ballad-like, and then turns into a Nirvana tune. The album is a short 7 songs, but what they lack in quantity, they make up in quality here. It also helps that the production and mixing are stellar. Overall, another damn fine debut. Highly Recommended.


EP Reviews: The Top Boost, Easy Roscoe, Boys on The Beach


The Top Boost “Turn Around” EP

The Top Boost is Vancouver’s newest garage pop trio (Hunter Gogo, Kirill Yurtsev, Greg Johnston), and their debut EP Turn Around was recorded and mixed in Vancouver and mastered at Abbey Road Studios in London. And it sure sounds fantastic, after a quick intro “What If She Loves You” takes its cue from 1980s song structure and psychedelic 60s jangle. Think bands like The Ocean Blue, Aztec Camera, and The La’s. Each compelling, catchy melody resonates from the romantic “Tell That Girl” to the shimmering “Still On My Mind.” The title track is unusual, it has a swirling melodic chorus interrupted by ascending minor chords that give it a sinister feel. One of the best debut EPs I’ve heard so far this year.


Easy Roscoe “Piñata” EP

Nashville rockers that have an easy going, fun approach with their bright vocals and catchy guitar riffs. “Roll Baby Roll” is a great start, and “Green Leather Jacket” is a little Green Day and Gin Blossoms with a bit of Southern attitude. Some nice harmonies and call and response vocals make “By The Water” another gem. Then add a funk rhythm and bass guitar to those harmonies, and “Whoa-o-o” you have a easy party song on “We Cry.” An impressive debut.


Boys On The Beach “Addiction”

It’s a stretch to call this an EP, more like a single (2 tracks) but this band from Tokyo, Japan knows how to rock. “I Hate This Addiction” has big echoing fuzz chords and dense percussion. Even better is the B-side “It’s Allright, it’s Okay” with Japanese verse and an English chorus. Hope to hear more from these guys!

Bandcamp |

Gentle Hen and Gretchen’s Wheel

Gentle Hen

Gentle Hen “The Bells on the Boats on the Bay”

Gentle Hen is the creation of Northampton Mass. songwriter Henning Ohlenbusch. The band includes Brian Marchese, Max Gemer, Ken Maiuri, and Tony Westcott. These are emotional, easy going pop tunes starting with the relaxed “I Don’t Know About Anyone Else But” with its catchy chorus and its repeating echo motif.  Its a little like They Might Be Giants without all the nerdy subject matter or accordion — “Jake and Kim Broke Up (Leave Me Out of It)” has a snazzy rhythm and soaring vocal ending.

Overall the music is compelling as “I Wasn’t Looking For This” and “Somebody Else’s Problem” is about the difficulties of breaking up (with a very sweet Kinks reference.)  Sometimes the limitations of Henning’s vocal range are evident on several songs, but the multi-tracking on “the Wrongway Out of Town” make it very palatable. Another fun gem is the stream-of-thought lyrics on “The People You See Regularly Never Grow Old.” Worth checking out!


Gretchen's Wheel

Gretchen’s Wheel “Behind the Curtain”

Gretchen’s Wheel is the brainchild of Nashville-based Lindsay Murray. Her music is a lush indie-pop with some power pop influences. While her first album Fragile State was produced by Ken Stringfellow (Posies) this new album is assisted by musicians Phil Ajjarapu, Ira Elliot (Nada Surf), Donny Brown, Andy Reed, and Jack Thomas.

The quick tempo “Invisible Thief” starts out good, but “Younger Every Year” is a stunning composition that showcases a lush pop sensibility and Lindsay’s ethereal vocal. “The Good Things” is another song with an easy flowing melody, but the guitar takes center stage on “Live Through You,” delivering a rock solid tune.  “Try To Make It” is another gem written by the power pop legend Sloan, so you just gotta give Gretchen’s Wheel a spin.


EP Reviews: Hemmingbirds and Nate Leavitt


Hemmingbirds “Half A Second”

Chicago’s Hemmingbirds began as a solo project of singer/guitarist/violist Yoo Soo Kim, but has since emerged as truly talented band. On this latest EP, its blasts out of the gate on the title track a blend of indie rock and catchy power pop in the chorus. It grabs hold and doesn’t let go with subtle layers of instrumentation and balanced noise. “Mess of Things” follows with its tribal beat and rhythmic guitar riffs, in fact the album notes specify that it “isn’t necessarily a concept but more so a feeling. “

“Stay” has some dissonance and a repeating synth loop that reminded me of Tokyo Police Club a little, with a quiet break in between the frantic drums, and it ends with the solid ballad “Lover, You’re Out There” but even here the instrumentation drowns out the piano and lead vocals at some point. While way too short, this EP is highly recommended and worth repeat listens.


Nate Leavitt

Nate Leavitt & The Elevation “Someone Send A Signal”

Not power pop, but solid alt. country and blues pop. Nate Leavitt and bandmates entered the studio at Studio A in Somerville, Mass and coaxed out the spirits of Neil Young, Wilco, Butch Walker and even Alex Chiton here. “Relieve Me” opens up a painful story with longing in each riff and organ chord. It builds in intensity with each verse, and Leavitt’s guitar work is exceptional here.

The ballad “When I Was With You” is a detailed love story where both people connect to the music and then separate. “Take Me Back” is a rousing layered guitar gem with a catchy chorus that hits the sweet spot. Unfortunately, that bit of optimism is followed by mid tempo wallowing in sadness and then on the title track, moving on after heartbreak. “I Can Breathe Again” is emotionally draining, but ultimately this themed album is a gorgeously produced and performed. Highly Recommended.