The Gleaming Spires were a new wave band in the early 1980s that has an interesting history. It starts where Leslie Bohem, David Kendrick, and Bob Haag of the band Bates Motel get recruited by brothers Ron and Russell Mael to be a part of the 1981–85 incarnation of their band, Sparks. They made Sparks sound like a rock band again after years with an electronic disco sound. This was Sparks’ “most commercial” period where they finally broke into the US singles chart with “Cool Places.” Gleaming Spires was a side project that didn’t get as much attention at the time, and the band’s three studio albums were never reissued on CD, until now. Thanks to Omnivore Recordings, this new discovery can be absorbed properly.
“Songs Of The Spires” (1981)
Don’t let the staid cover art fool you, this is as close to the sound of Sparks you can get without the brothers Mael. The heavy synths, electronic drums, and arty guitar compositions would fit in well as a companion to Spark’s ‘Whomp That Sucker.’ The big hit from this album proved to be an unexpected B-side “Are You Ready for the Sex Girls?” which ended up on the Revenge of the Nerds soundtrack in 1984. Amazingly, it is the massive bonus tracks that are even better, featuring Bates Motel originals (produced by Andrew Gold) “The Way Marlena Moves” and “Dedication” as power-pop standouts! The punkier “Only The Young Die Young” is another winner. Like two albums from two different bands in one package. Get it on Amazon.
“Walk on Well Lighted Streets” (1983)
At this point, the band has a more distinctive new wave sound. And with better support in the studio (and additional players, like Jim Goodwin) the band further sets itself apart from Sparks, as it moves into more conventional music territory. Plenty of goodies here; “Mining” has a bit of Tears For Fears vibe, and the title track was similar to what Bowie was doing at the time rhythmically. “A Christian Girl’s Problem” was a controversial subject with killer hooks, and again the bonus tracks reveal some great stuff like the Oingo Boingo-like “Brain Button” and the power pop of “Christine” and “Does Your Mother Know.” Get it on Amazon.
“Welcoming a New Ice Age” (1985)
The “bigger” sound on the opener “Mercy,” follows similar bands in that era, like The Alarm and Big Country. Their label was faltering, so the boys decided to self-finance and with that, it allowed more experimentation with sounds and styles. The jangling guitar of “No One Coming Over” and country violin of “Secret Room” couldn’t be more different. The band still appeared on movie soundtracks; the big rock sound of “Here Comes Mr. Funhog” fits the chaotic teen movie, and the dissonant mess that is “Harm” feels like a David Kendrick’s jumping-off point to Devo. A mixed bag, but still interesting. Get it on Amazon.
