Kai Danzberg and Honeywagen

Kai Danzberg

Kai Danzberg “Rockshow”

Germany’s wunderkind Kai Danzberg has proven to be a musician with a flair for the dramatic as he starts his fresh album “Rockshow,” with a fantasy concert motif. The title track is catchy, well written, and recalls his earlier material. But this isn’t a concept album. It’s more a collection of dynamic singles. The bouncy love song “You & Me” and “Living Room” are great examples of Kai as the impulsive romantic, bursting with optimism to the beat. Adding more horns and layered vocals and we get the dense melody of “Waiting For You,” and it’s a big highlight here. The ELO and Jellyfish influences are also still there, as “Making It Right” jumps out of the speakers with those sparkling harmonies assisted by Dana Countryman.

“Oh, Girl” is a jazz-themed torch song with assistance from Drake Bell that features solid musicianship, but it feels a little out of place. Kai has always added great ballads to his albums and “Undone” certainly is another highlight. For variety, there are funky disco beats on the dance track “Magic Night.” Overall this is a wonderful album that deserves multiple listens so check it out. Highly Recommended.

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Honeywagen

Honeywagen “Halfdog”

Its been a few years since Honeywagen’s Jamboree, but these veteran musicians from Kansas City are back showing off their Midwestern vintage rock style. Starting with “For Love” it features catchy guitar riffs, harmonies, and compelling jangling rhythm. The Rickenbacker jangle continues with the roots-influenced “Anywhere The Wind Blows.” Guitarists Mike Penner and Scott Christensen play so well off each other, it makes “All That Matters” a solid love song, and the end solo complements the melody perfectly. The tempo slows for “Running Out Of Time,” with more of country-rock feel, and and “Maybe Maybe Not” brings to mind mid-70s classic rock, like Traffic.

“On The Beach” is a simpler Beatlesque sort of tune with a descriptive lyric, but a big highlight is “All The Little Things” with a stronger melody and bigger hook – it’s my favorite track. When they don’t overthink the lyrical story (“The Waitress”) and let the band cut loose, its a much better listening experience. That said, fans of The Beatles, The Byrds, and The Grip Weeds will enjoy this band. Highly Recommended.

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Honeywagen and Hooten Tennis Club

Just one more week of reviews for 2015 – next week is our long-awaited year end “Best of” list!

Honeywagen

Honeywagen “Jamboree”

Kansas City jangle pop junkies, Mike Penner, Scott Christensen, Bill Ryan and Peter Cook are Honeywagen. I mentioned them in my review of IPO #18, but I wanted to hear the full album Jamboree. Reminds me a bit of  Midwestern roots band with Beatlesque flair, starting with “Angel” it has some barroom swing to go with those guitars. Plenty of Byrdsian jangle on “Another Hour,” although the vocals are a bit understated, there are lots of favorite influences here. “Five Point Oh” plays like an old Beach Boys car song and “Good Luck Tonight” is a little bit Big Star and Dwight Twilley combined. Recommended tracks include the high energy “Lose My Mind,” self loathing ballad “Loser,” and the Monkees-like “She Wants.” It was hard to find a bad song, which is a good sign of any highly recommended album. Check it out!

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The Expected

Hooton Tennis Club “Highest Point in Cliff Town”

An astute powerpopaholic reader alerted me to this gem. Hooten Tennis Club combines arty noise-pop and power pop into something like Pavement meets Teenage Fanclub. Band leader Ryan Murphy, guitarist James Madden, bassist Callum McFadden and drummer Harry Chalmers formed the band in 2013, recording a cover of The Rolling Stones “19th Nervous Breakdown,” (hmm, this sounds familiar) then signed with Heavenly Records.

The sound is full of bright pop hooks and dense guitars on “Up In The Air” and jaunty catchy chorus of “P.O.W.E.R.F.U.L .P.I.E.R.R.E.” proves this band is more than just a messy impressionist pop band. Early singles “Jasper” and “Kathleen Sat On The Arm of Her Favorite Chair” are solid slices of life set to fuzz riffs, recalling the best pop of the ’90s. Not a single wasted note here, even the long four minute plus “Always Coming Back 2 You” held my attention. Brilliant indie pop that is highly recommended.

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