Big Sunset and Richie Parsons

Big Sunset

Big Sunset “Big Sunset”

Portland musicians, Jay Caruso, and JP Ramos are the core of Big Sunset, a five-year collaborative project. Both worked with a band called The Contestants, then Caruso explains “I really loved the way JP Ramos wrote and that our voices worked well together. I reached out to JP to see if he wanted to write some songs together. Both JP and I are huge Jellyfish and XTC fans.” And that comes across on this labor of love.

Starting with the swirling rhythm of “My Head Is Attached,” Big Sunset boasts a variety of instrumentation from strings, horns, organ and sets up the carnival-like atmosphere. “Beautiful” is a waltz-timed tune with a Jellyfish-like approach, but the melody isn’t as sticky as the hypnotic “The Night I Was Murdered” with its delicate acoustics and deep cello strings. This dream-like approach also works on “Wolfing” and “Invisible Men” is another highlight featuring Beach Boys-like harmonies and musical subtleties that recall ELO. While technically brilliant, it lacks the hooks that their influences possess. Still a worthy LP for fans of the genre, and it certainly deserves discovery.

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Richie Parsons

Richie Parsons “Black Throated Blue”

Boston musician Richie Parsons is back with his new Kickstarter funded LP (produced by The Posies Ken Stringfellow, who also sings and plays on everything.) A full band is in the studio featuring Doug Harper (guitar), Frank Dehler (bass), Malcolm Travis on drums, and Parsons on lead guitar and vocals. Parsons approximately sounds like a combo of Jonathan Richman and Chris Stamey. The hi-energy opener “Beverly” captures Parson’s pop-rock sound perfectly. “Winter’s Dream” is another winner, a love song with a chugging melody and hook-filled chorus. And “Six Hours Ahead” name drops The Raspberries, as he goes to “a punk rock show.”

The album takes a somber turn mid-way on “Rainy Day” which has Bacharach-styled orchestration with horns and strings. The twang of “Here I Am” is a rootsy Western blues tune, and the Farfisa organ of “Tomorrow” is reminiscent of The Doors. The production is strong throughout the album, although it runs out of hooks toward the last few songs. Overall a very good album that’s highly recommended.

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Richie Parsons and The Psycho Sisters

Richie Parsons “Honey and Tears”

Veteran musician Richie Parsons has been a part of the Boston area music scene for years, and now he’s finally put together a debut album produced by Ken Stringfellow (Posies). The clear, rich melody of “When Fall Begins,” reminds me at times of the last Sunrise Highway album. “LOve Letter” is another gem with fantastic layered jangle. Next comes the “wall of sound” Phil Spector approach on the echoing ballad “Evelyn.” The instrumentation here is excellent, and you’ll hear influences of The Beach Boys, and even modern country music with the strong twangs of “Summer.”

Richie’s style also reminds me of Roy Orbison in spots, especially on a cover of Glen Campbell’s “Hey Little One” with his wailing vocal treatment. “Mix Tape” is a pure power pop delight, and after a few listens it really sticks in your head. Lots of highlights here and overall Highly Recommended.

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The Psycho Sisters “Up On The Chair Beatrice”

Despite the horror-themed name, The Psycho Sisters are not “psycho,” nor are they sisters. They’re sisters-in-law, Susan Cowsill (The Cowsills) and Vicki Peterson (The Bangles). And both have been in family-based bands since childhood. Once Vicki married John Cowsill, the two became related and it took a long time, but the duo finally recorded an album together.

Starting out with the sweet harmonies of “Heather Says” its a story of an evil 4th grade girl who makes life difficult. “Never Never Boys” (co-written by Peterson and Bob Cowsill)  is a great country pop single that’s full of hope and catchy hooks. The rock guitar and fiddle makes “Numb” a unique approach to a rocker that brings to mind the Wilson sisters band Heart. “Fun To Lie” is a jangling gem that recalls The Bangles and “What Do You Want From Me” is a strong response to an ex-boyfriend who doesn’t know when to quit. A poignant coda here is “Cuddly Toy,” written by Harry Nillson that was a big hit for the Monkees. It was done to honor the passing of Susan’s reported favorite Monkee, lead singer Davey Jones. Highly Recommended.

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