The Airport 77s and Nelson Bragg

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The Airport 77s “Don’t Let Go”

After the phenomenal ‘We Realize You Have A Choice’ in 2022, Guitarist Andy Sullivan crafted his next group of songs for the band, along with bassist Cal Everett and drummer John Kelly. While the power pop charm remains, numerous tracks bear a stronger 80s influence. “Like Falling In Love” has an angular beat reminiscent of The Cars, and it all comes together on the centerpiece “Anyone But You,” which is one of the better tracks here.

If you are looking for the hard punching excitement of the band’s past songs, “1999 (Take Me Back”), “If It’s On, I’m In” and the explosive “She’s Everything” fill that need. But Andy goes in some new directions too, “Make’em Pay (Don’t Make It Easy)” is a story about a Bonnie and Clyde styled outlaw duo makes a great country rocker, if it had some steel pedal guitar it would be perfect. The slower, more mature themes of “The Hands of Time” and the poignant “Satellite” complete a really well-written and pleasant album. Highly recommended.

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Nelson Bragg “Mélodie de Nelson: A Pop Anthology”

It’s timely and poignant that Nelson Bragg’s compilation is out now. He has been a part of Brian Wilson’s band for 14 years, including the release of the iconic SMILE album. He is a well-known figure in the L.A. pop culture. This new “greatest hits” compilation features some classic pop gems, rarities, remixes, and the brand-new Squeeze-inspired tune “We’re Gonna Laugh About It” starts it off. A jangling gem with a easy going chorus filled with minor chords and arpeggios.

On many tracks, Nelson’s Beatles love is evident, yet he seamlessly transforms the sound into something of his own. His soft soothing vocal fits well on the bouncy “Tell Me I’m Wrong,” and the double tracked harmonies on “Lived This Life Too Long” and “She Used To Love Me” recall late-era Hollies perfectly. Nelson’s Beach Boys influence come out on the classics “Whitechapel Girl” and “Death of Caroline.” As this is a curated collection, there are no filler tracks and if you never picked up any of his music before, this is the perfect primer. Highly recommended. 

Big Stir Records | Amazon

I’m a cork on the ocean…

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In Memory of Brian Wilson: A True Architect of Sound

We mourn the loss of Brian Wilson, a visionary whose genius forever changed the landscape of popular music. As the creative force behind The Beach Boys, Wilson transformed surf rock into an intricate, emotional art form. His groundbreaking work on Pet Sounds and timeless classics like “God Only Knows” and “Good Vibrations” laid the foundation for power pop and influenced generations of artists.

Wilson’s gift was his ability to blend lush harmonies with deep vulnerability, crafting songs that spoke to the heart while expanding the possibilities of the studio. His music captured innocence, longing, and beauty in equal measure.

Though Brian struggled with personal demons, his legacy remains one of brilliance and hope. He leaves behind a catalog of work that continues to inspire and uplift.

Rest peacefully, Brian. Your melodies will echo for all eternity.

June Singles: Motorcycle Display Team, John Wlaysewski, Richard Turgeon, Vanilla, Splitsville, The Spongtones

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London rock act Motorcycle Display Team caught my ear this week. I like the recent singles these guys are making and here is a little band bio. Some old favorites are coming back, and they have some great advance tracks for us. John Wlaysewski (Late Cambrian) has this stellar tune that I can really identify with about “Honey Badger.” Richard Turgeon gets rockin on “Shungite,” a Russian mineral(?) and Vanilla is back with another extended album project called ‘Cookiewow.’ “The Besetting Sin” is the new single from that. It’s also so cool that the brothers Huseman are back as power pop all-stars Splitsville with a new LP on the way, so enjoy “Beth Steel.” Speaking pf power pop legends, we have the return of The Spongtones! “Lulu’s in Love” is the next chapter for these guys. Enjoy these, and stay tuned for more reviews and interviews!





The Toxhards and The Humbugs

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The Toxhards

The Toxhards “Your Neighborhood”

Sometimes, the components are greater than the whole. The Toxhards, a LA garage rock band, have a concept LP that doesn’t tell much of a story. However, the band’s unwavering dedication to superb pop and rock is evident here. The band’s wacky theatrical image is compelling, akin to a circus opera at a heavy metal festival, they sound influenced by Pink Floyd, Queen, Tally Hall, and Red Hot Chili Peppers. They’ve already made an impression locally, with a sizable TikTok and Instagram following, so their debut album definitely raises the bar.

The intros are effective in establishing a mood but run a bit too long; then we get the first song, strums of “Beatrice,” a gentle rocker that amps up quickly to heavy Foo Fighter-like riffs. It’s a fun, wild ride to its loud crescendo. Then it dials back dramatically to the quiet title track “Your Neighborhood,” which recall a Roger Waters inner monologue. Then we get “Get Creative! Or Get Radicalized!” with Queen-like harmonies and boisterous chorus, and it’s simply great from the melodic croon to the screaming “Na, na, na, na!” Another gentle gem is “Apple TV” with handclaps and hooks sticking in your head on that chorus.

But the album’s highlight is “DIE! DIE! DIE.” The song begins with a funky rhythm and bass line, and the lead singing, “Don’t you love the feeling when a song comes on the radio, and it sounds like they wrote it for you?” Next, “Satan’s Little Hell Song” is reminiscent of Queen’s “Stone Cold Crazy” in a frenzy. Overall, a thrilling set of tunes, the most schizophrenic rock album I’ve heard in a while. Highly recommended and a top ten contender. Thanks to my brother, Dan, for finding this one.

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The Humbugs

The Humbugs “AM Operetta”

Veteran Minneapolis band The Humbugs are Adam Marshall (guitar, lead), Tim Formanek (bass), and Matt Baccoli (drums), with an assist from Kristin Marshall and Mike Senkovich. Some nice power pop and a few folk tunes here, many pulled from Adam’s songwriting archives in a homage to the many different styles of music that was being played on AM radio in the 1970s. However nothing here sounds like it came directly from that era, it’s all original music.

The opener “Be Careful What You Wish For” is a solid start, with lots of jangle and a nicely constructed, distinct verse. The catchy “Take Out The Trash” is my favorite here, with great hooks and harmonies. The styles vary from here, Kristin’s lovely vocal leads on the pensive “Further From Yesterday” and “Never Noticed Me.” Highlights include “Tearing Me Up” and the bouncy ender “Doing Something Right.” Overall, a really good album with minimal overindulgences. Technically released last year, but the band recently posted their catalog on Bandcamp (also worth checking out.) Highly recommended.

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