Cal Everett “The Weight of Early Promise”
Cal Everett is a singer-songwriter best known for the ’80s cult power-pop band 4 out of 5 Doctors. Listening to ‘The Weight of Early Promise’ is a literal tour de force by Cal. And while you will hear some similarities to classic pop legends, Cal has his own style that brings layers of skill and precision to each composition. The song cycle here traces a timeline, from childhood to old age. Some songs are prefaced by brief intros.
Right away, I was floored by the opener. “Older Now” starts with a few piano chords and takes off; the verses are both relatable and irresistible. And the chorus drives it home with layered harmonies and orchestral flourishes. “Gimme Some Time” is the song Billy Joel wishes he’d written, with an amazing layered call-and-response rhythm; similarly, “Love’s Hollow Promise” is a piano ballad loaded with emotional longing. The style of “Old Enough” recalls Andrew Gold at his best, with a hook-loaded chorus and genuine sentiment. Cal also manages to get some 80-styled pop akin to his old band on the synth of “Communication.” OMG, there are a TON of great tracks here, and no filler. My favorites include “Teenager’s Belief,” “More To Love,” “Never Change My Mind,” “Compromises,” and the secret track at the end of “Epilogue.” This definitely makes my top-ten list for 2026. Super highly recommended.
Penny Arcade “Double Exposure”
As the creative force behind Penny Arcade, James Hoare has quietly built an oasis of solitude on his new LP ‘Double Exposure.’ The opening track “Regrets” locks into a catchy bass groove before exploding into a sharp, soaring guitar solo. “Memory Lane” feels like a funeral dirge wrapped in melody, blending the chamber pop mood of The Beatles “Eleanor Rigby” with the hazy psychedelic spirit of Ten Years After. “The Worst Trip” keeps things sparse, driven by restrained percussion that recalls Phil Collins “In the Air Tonight,” while Hoare delivers a hushed, weary vocal performance. The songs circle themes of loss and disappointment, yet the album never sinks into despair.
The mellow warmth comes through strongest on “Everything’s Easy” and “Rear View Mirror,” where simple arrangements pull you in without forcing the moment. This is not an album built on instant hooks or big gestures. Its strength comes from atmosphere, subtle songwriting, and emotional honesty. The result feels intimate and lived-in, the kind of record made for late-night listening with friends, when the room is quiet and the world slows down for a while. Check it out.
