Tally Hall "Good & Evil"

The Michigan based Tally Hall produced a stunning debut album that garnered quite a cult following. With that initial success behind them, the band sets out to solidify their sound with this duality-themed album. The slow march tempo of “Never Meant To Know” leads to a quickly layered anthem that just grows on you. The next tune “&” is very much in the They Might Be Giants mold, lyrically stating opposites like “weak & strong, wet & dry, etc.” Then the album kicks into high gear with the ear worm “You & Me,” a catchy single you’ll sing long after the song ends.

The combination of catchy chorus and lyrical metaphor is Tally Halls’ greatest strength. Each song here is meticulously constructed, the strongest and most immediate being “Cannibal,” where the metaphorical beast is your girlfriend. The solid harmonies lead a hummable medieval quest called “Sacred Beast” quite nicely. The album takes a moody harmonic turn on “Hymn for A Scarecrow,” a tale that features a psychedelic chorus on the fadeout. The group’s harmonies are strong on each song, especially on “The Trap” and “Out In The Twilight.” The dramatic finale “Fate Of The Stars” is a bit like a rock version of Glee’s Dalton Academy Warblers if Roger Waters was their musical director. Overall, this album demands repeat listens to uncover the brilliant melodies and stories contained here. It makes my top ten list being the most cerebral melodic album this year.

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Shake Some Action and John Amadon

Shake Some Action “White Lies and Bloodshot Eyes”
James Hall has put together a collection of B-sides, demos and tracks that never quite made it on previous albums. The quality work here proves that many of these really deserved release. “One Way Ticket” is a first class single with equal helpings of The Kinks and The Jam. Surprisingly these songs hold together as an album quite nicely. “Wherever You Are Tonight” and “Get It Together” are solid rockers with the latter track’s organ leading the way. “I Get Tongue Tied” is about shyness and the lovely harmonies here make it a gem. Some songs seem to have the elements of greatness (“Let Me In”) but don’t quite click. Included is a terrific cover of The Velvet’s “WhiteLight/White Heat.” Easy to recommend to your play list.

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John Amadon “Seven Stars”
Portland Oregon singer-songwriter John Amadon has a sweet folk acoustic rock sound, like Elliot Smith jamming with Neil Young. “Empty Fiction” opens with John’s earnest vocals and clean guitar strumming. Highlights here include the brilliant “All Patched Up” with its simple acoustic start and growing electric riff to a brilliantly layered chorus. The echoing keys on “Bitter Prayers” and steady rhythm make the soft vocals all the more poignant, and it’s really moving.

The album gets a little peppier the further in you go, with nice gems in “Tired Man Spinning” and “Palace of Ruin.” Then it settles in with the slow moving title track, and the slower ending on “Knocking Down Doors,” with a touch of alt. country along the lines of Buffalo Springfield. A really good album, and very much worthy of your attention.

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new Fountains of Wayne due August 2.


I can hardly wait for this one, as it’s been four years since Traffic and Weather first hit my ears. This is a terrific example of what Adam Schlesinger and Chris Collingwood do so well together. Perfect melodies with a lyrical focus on quirky characters. As the bands track record is pretty stellar, its seems safe to pre-order Sky Full Of Holes.

EP reviews: Phlying Saucer and Stag

Phlying Saucer “Pancakes” EP
A neat find here is The Phlying Saucer, a young band with a sound that’s akin to Weezer and Foo Fighters. Lead by singer Phil McDonald, he’s joined by Lydell Valdriz (drums), Evan Brass (bass) and Chris Miranda (guitar).  The band came together when they all realized that they had a shared love of modern power pop. “Breaking Down” has a crisp guitar lead and catchy melody. “One Red Light” offers those rambunctious riffs and fast tempo, very similar to Bowling For Soup. Each of the tracks on this EP shine brightly, and should find a place on your play list.

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Stag “Paper Crown” EP
Veteran Seattle musicians Ben London, Pete Everett, Rob Dent, Lincoln Barr and singer Steve Mack formed Stag last year and its sound effortlessly combined classic Who guitar stylings with a modern rock flair. Their sophomore EP “Paper Crown” is produced by Jack Endino (Nirvana, Soundgarden) and it sounds great. A perfect example of a rock band that makes great musicianship sound like casual fun. The title track has it all, an unvarnished beat and riff party with a solid melody. Likewise, “Love Her Records” pulsing beat and earnest lyrics describing a music snob is just infectious. It’s one of the best tunes I’ve heard this year. I wish this was more than four tracks – don’t miss this excellent EP.

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The Power Popaholic Interview: Andrew Gold

As reported last week, musician Andrew Gold passed away on Friday, June 3, 2011 in his home in Encino, Calif. Thanks to a contribution by Robert Pally, I can present this interview with Andrew posthumously. It was done after release of The Fraternal Order of The All, read the interview here or visit our Artist interviews section.

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On  a lighter note, Google has a cute “guitar” tribute in honor of Les Paul’s 96th Birthday. Play and record on this neat-o widget!