Adam Marsland "Go West"

After the record setting sales of his greatest hits album, the former Cockeyed Ghost frontman returns with a 2 disc musical journey. In some ways it is like a parallel of Stew’s Passing Strange, a personal saga of dreams shot to hell and a redemption through unfailing hope and faith. This certainly is Adam at his most lyrically engaging and musically complex. Starting with “Standing In Chicago” it’s a soul ballad that smacks of nostalgic memories, and it all leads to the gorgeous Beach Boys vocal harmonies on “Who.” Starting his road trip with the cocky bravado of “Burn Down The World” it takes many musical turns. The songs progress like a very much like a rock opera, and it’s not all power pop as it ventures into all genres from new wave disco (“I Don’t Wanna Dance With You”) to funk (“Two Children In A Bed”) and everything in between. My favorite incarnation of Marsland is the defiant guitarist, and it comes across on “1 in 4” and the Replacements styled “This Is Hard.” The ballads are also top notch, his duets with Evie Sands/Teresa Cowles and piano melody makes “Go West” one of his best. Lots of highlights, another being the mid-tempo gem “Fade Away” with compelling harmonies and key changes. When you get the amazing “No Return,” a song with only scant keyboards and harmonic choral vocals you will realize just how much Adam has learned since his more recent days with The Beach Boys and Hal Blaine’s wrecking crew. The keys and guitar work on “Despair” will remind you that this is probably the closest anyone will get to a modern era version of Todd Rundgren’s Something/Anything double LP. It is also important to note the good stuff is not stuffed on one disc or another, but rather spread throughout, which is why listening to the entire set (23 tracks) at once can be challenging in today’s ADD world. But you have to give props to this an unassuming album full of emotional depth and masterful musicianship.

MySpace | Kool Kat Musik | Not Lame | Amazon

Fooling April and Wiretree

Fooling April “Three”

It’s been about 2 years since I heard again from Fooling April. While always talented, the band has taken huge strides forward in musical development with Three. Opening with a simple Rocky Raccoon-like piano and guitar melody on “We All Need Someone” it is understated and impressive with a sweet sing along chorus. “Breathe Again” is a modern ballad where the melody tells a clear story of personal renewal, full of nice vocal subtleties. A very funny “I Win” tells the story of the nerds triumph in adult hood with a great Ben Folds styled piano noting “the girl with braces who gave off a peculiar smell is hot as hell.” Most of the songs are melodically strong (sounds like some one’s been studying Mike Viola) and the sweetness factor is turned up for “It’s A Deal.” Another gem is “Headfirst & Blind” where both the harmonies and hooks are strong here. Since they tone down the production gloss, when “Big Brother” shows up it’s a fitting and soulful song that you’ll gladly clap along to. “Screw it Up” has shades of Billy Joel in it’s DNA, and it’s another good tune. Overall, an excellent low tempo album and the song “Finally Got It Right” tells you all you need to know. Best of all – the album is available on Bandcamp at a Pay-what-you-want price. Get it while it lasts!

MySpace | Bandcamp | Itunes | Lala

Wiretree “Luck”

Austin Texas indie pop band Wiretree reached my radar with the first LP Bouldin, and it doesn’t hit a sophomore slump here. No, they hit it out of the park. Wiretree’s influences of 60’s progressive, Psychedelic pop and 80’s guitar style help mold Luck into a finely crafted pop gem. Songwriter Kevin Peroni puts together compelling hooks and fine melodic songs from beginning to end. “Across My Mind” is like classic Elliot Smith without the moping, but all the catchiness. My favorite here is “Back In Town” where the anthemic production recalls both The Beatles and the Beach Boys, with a wonderful ascending guitar arpeggio and glockenspiel melody. “Rail” recalls classic Lindsey Buckingham and his Fleetwood Mac classics. The hauntingly catchy beats of “Satellite Song” are like a Blur on a dinner date with The Kinks. The compositions here are solid from ballads like “Falling” to the mid tempo “Heart Of Hearts.” Every song is winner here with no “filler” except a demo version of “Falling.” In fact, the album’s only failing is that the songs are so consistently melancholy, that it’s hard for anything to stand out as a single here after the album’s first half. But it’s all so beautiful you tend not to notice, until the entire albums played out. I guess I’ll just have to listen to it again.

Curtains For You "What A Lovely Surprise To Wake Up Here"

This Seattle based, five-piece retro-pop outfit Curtains For You have the delicious melodies and intricate three- and four-part harmonies that make the hair on the back of your neck stand up. The band consists of Matthew Gervais (guitar/lead vocal), Mikey Gervais (guitar/ sax/ vocals), Nick Holman (bass/euphonium/vocals), Peter Fedofsky (piano/vocals), and Dave Lawrence (drums). Leaning on a big pile of 60’s classic pop influences and structures, they put it in the blender and whip up into a fresh but totally familiar sound. The opener “Nuclear Age” sets the tone with a Beach Boys meets Jellyfish harmonic that’s just irresistible. “This Dead World” is a Marshall Crenshaw meets Crowded House gem full of twisting lyrics and slinky slide guitar rhythms. And with a title like “Dumb Angel,” I’ll let you guess whose bag of vocal acrobatics they pull from. Every song here has a compelling hook and will win over plenty of fans, from the Merseybeat backing on “Title Bout” to the echoing guitars on “Clanging of The Masses.” The influences are spread out quite a bit, not sticking to any set style – but the spirit of Elvis Costello seems to run throughout most songs on the album with a defiant narrative. A few exceptions are the vaudevillian “Small Change” and acoustic ballad “Chain Link Fence.” And ending with the wonderful “Licorice Skies” it even touches on a bit of XTC-like majesty. Songwriting duties are split down the middle by Matt Gervais and Peter Fedofsky, both are great songwriters with tons of energy – and it takes a few listens to let all this sink in. A most welcome surprise that makes my top 10.

MySpace | Curtains for You site | Amazon

Listen to “Dumb Angel”

Listen to “Nuclear Age”

Listen to “Clanging of the Masses”

Major label reviews: PushPlay and Mayday Parade

PushPlay “Found”
Time to see what talent the major labels are pushing through. Produced by Matt Squire (Panic at the Disco) Long Island natives Push Play would like you to toss your Jonas Brothers CDs in the trash and “Watch it Burn.” While the opening track is a nice buzz guitar pop song, it enters boy-band faux-soul with “Midnight Romeo.” Lead singer CJ Baran has a good lead vocal and the band plays well together as tight quartet. There is a bit of good pop funk here in “Taking It Back” and the mature lyric on “My Everything” takes the band out of the cliche department. In addition, “See My Soul” is a song that stands as an excellent example of a modern up tempo pop, and “Start Again” is a nice arena styled crowd pleaser to end off the album. Unfortunately too many songs here sound like cookie cutter pop fluff (“Covergirl” and “Barely Legal”) and the band needs a few more hooks in the material to make it memorable. On the other hand, if you’re an typical teen you’re welcome to ignore this review.

MySpace | Lala | Itunes | Amazon

Mayday Parade “Anywhere But Here”
It’s good to see the major labels cultivate talent, and this band has made steady progress from a rough punk pop outfit to a polished pop powerhouse along the lines of Green Day or Bowling for Soup. Fans of the older Mayday Parade may miss the dual vocal leads of the past, but this is the major leagues, kids. The band has matured with a nearly non-stop tour schedule, including co-headlining the Alternative Press’ tour “The Fall Ball ’09”. This is modern alternative pop with an accent on Derek Sanders powerful vocals and it’s chock full of solid melodies. The Tallahassee-based band stands out right away with a big hook in the chorus of “Kids In Love.” It follows with the earnest guitar lead “Bruised and Scarred” and most of the other tracks here have a solid song structures and excellent musicianship. The album suffers a little from a few middle of the road power ballads that don’t stick in your head too long. However, when these guys it crank up, like on “Center of Attention” and “The End” you will be glad to add this to your ipod playlist.

MySpace | Lala | Itunes | Amazon



Get a freakin’ T-Shirt already.

Okay here’s the pitch. I’ve got about 12 shirts left in stock and they gotta go. It’s a custom made silkscreened shirt – perfect for concert wearing and eating ice cream. Only a few extra large shirts left, and the rest are large. Only $12.00 + $5.00 shipping. Delivered through USPS – international buyers will be asked to pay additional shipping charges.