Valley Lodge "Semester at Sea"

Valley Lodge is the rock machine comprised of singer/guitar player, and world-class entertainer Dave Hill (Sons of Elvis, Uptown Sinclair, Cobra Verde); guitar player/singer John Kimbrough (Walt Mink), bass player/singer Phil Costello (Tragedy, Satanicide, Stynx, Children of the Unicorn), and drummer Rob Pfeiffer (Sense Field). In 2005, the debut album was one of the best power pop albums ever (in most critics top ten that year). Well the wait for a follow up is over and it kicks major butt. A sonic guitar attack worthy of Matthew Sweet opens up the album with “Break Your Heart” and the singalong chorus is instant ear candy. The album takes lots of late 70’s music cues, like “The Door” is a strutting combination of Slade, Sweet and Gary Glitter. The album gives no quarter as the sound gets smarter and the guitar work is just miles above other bands on tracks like “Baby, It’s A Shame” and “Barricade”. The energy here is similar to Sloan and Supergrass, and the Gene Simmons-like cocky attitude translates well to tracks like “If You Love Me” – where he tells his woman “if you love me come on down…” And the cover of Bob Welch’s hit “Sentimental Lady” is the only time the band slows down a bit, if you don’t count the acoustic ender “Lose Your Man” which sounds tacked on. But this does not take away from the amazing performances through most of the album. Although I’ve gushed on about Kimbrough and Hills’ guitar godliness, it’s also the strong songwriting and arrangements on every single tune that deserve equal tribute. Yes, power pop fans — this is a “must get” album.

My Space | CD Baby | Valley Lodge Music | Not Lame | Kool Kat Musik

Powerpopaholic interview with Fastball

Not only did I get to review the album, but I contacted Miles Zungia of Fastball for a brief interview. Check out the interview button on the right or click here to read the Fastball interview.

True Lyrics Revealed Dept. Yes! It is finally revealed in this footage of Joe Cocker at Woodstock — what did he actually sing onstage that day, during “A Little Help With My Friends”? Scientists have used the latest technology to reveal it captioned for the clear-headed.

Fastball "Little White Lies"

Fastball was formed in 1994 by native Texans Joey Shuffield and Miles Zuniga along with So-Cal transplant Tony Scalzo. After “The Way” was released in 1998, Fastball moved to the big time and has been putting out quality albums ever since. After a four year break, Little White Lies is released today. One thing the band has kept up is the knack for coming up with great hooks that don’t leave your head. “All I Was Looking For Was You” is a textbook example of melodic rock with immediately accessible riffs and hand claps. The sweet harmonies are as tight as ever on “Always/Never” and showcases the bands mellower side. Another standout “The Malcontent (The Modern World)” is very reminiscent of “The Way” in song structure, and the lyrics are a scathing comment on the rock star life. The other tracks here are also fully engaging, including the title track “Little White Lies” and the European flavored “Angelie.” My favorite track here is the awesome instrumentation and arrangements on “Mono to Stereo” guaranteed to get your head moving to the beat. The approaches slightly change from track to track and keep things moving well, “She’s Got the Rain” is another gem, lead with a great piano rhythm. The band loosens up even more as the album moves forward, for example the part Stones, part Dylan-like “We’ll Always Have Paris” is rousing bar room guitar romp, with some nice harmony accents. This is a refreshing release that fans of Fastball will cherish, as well as newer fans that aren’t familiar with them. So yes, this is a highly enjoyable and recommended addition to your ipod playlist.

Spinning Lucy "The Everything Pill"

Philadelphia’s Spinning Lucy got me hooked with the dramatic melody of the opener “Star Sign” and it shows the debut of a tight rock band with great talent. Vocalist Will Roberts leads the band from track to track without sounding cliche or having the tracks wallow in self pity. The bands sound is comparable to the Gin Blossoms meet The Rembrandts with a touch of Jimmy Eat World. The songs are all well performed with a matter-of-fact upbeat approach despite the dark subject matter. It took a few listens to see the themes of death and regret in songs like “Digging Up Bones” and “Hello.” The serious lyrics and wonderfully crisp hooks make “Lions” a real winner here. The band’s take on love to loss and back again in “Crowning” and “Ghost In You” puts them a step above most catchy rock bands. The latter songs lyrics speak of acceptance with lines like, “If you forgive the monsters in me/then I’ll forgive the ghosts in you.” The adventurous story in “Goldilocks” doesn’t seem to keep pace with the melody, although the guitar break is really nice here. The arrangements are a little too even handed in places without giving the listener a hook to hang to on “Letting You Down” and the faux orchestral “Flavor Of The Weak” can get a bit pretentious, but the hidden instrumental track at the end is a nice finish. With a little more concentration on hooks, this band should continue to prosper. Keep your eyes on these guys, as they could break out big time with this album.

New Jeff Larson project in the works.

This is a project mainly consisting of new songs produced and written by Gerry Beckley (America). The album title and release date is TBD. Special guests include Dewey (Bunnell), Rusty Young, Jeff Foskett and others. Give a listen to this work in progress… I always look forward to a Jeff Larson release.

My Space | Jeff’s website