Category: Highly Recommended by Powerpopaholic

Edward O’Connell and The Above

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Edward O’Connell “Vanishing Act”
Edward O’Connell was “Our Little Secret” back in 2010, and finally we get a follow up with similar results. A smart mix of influences: Tom Petty, Roger McGuinn, Bob Dylan, Warren Zevon and Elvis Costello. Now with a larger cast of supporting players (including P.Hux!) the sound is richer than before, and O’Connell hits his stride here. “My Dumb Luck” is an great opener, a contemporary guitar ear-worm that can live on “repeat.” Next, “Lonely Crowd” is a bit more subdued, but it sends a thoughtful message about his audience. “Every Precious Day” pumps up the jangle, making it a catchy single.

“What Have You Done?” is similar to Elvis Costello in structure, the chord and vocalization shifts makes it another highlight amongst many. “I’m The Man” is a country flavored song about a murderous wife. Like the debut, the musicianship is impeccable but its tough to keep the energy going (“Yesterday’s World”). Still, O’Connell manages to keep the sweetness on the slow tempo “Last To Leave” and put out a great finale “The End Of The Line.” Such effort does not get wasted, and it makes my top ten of 2014 best LP nominee list.

CD Baby | Amazon | Kool Kat Musik (with bonus disc)

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The Above “Waterbury Street”
It’s hard to find a more period accurate retro-rock band than The Above. Even more than the debut album, the band’s technical skill has increased and with the sophomore LP “Waterbury Street” you’d swear this is a lost rock band circa 1966-68. Lead singer David Alan Horowitz is patterned after Ray Davies and the music is a combination of pop, rock and blues most closely associated with The Kinks, The Who, The Animals and The Creation.

What makes the band standout is also the exceptional songwriting. “Coming Around” and “Do You Have Healthy Mind?” are both hip shaking perfection and even the song “The Prisoner” relates to the era (all about the 1967 British TV show). “Goons” is another gem sounding like The Who’s early mod hits. The R&B stomp of “Dog Without A Bone” keeps the variety going, and the Rickenbacker jangle of “Ordinary Life” is infectious. I couldn’t find a dud or ounce of filler here. Highly Recommended for sure!

Bandcamp

The Britannicas and Pujol

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The Britannicas “High Tea”
The power pop trio, comprised of  Herb Eimerman (USA),  Magnus Karlsson (Sweden), and Joe Algeri (Australia) are back! “Got A Hold On Me” starts our jangley Byrds-Beatles power pop goodness, written by Eimerman. Karlsson’s “Talkin’ ’bout Summer” is reminiscent of Chris Stamey till it gets to the harmony-filled chorus and Algeri’s hard guitar fuzz dresses up “The Moment Passed.” The psychedelic “Bleed Between The Lines” has a trippy retro Rickenbacker rhythm line. Unlike the debut, the tracks don’t feel forced into any Merseybeat template, and it feels like more of a group effort doing what they like and sounding natural at it.

Ironically none of the band members are British, although late ’60s rock is clearly the guiding influence. “A Shag and A Cup O’ Tea” could’ve been a real funny novelty song, but instead is a whimsical come-on. Each band member brings unique qualities for their respective songs, they work well on Kinks inspired “I Work At The Post Office” and Mod flavored gem “More Like Than Different.” The echoing production of “Will Someone Cover Your Fall” chugs along, then add to this an excellent cover of Del Shannon’s “I Got You,” and there are plenty of gems here to place this in the highly recommended category. Get it now!

CD Baby | Amazon


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Pujol “Kludge”
Tennessee punk rocker Daniel Pujol lays down a stylistic DIY styled punk pop album with frantic beats, distorted guitar chords and sound effects. The slow building “Judas Booth” leads to a the fuzzy glam chorus “The world don’t know my feelings” as it makes a confident melodic noise.

Next “Manufactured Crisis Control” is a classic punk ballad, but the big standout is “Pitch Black” a collection of crunchy chords and melody set to a toe tapping beat. “Circles” is another catchy song that’s slightly more pop (reminded me of Pretty & Nice). You’ll hear influences ranging from Slade, AC/DC, Cheap Trick and Redd Kross. The quirky, detailed production can be distracting but beneath the punk pastiche are some damn fine tunes. One of the most creative indie/rock/punk albums this year and worth exploring. Get a FREE sampler from Noisetrade.

Noisetrade Sampler (FREE) | Amazon

The Paul and John “Inner Sunset”

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No, its not any Beatles or biblical Apostles, but Paul Myers (The Gravelberrys) and John Moremen (The Orange Peels). Written over the past three years in San Francisco, then recorded at Allen Clapp’s Studio in Sunnyvale, CA. The Paul & John’s new LP is anchored by the excellent single “Everything Comes Together” with its SoCal hook and catchy sing-along melody. “Long Way Back” is a bit rougher rock, like Springsteen meets The Smithereens. The harmonies work well there, but they really shine on the slow tempo ballad “How ‘Bout That.” The title track is another winner, full of optimistic lyrics and layered guitars, its Brit-pop melody pleads “don’t let the darkness drag you down.”

Myers lyrical prowess is solid with the jangle-filled “Brickland,” a wonderful picturesque song and Moreman does a brilliant job on the multi-chorded “Can’t Be Too Careful.” Nothing here misses the mark, and its all conceived an a very deliberate way, with the album being bookended by two short ballads, the Paul Simon-ish “Inner Sunrise” and “Inner Sundown.” Highly Recommended and added to my top ten list for 2014.

Bandcamp | Amazon

Live Concert Albums: Lannie Flowers and The Sharp Things

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Lannie Flowers “Live in NYC”
I’ve been a huge advocate for Texas popster Lannie Flowers over the years, and his new live concert album is perfect for fans. It selects songs from the current discography, and in a live setting has that spontaneity and energy that the studio tracks lack, improving each song like “Come On Girl” and “Give Me A Chance” as well as a great cover of Big Star’s “Back Of A Car.” The set was recorded at The Trash Bar in Brooklyn on November 19, and the band is really tight here. This is also the closest thing to a Lannie Flowers “Greatest Hits” LP, so if you’ve never listened before this is an excellent place to start.

CD Baby | Amazon

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The Sharp Things “Live At Galapagos Art Space ”
Perry Serpa’s orchestral pop creation The Sharp Things was crammed onto the small stage at Brooklyn’s Galapagos Art Space last September.  The live environment allows all the players to add even more personality to the sprawling musical epics and detailed arrangements. The great thing about this concert is most of it is posted on You Tube. The performances have a warmth seldom seen and its highly recommended. Check out the excellent “Goodbye To Golders Green” and “An Ocean Part Deux.”

Bandcamp | Amazon

OK Go and EXPO

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OK Go “Upside Out” EP
Ever since their 2002 self titled debut, OK Go has been one of the most visible power pop bands in the mainstream. After the noise pop experimentation and funk on Of The Blue Colour Of the Sky, it’s great to have the band back to form with this new EP.

Damian Kulash and co. are back to making catchy pop with real punch and “Turn Up The Radio” is a great single with its mid tempo hook. But If you’re looking for the standouts its the hypnotic “The Writing’s On The Wall” and the unstoppable dance beat of “I Won’t Let You Down.” Both tracks recall their breakout LP Oh No and its sure to bring you back on the bandwagon. And it just wouldn’t be OK Go without a viral You Tube video.

Amazon

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EXPO “Hydrogen, Helium & Other Songs”
Baltimore alternative pysche-pop band EXPO is the brainchild of  Christian Lipski & John Lane. EXPO uses vocal rhythms, harmonies and textures similar to The Beach Boys but to create a totally new sound. The wordless “Up We Go” is a perfect example with its soaring melody lines, and “Like We Do” mixes organ and sparse instrumentation to allow the vocals to build up. “Best Part Of The Day” and “Sun Shower” are pure Wilsonesque magic similar to the textures created by The High Llamas or Matt Mahaffey (Self).

Occasionally the songs don’t stick (“Let’s Grow Something”) but the touching melodies of “Old Friends Don’t End” and “Stars In Our Eyes” proves its not only textures but lyrics that make the song work. I feel a bit more polish would really put EXPO on the map (especially the finale “Paper Trumpets”), but this is a fine intro to their work.The band has 2 other albums on Bandcamp worth exploring.

Bandcamp