The Orange Peels “Begin the Begone”

The Orange Peels

The Orange Peels “Begin the Begone”

Its hard to mention this album without the circumstances behind it. The Orange Peels lead singer, guitarist and keyboardist Allen Clapp and his bassist wife Jill Pries were in a near fatal car accident while on the way to a concert. They escaped with only minor injuries, and made it to the stage that evening. But following that event, they rushed into the studio to start Begin The Begone. With lead guitarist John Moreman and drummer Gabriel Coan, the band set about doing things a little differently.

Most of the songs are related to the experience, “Head Cleaner” and “Fleeing the Scene” are aggressive, but detailed pop gems with bright chords, big drum beats and REM-like base lines. With “New Moon” the songs add layers of psychedelic textures and shimmering rhythms. All very much like classic Orange Peels, but just a little darker.

Then the album really takes off with “Embers” built on a great piano melody and angular guitar accompaniment, Clapp sounds great throughout here. Both “Tidepool” and “post and Beam” are compelling instrumentals here, one a casual dreamscape and the other a drum dream sequence that blew me away – definitely not filler. It leads up to Moreman’s guitar on “9” and the catchy verses about the highway driving that takes place after the accident, “when I think of what we’ve been through, it’s a wonder we’re alive…” Clapp intones. Then “Satellite Song” channels the West Coast brilliance of Curt Boechetter and the Millennium. It ends with the symphonic kaleidoscope that is “Wintergreen,” and after a few listens you realize this isn’t your average album, but a modern classic. Makes my top ten list easily and arguably the best Orange Peels album ever.
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Surf School Dropouts and Minky Starshine

Surf School Dropouts

Surf School Dropouts “Second Nature”

Unabashed Brian Wilson love is the whole reason Denmark’s Surf School Dropouts continue to churn out harmony-laden songs of sun, fun and summertime. They are also one of the few modern bands that can pull off the surf harmonies as good as this. All you need is a your woodie and a wave, for the opener “Destination Sunshine.” There are other influences too, as “Should Have Known Better” is a little closer to the sunshine of The Sundays or The Pearlfishers.

You have to give this Copenhagen quartet props as “Where Have You Gone” is lovingly composed and arranged. The soft ukulele ballad “Sarah” is dripping sweetness and “Wonderful Ride” has touch of Motown. The lead vocal changes from song to song, and some are better than others but you have to love the enthusiasm of bouncy tunes like “Coastline Crusin.” Some nice instrumental interludes preface a few songs, and the choral “Ebb & Flow” that ends the album is also very impressive. For Beach Boys fans this is manna from heaven.
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Minky Starshine

Minky Starshine “Pop Jewelry”

Rob Anastasi’s band Minky Starshine has always done quality power pop, boasting one of my all time favorite songs (“Cinematic Mojo”) on his last record. Rob just loaded this new release with an all-star supporting cast: Ducky Carlisle (Bleu), Ken Stringfellow (Posies), Roger Joseph Manning Jr. (Jellyfish), Brian King (Oranjuly) and Corin Ashley – just to name drop a few. So expectations are high here.

While the production sparkles with great sound and instrumentation, the opener “Lady London” is a pretty subdued mid-tempo song. The next song lives up to the promise, as “Girl” is a classic hook filled gem with a catchy repeatable chorus and “Easier For Everyone” keeps the chiming harmonies front and center. The sound veers to more mainstream pop with “Drive” and the ballad “Wave Her On” feature Phil Aiken’s dreamy synths. “Miss American Girl,” a country flavored duet with Amber Casares is another standout. But I was disappointed that the rest of the album seemed to stay in adult commercial pop realm, without a riff heavy rocker to juice things up. Despite that, Anastasi does a great job here, “Believe” is a richly layered song with an impressive chorus. Worth exploring and sharing with your friends who aren’t power pop fanatics.
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Fireking and Graham Czach

Fireking

Fireking “Double Trouble”

Boston based Fireking rocks it old school, opening with some Led Zeppelin chords and just burning the amp up on the instrumental opener “Futura 2000.” Then “Built to Last” buzzes along, part Southern Culture on The Skids and part Cult with a driving riff that carries the song along and the definition of a kick-ass guitar break. “Just Like Sunday” is another amazing hook filled song with pounding drums. And the hits just keep on coming here on “A Sentimental Education,” another brilliant rocker with a frantic drum and guitar attack. And through it all lead singer Anthony Kaczynski, Smitt E. Smitty (ex-Figures on a Beach) and bassist Drew Morrison makes it sound so easy.

With 22 tracks on this double album, I wasn’t sure how long they could keep the quality of songs going. Like The Satisfactors, these guys are veterans that keep the party going all album long. “Contagious” is a dense rocker with little nods to The Clash and INXS. Included is a cover of Elvis Costello’s “Tokyo Storm Warning” (it was on the tribute LP). Eventually the band branches out with the epic power ballad “Look To The Sun” and the alt. country flavored “So You Lost Your Baby,” fans of Dave Edmunds are sure to love this one. There’s even a nice biographical tune “Power Pop Chords,” with references to Cheap Trick. Overall, an amazing album that puts “Power” in power pop. Makes my top ten for 2015, you’ve been warned!
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Graham Czach

Graham Czach “Star By Star” EP

Chicago based multi-instrumentalist has both a solid voice and melodic gift. Like a modern Howard Jones meets David Bowie, the haunting “Faint of Heart” boasts a soaring lead and a feedback drenched riff along a catchy chorus. “Fake It” adds a little Eastern rhythm and nice multi-tracking; this single will definitely grow on you.

The guitar chaos opening “Full Moon” dissipates almost into a Duncan Sheik-like verse, then the contrasting chorus keeps you attached. Czach is a musical artist of the first order, blending modern and progressive styles with pop hooks on “Out of The Dark.”  If you are looking for something different and really good, I highly recommend giving Czach a spin in your music mix.
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Jay Gonzalez and Donny Brown

Jay Gonzalez “The Bitter Suite” EP

Drive-By Truckers multi-instrumentalist Jay Gonzalez gives us a follow up to his Mess of Happiness with a five “song cycle” EP. It starts with the hum of a theremin and launches into the bright “Light Side of the Leaves,” one of the better tunes here with its 70’s rock tone and its glossy chorus. You’ll hear influences from Bread, Todd Rundgren and even Supertramp.

Each song dovetails into the next so seamlessly, its often hard to distinguish them, but “Almond Eyes” offers up a playful ballad that is an easy favorite, and the closer “Shanarock Lane” is a solid narrative gem with nice closing harmonies that fade back into that theremin. Unfortunately some of the other songs feel a bit threadbare, but it’s still an enjoyable highly recommended EP.
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Donny Brown

Donny Brown “Hess Street” EP

Former drummer of The Verve Pipe delivers a fantastic EP that touches on the full variety of his melodic talents. Donny’s influences are closer to Brian Wilson, Paul McCartney and he reminds me of Glen Philips (Toad The Wet Sprocket) in spots.

“Lucky Number” starts out slow and pans out to a rich harmonius chorus. The “Driving Song” is a pleasant easy going highway drive. But the best songs are the magical “Bitter Rival,” like a lost Andrew Gold classic, and “The Night I Fell For You,” one of the most romantic melodies I’ve ever heard. “Call Me” is a faux 1920’s bit of flapper pop that ends things on a light jazzy note. This one sneaks up on you and is one of the best EPs I’ve heard this year.
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Greg Pope and Ryan Link

Greg Pope “Fanboy”

Dubbed “The Pope of Power Pop” by Steve at Absolute Powerpop blog, Greg has made his band a family affair with his sons contributing to the latest album; Asher Pope on guitar and Noah Pope on drums.

Like most of Greg’s work, you get plenty of solid power pop gems including the awesome biographical title track about growing up a fanboy “who’s 47 but still a kid.” A story about the risks of rock stardom is the focus of the catchy “King Of The Scene.” One of the my favorite songs here is the subtle tempo and crunch of “Greater Threat” with its growing menace in the chords. Another highlight is the running verse of “Pretend It’s Yesterday” with its wonderful overdubbed guitar melody and gentle vocal.

On his own site, Greg is offering up a 23-track Fanboy Deluxe Edition of the album that includes acoustic work tapes, and demos. This is a great album that I proudly recommend, so get it!
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CD Baby | Amazon | Fanboy Deluxe


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Ryan Link

Ryan Link “Reverberations” EP

West Coaster Ryan Link was in the Boston power pop band Miss Fortune, when he was bitten by the acting bug and decided to join the Broadway production of Rent in 2003 followed by a revival of Hair in 2009. He returns to music with Reverberations.

Starting with “Under The Rug” its a catchy alt. country theme and “Not Going Anywhere” is a solid biographical story about persistence of the heart. The spacey title track didn’t work for me, but “Maladjusted” is light, shuffling treat. It’s a short (but sweet) sampler, and hopefully we’ll hear more from Ryan in the near future.
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