Rob Bonfiglio “Freeway”

Rob Bonfiglio

On his third LP, the veteran musician (guitarist/songwriter/producer with multi-platinum pop act Wilson Philips; guitarist & co-conspirator for former RCA power-pop band Wanderlust) still knows how to create joyous power pop, like the opener “Lonely World” by contrasting the sweet chorus with the isolating lyrics “What is love, what is wealth, when you’re all by yourself?”

This effort has a more laid back California feel than previous albums, using more contemporary pop rhythms with rich melodies. “Almost Blue” is a smooth Eagles-like tune with some great slide work in the break. “I am Tomorrow” is another great song with a simple pop beat that builds into a complex tapestry of melody with sharp backing harmonies. “Beautiful” has a good mix of chord shifts and dramatic romantic lyrics. The pop craftsmanship here can’t be discounted, it’s absolutely gorgeous. Not that Rob has forgotten how to rock, “Best Plans Never Made” is an excellent rocker with a nod to Ringo and Paul, catchy swagger and the dense guitar outro.

The album goes through adult themes like hope, forgiveness and the frustrations of life and love. Bonfiglio’s pop sensibility is similar to Andrew Gold with the bouncy “Under The Gun” and the sunny “Golden State” with its sunny, deliberate tempo and some heavenly harmonies very reminiscent of Bob’s famous father-in-law. Overall a low pressure album that hits all the right notes, even with the slight instrumental “Prelude”and it makes my year end list for 2014.

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The Ugly Beats and The Roaring Juniors

The Ugly Beats “Brand New Day”

Austin, Texas band The Ugly Beats have been making glorious 1960s garage-styled power pop for over ten years now, and their newest release is testament to this approach.  However on this album there is less a reliance on the stomping rough style (like The Troggs) and more actual melodies and harmonies that get in your head quickly. “Up On The Sun” starts with a fast tempo guitar attack and “Throw Me A Line” has a driving rhythm that compels you to clap along with the countdown.

The punchy riffs of “I Want That Girl” and “Gone For Good” are more irresistible treats with energy and cool to spare. Every cut here is great, even the bouncy instrumental “Beataroo” works wonders. What you have here is a band at their peak and a smokin’ retro all-American power pop album. Fans of the Animals, Outrageous Cherry or The Above are sure to love this one too. Highly Recommended.

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The Roaring Juniors “Almost Grown”

If it seems only a month or two since we reviewed The Roaring Juniors, its because we did. The Ann Arbor based band is back for more punk pop fun with its newest EP. Stylistically the band is more consistent here, channeling The Ramones, Replacements and The Buzzocks. The opener “Movers and Shakers” is the highlight here, with its killer guitar hook. From there the energy level stays high on “Very Clydesdale,” a snearing punk anthem, but lyrically gets lazy on “Angel Friend” which is an excuse to cuss. Still catchy though. Only available on Bandcamp.

Richie Parsons and The Psycho Sisters

Richie Parsons “Honey and Tears”

Veteran musician Richie Parsons has been a part of the Boston area music scene for years, and now he’s finally put together a debut album produced by Ken Stringfellow (Posies). The clear, rich melody of “When Fall Begins,” reminds me at times of the last Sunrise Highway album. “LOve Letter” is another gem with fantastic layered jangle. Next comes the “wall of sound” Phil Spector approach on the echoing ballad “Evelyn.” The instrumentation here is excellent, and you’ll hear influences of The Beach Boys, and even modern country music with the strong twangs of “Summer.”

Richie’s style also reminds me of Roy Orbison in spots, especially on a cover of Glen Campbell’s “Hey Little One” with his wailing vocal treatment. “Mix Tape” is a pure power pop delight, and after a few listens it really sticks in your head. Lots of highlights here and overall Highly Recommended.

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The Psycho Sisters “Up On The Chair Beatrice”

Despite the horror-themed name, The Psycho Sisters are not “psycho,” nor are they sisters. They’re sisters-in-law, Susan Cowsill (The Cowsills) and Vicki Peterson (The Bangles). And both have been in family-based bands since childhood. Once Vicki married John Cowsill, the two became related and it took a long time, but the duo finally recorded an album together.

Starting out with the sweet harmonies of “Heather Says” its a story of an evil 4th grade girl who makes life difficult. “Never Never Boys” (co-written by Peterson and Bob Cowsill)  is a great country pop single that’s full of hope and catchy hooks. The rock guitar and fiddle makes “Numb” a unique approach to a rocker that brings to mind the Wilson sisters band Heart. “Fun To Lie” is a jangling gem that recalls The Bangles and “What Do You Want From Me” is a strong response to an ex-boyfriend who doesn’t know when to quit. A poignant coda here is “Cuddly Toy,” written by Harry Nillson that was a big hit for the Monkees. It was done to honor the passing of Susan’s reported favorite Monkee, lead singer Davey Jones. Highly Recommended.

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Steve Caraway and Dave Caruso

Steve Caraway “Upon This Rock”

Steve Caraway is a veteran adult contemporary singer from Boston, think a cross between Bryan Adams and Steve Perry. I expected “Upon This Rock” to be a modern Christian rock album based on the title, and although it has its share of inspiring tunes, is clearly secular.

The simple strum of “This Foolish Heart” is a good opener about learning to love again. “Big Star” is a tribute to the late Alex Chilton and the band without sounding at all like the subject, more a wistful reminiscence. “Supernova” heads into power ballad territory and comparisons to Perry are appropriate here, that mentioned its a catchy tune with layered horns and guitars. The purest power pop here is “Candy” with its strong guitar line and minor chords, but there is plenty here to recommend including the epic title track which feels like a great Elton John ballad and the rocking love-song “Justine.” Well done and highly recommended.

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Dave Caruso “Cardboard Vegas Roundabout”

We reviewed David Caruso before, so the laid back guitar on “Mystery & Sweetness” is an expected pleasure, but he really has the vocal technique honed on his Beach Boys tribute “Champion.” With some wonderful “Ba ba ba” harmonies, it lyrically states the truth “how do you keep it light while peeling back the layers of bittersweet insight?” Fans of adult contemporary pop will just love “Rockabye (A Rockturnal Lullabye)” with its descending chord structure and perfectly timed guitar solo.

Caruso’s guitar pop hits a winner with “Fake Friends,” a jangle-tastic single about ignoring those Facebook nobodies. David’s clear pop production reminds me a lot of Lewis Taylor on the soulful “I’ve Tried To Write You.”  Another big highlight is the Elvis Costello like ballad “The Art of Erica,” and it proves this to be another highly recommended album.

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Chris Richards and The Subtractions and Deena

Chris Richards and The Subtractions “Decayed: 10 Years of Harmony and Song”
This gathers a decades worth of Chris Richard and its distilled into one catchy adrenaline fueled LP. Each song is a winner (that’s why they are called “Greatest Hits”) and it includes the original “Call Me Out” which is also on The Power Popaholic Original Soundtrack Vol. 3.

Plenty of guest stars are on these tracks: Nick Piunti, Keith Klingensmith, and Andy Reed contribute to the best primer I can think of for the Chris Richards neophyte. Of course, its all Highly Recommended! And you can see the band LIVE at Power Popaholic Fest on August 30.

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Deena “Rock River”
New Jersey songstress Deena (Shoshkes) showcases her light blend of alt country and indie pop.  Somewhat a cross between Lisa Loeb and Blossom Dearie, her distinct vocal is supported by fantastic backing instrumentation . “My Own Advice” has a sturdy pop hook and simple chorus, reminding me of a Monkees single. “All She Wrote” is a fun sing along and the bouncy “My Friend Superman” is sunny pop with a touch of jazz about teasing the Man of Steel.

And while not everything is as catchy, there are plenty of highlights here. The country mid-tempo heartbreaker “Always Tomorrow” is a memorable twanger, with help from pedal steel player Jonathan Gregg.  No real filler, and the stylistic variety prevents boredom. Definitely sweet enough to stay on my playlist.

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