Category: Highly Recommended by Powerpopaholic

Fauna Flora and The Feels

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Fauna Flora “Fauna Flora”
Fauna Flora is the new project of Steve Ward, formerly of Cherry Twister. Along with bassist Joe Pisapia, keyboardist Matt Thomas, and drummer Paul Murr, they formed the new band, and its a rich and vibrant gem. Recorded and produced at Ward’s barn studio in Marietta, Pennsylvania, it starts off quietly enough and then dives into the gorgeous “Happy Hour,” if Coldplay knew what it was doing it would sound this good. Ward has moved towards a grander chamber pop (so fans of Eric Matthews, please get this one).

The orchestral swoon of “The Arms of Winter” then gives way to the gentle “Belle Of Blue Road,” a roots-influenced ballad. “As The Story Goes” is a ghostly gem, echoing 10cc or Alan Parsons Project in spots, with Ward’s whispering vocals. Unlike Cherry Twister, the guitars aren’t the main focus, and the composition and songwriting are more important. In fact the entire album is a study in the simple and complex, from the bouncy “Sunday, AM” to the richly melodic “Head of Fern.” Its great to see this creative band spread its wings. Not a dud here and one of the best albums you’ll hear this year.

CD Baby | Amazon

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The Feels “Dead Skin”
New York based “The Feels” is a sweet pop revelation, sounding current with smart melodies, and a shredding guitar riff. It follows the tradition of The Click Five and Weezer. “Dumb or 21?” is a great intro that touches all the bases here. “Purple Heart” is a pensive melody, you expect a big chorus but it goes small instead, on “Maybe” it has a fast-paced guitar buzz closer to Green Day.

What makes this band above the average is lead singer Christian Stefos Migliorese formerly of Candy Hearts. He just has the chops to lead a melody hard or soft. “When Things Were Good” is a perfect stoner love song, with a simple strum and Christian’s impressive pipes. The poppier aspects of this short 8-track album remind me of Wyatt Funderburk or The Sonic Executive Sessions, each song is well composed, usually about love and leaving love. “She’s Gone Away” is another highlight among many, with some beautiful 3 part harmonies. Highly Recommended.

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Concert Review: Cavestomp! The Garage Rock Festacular

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One of the coolest radio shows on the planet is Little Steven’s Underground Garage and they frequently feature great power pop on the show. Many of these artists receive the accolades “Coolest Song” or a spot in his yearly top ten — and at this occassion several played live at The Rock Shop in Brooklyn (site of our Power Popaholic Fest). The show continues Sunday night (4/27) at the Mercury Lounge (NYC), so you still have time to see this great show.

Hosted by Handsome Dick Manitoba of The Dictators, and one of my favorite veteran bands The Jellybricks opened things up. They did a great set of songs from their new album Youngstown Tuneup, one of my favorites this year. The follow up with John and Brittany, that’s John Faye (IKE, The Caulfields) and Brittany Rotondo served up a grunge covered set of sour sweetness. The dynamic duo were then followed by Palmyra Delran, and she totally rocked the house down. Finally The Connection took the stage, they were in my top ten last year and they did not disappoint onstage. Overall, it was an amazing night of music!

Twins and Doug Gillard

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Twins “Tomboys On Parade”
Twins wave their power pop flags high, and produce a rocking happy-go-lucky style of music that’s easy to fall in love with. “Teach Each Other,” follows the Big Star tradition of intricate melodies, memorable riffs and clear harmonies. “Long Way Down” has another catchy riff, with enough quirky vocal styling to keep it interesting.

“Thankful” is downright bizarre lyrically and vocally the harmonies remind me of The Loving Spoonfuls. “Babe City” also has a optimistic, almost inebriated approach with heavy riffs and “ba, ba, ba” choruses. Even the Kinks-like ditty “Ardsley Lane” is a joyful acoustic gem. Like the video we posted last month, this is an infectious fun party album. Highly Recommended.

Amazon

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Doug Gillard “Parade On”
Doug Gillard is one of those special musicians not enough people pay attention to, and should. He’s played with Guided By Voices, Nada Surf, Lifeguards, Death Of Samantha, Gem, Bambi Kino, Sally Crewe, Mascott, and many more. With Parade On, he starts with the best George Harrison song he never wrote “Ready For Death” a catchy hummable melody about the inevitable. “Angel X” is a fast paced tune with some great layered keys and amazing guitarwork.

The melodic subtleties of “I Shall Not Want” remind me of Alan Parsons a bit. Both “Come Out and Show Me” and “No Perspective” have some obvious GBV fingerprints. One of the best songs here is “Oh My Little Girl,” a  jangle-filled melody, that could’ve used a more forceful vocal but still shines bright. The title track is another catchy earworm that you’ll find yourself humming along to. The flat production doesn’t always benefit the songs, but that said its a fine collection of tunes worth your time.

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Drake Bell “Ready Steady Go”

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It’s been a long time since we’ve heard from young pop star/actor Drake Bell. The former “Drake & Josh” star has always had a taste for vintage sounds, and has no interest in following the conventional Disney pop star template. Ready Steady Go! brings the slick rockabilly sound to a new generation of fans with the help of his childhood idol, Brian Setzer. While this is primarily a covers album, the originals really shine here. The first single “Bitchcraft” is a well played 50’s swing single similar to The Cherry Poppin’ Daddies. It would be nice to stick to a single musical era, but Drake wanders through his music collection for some variety.

You gotta love his picks here. It takes guts to cover The Kinks “Sunny Afternoon” which reflects his real-life situation. His admiration for executive producer Brian Setzer is so deep he covers two Stray Cats songs “”I Won’t Stand In Your Way” and “Runaway Boys.” Some tracks are just too ingrained for me to look at anew, but his more obscure picks like The Jags “Back Of My Hand” and The Move’s “California Man” work seamlessly with his vocal stylings, sounding great. The latter song and Cask Mouse’s “Bull” also showcase Drakes excellent guitar skills. He closes the album with a smooth lounge ballad “Give Me A Little More Time” and it definitely leaves you wanting more. Highly Recommended.

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I was fortunate to speak with young pop star/actor Drake Bell, we discuss his new album, voice acting and he gets to voice his side of the story when Buzzfeed.com posted a story that started a twitter war between him and fans of Justin Bieber and Ariana Grande.

 

Below is the official video for “Bitchcraft”

Spirit Kid and The Tangerines

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Spirit Kid “Is Happening”
It’s been too long since I’ve heard Spirit Kid (aka Emeen Zarookian) and this new album is a joy to listen to. Heavily influenced by late ’60s bands and sounding a lot like Apples in Stereo’s Robert Schieder, the opener “Everything is Old” has an excellent chord structure and catchy baseline makes it pretty darn irresistible. A perfect mix of classic and modern sounds.

“Slow It Down” ironically picks up the tempo, with solid harmonies and frantic guitar shredding after the chorus. Then “Is This Heaven?” really shows us a longing ballad with jangle rhythm perfect for that slow dance at your senior prom. “Making Excuses” bookends pure Who from the “Who’s Next” era and then we get Dick Dale styled guitar accents on the catchy “Too Good For Winning.” The influences aren’t overdone, and each melody drives it home. Without a doubt, so far this is very high on my top ten list – an instant classic. After a long winter, I feel like spring has really arrived.

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The Tangerines “Turn On The Light”
The third full length album from the Swedish power pop duo. “Turn On The Light” and “It’s Alight”  are a light jangle-filled confections, fans of Byrdsian strums will find hard to resist. The Tangerines have found their formula; a version of Spongetones-lite as Per’s vocal gently explains blissful satisfaction on the song “Once In A Lifetime.”

The Beatlesque bounce on “It’s A Girl’s Girl’s World” quickens the tempo and the story of “She’s So Fluffy” draws on the Ray Davies storytelling style and musical composition. The album goes through 16 tracks, most clocking in under 2 minutes. The only thing you could argue is that the sound can get a bit homogeneous, until you reach the faux-roots “Up The Country” and “All Through The Years” which mimics CSNY’s “Our House.” Otherwise this is a fine album, fans of mid 60’s pop will thoroughly enjoy.

CD Baby | Amazon