Category: Highly Recommended by Powerpopaholic

David Woodard and Ward White

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David Woodard

David Woodard “Get It Good”

David Woodard from Nashville, Tennessee, makes a great impact with Get It Good, which shows off all of his power pop influences. With his signature sweet melodies and harmonies, this eleven-song album features some of his catchiest songs yet.

David’s lyrics aren’t obtuse, he says what’s on his mind, and you get it immediately. He launches things with the biographical jangling gem “Last of the Full Grown Men,” about a midlife crisis and picking up that guitar to take a “break from the insanity.” The mid-tempo “Get it Good” boasts a great bridge full of harmonies, and “I Can’t Make the World a Better Place” gets across the frustrations of the world today and the limits of what a musician can do.

His glorious Beatlesque side comes through on “Flower Power in the 80s” and “I Used To Be Cool.” These great catchy songs contrast with the calm tone and adult-oriented anxiety of “Riptide.” The 80’s rock riffs appear on “Grace Under Pressure” and “Coming to Life.” It finishes with the delicate “Only What Love Requires,” including a subtle piano melody and strings. There are more than enough great songs here to make this one highly recommended.

KoolKat Musik | Amazon

Ward White

Ward White “Here Come The Dowsers”

Ward White weaves together character vignettes voiced by many personas in his new album Here Come the Dowsers, which explores the disillusionment they all feel for the movie business. The concept album is a good way to tell the story from different points of view, and it also gives White a chance to add an emotional twist to each tune. There are several notable tracks here. Starting with “Continuity,” it’s an effective narrative of the life of a stuntman that soars musically. The title track “Here Come The Dowsers” equates the birth of a studio movie product with water divination in the desert of early 20th-century Hollywood. The swaying arrangement has multiple melody lines and harmonies.

“Our Town” is another grand melody about the cutthroat competition, and “Johnny Fontane” is about a producer stubbornly casting for The Godfather. The musical tone recalls Ray Davies and The Kinks’ early 1970s era in spots. “Pick Up Your Face” is a commentary on a starlet’s fleeting beauty, with a catchy keyboard chorus. Although the personalities and lyrics presented can become overly obscure (i.e., Louella Parsons), it doesn’t diminish the musical pleasure. This is an album that requires multiple listens to appreciate. Highly Recommended.

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Aerial and The Cyrkle

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Aerial

Aerial “Activities of Daily Living”

Activities of Daily Living is the third album by the Scottish power-pop band Aerial, and it’s been 10 years since their breakout LP Why Don’t They Teach Heartbreak At School. Despite a little softening of the band’s sound over the last decade, they can still tear through gems like “Pixelated Youth,” a rocker about playing video games akin to Green Day. The band’s main musicians, Colin Cummings and Mackie Mackintosh, created most of the music during the COVID-19 pandemic. The slower, more reflective “Hollywood Ghosts” brings to mind the mid-tempo thoughts of Ryan Hamilton or Fountains of Wayne. The catchy melody and well-planned handclaps of “I Bet You Know Karate” make it stand out.

They go for the grand ballad on “Debutante” and “Silversand Beach,” but it’s back to heavier riffs for “A Encore and a Cover Song” and “Cadence,” which is closer in spirit to Weezer. The well-written and executed “Bad Tattoo” is yet another standout track. The lack of the carefree spirit that permeated the prior album is the most significant criticism. In addition, the uneven styles don’t stick as well either. Despite this, Aerial puts forth a quality album that is highly recommended.

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The Cyrkle

The Cyrkle “Revival”

The Cyrkle is one of those rare two-hit wonders back in 1966, with a Paul Simon/Bruce Woodly penned “Red Rubber Ball” and “Turn Down Day” as their claim to fame back then. The core duo of Tom Dawes and Don Dannemann had a pleasant and energetic folk/pop/rock sound. They were the only American band that the legendary Brian Epstein managed, and they went on to record two albums. They even went on a concert tour playing with The Beatles. But by 1968, it was all over… until now. 

Fast forward to 2024, Don Dannemann connected with singer-guitarist Michael Losekamp, to record their reminiscences. Don has a contagious passion for the band’s legendary past. Songs like “Center of the World” and “We Thought We Could Fly” reflect the band’s astonishment at their precarious fame. The latter track includes the late Tom Dawes vocals, added much like the recent Beatles single “Now and Then,” and it’s the best new song here. It does sound strange when Cyrkle revives their early 60’s sound on “Goin’ Steady With You,” but its sure to appeal to their senior audience. Of course, they do a good job on updated versions of their hits as well as Paul Simon’s “59th Street Bridge Song.” Listen, if Sir Paul and Ringo can record a stroll down memory lane, why can’t The Cyrkle? It’s your grandpa’s music that deserves to be heard.

Amazon | KoolKat Musik | Big Stir Records

May singles and more: The Martial Arts, Speedfossil, Goodman, Vanilla, Sad About Girls, The Fuzzy Berries

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The Martial Arts‘ new album, is due in August of this year. The Martial Arts is Paul Kelly, who for over 15 years has been a mainstay of the Scottish music scene as a member of BMX Bandits (nice pedigree). “No Victory” is the first big single. Speedfossil is also back with a cool EP, all good songs, so check out “Magic Trick.” NYC’s own Goodman also returns with a new single, “Only Testimony,” from his 7th album. Vanilla continues to grow Pish Posh, and I enjoyed the yacht rock groove of “She Loves Me Not.” Another crunchy EP is Sad About Girls, check out the Keith Moon drum rolls on the epic “As Another Minute Passes By,” Finally, Melbourne kids The Fuzzy Berries will simply charm you with those melodies. Listen to “Clarence In Wonderland.” A great start to May!




Kate Clover and Ken Sharp

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Kate Clover

Kate Clover “The Apocalypse Dream”

Kate Clover is a force of nature that can not be denied. This L.A. based singer-songwriter is a solid powerpop-punk with influences ranging from Blondie and The Buzzcocks to The Runaways and Ramones, and her latest album has the makings of a smash hit because of how confidently and catchily she performs each song. She and her band get off to a flying start with the title track, but they let loose on “Like A Domino” and don’t let go of you. The big single “No More Romance” is an infectious gem loaded with jubilant guitar bombast. Her vulnerable side is evident throughout “Damage Control,” a tight guitar-rock arrangement that opens with a conventional pop vocal solo.

After that breather, it goes back to the fast-tempo rock of “Disconnected,” and “Here Comes The Love Bomb.” No duds here, and solid punk energy throughout. This is an album to play loudly with the windows down. Clover accomplishes the remarkable feat of evoking old punk and new wave in a manner that feels utterly modern. Highly Recommended!

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Ken Sharp

Ken Sharp “Welcome to Toytown”

Ken Sharp continues his exploration with short baroque pop melodies. He focused this effort on Miniatures in 2021, and he’s got a new crop of 41 songs with Welcome to Toytown. With this much, let’s concentrate on a few representative favorites, as songs are mostly under 2 minutes. “Great Big Beautiful World” is an anthemic pop confection, akin to The Free Design, with layered harmonies everywhere. “Beach Boys on My Stereo” also does the same. “Friend In You” boasts a sweet guitar part, and “I am Your Spaceman” has a lovely hook. I also liked “Listen,” “Daisy Jane,” and “Broken Down Heart.”

Some of these simple musical phrases, like “We Are Timeless,” could have been stitched to another melody to make a proper 3-minute tune, but Ken decided to leave the parts separate and see what sticks. The exception here is the 9-minute+ “Toytown Suite,” a musical fairytale about the king of Toytown, done with almost childlike eagerness. You’ll be able to pull an album’s worth of quality tracks if you are willing to do the weeding. Sharp offers a lot to take in, and there are moments when the sheer volume of music makes it hard to concentrate on a single track. Others may want less work to do, in that case so check out New Mourning. If you are familiar with Ken’s work it’s music that deserves to be heard.

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Your Academy and The Trafalgars

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Your Academy

Your Academy “#2 Record”

We get it, you love Big Star. Your Academy, the self-declared successor of Memphis power pop, gives us a new album with a solid pedigree that includes former members of The Scruffs, Dwight Twilley’s band, and Crash into June. “Marilu” is a pretty good start, with a solid riff-based gem with handclaps and harmonies layered on top about sexy 80’s TV sitcom star Marilu Henner. Next, “Miss Amphetamine,” is a buzzing power pop gem, that could be easily mistaken for The Well Wishers.

Many songs directly refer to the band Big Star, lyrically and musically, “Our Star,” is about a made-up chat that Alex Chilton had with the ghost of Chris Bell in 1985. “Just a Little Out of Tune” and the excellent “My Near Catastrophe” are standouts. There are no real duds here, and with only ten tracks, there is no filler either, but many songs sound a little too similar. However, repeated listening is essential for this one to appreciate the musical craftsmanship on display. Highly Recommended.

Kool Kat Musik | Amazon


The Trafalgars

The Trafalgars “About Time”

Rhys Bowkett of the Australian band The Trafalgars says that Sloan, Even, and Rinehearts are some of the bands that have influenced him and that he holds in high regard. All great bands. By doing this, he describes the album’s sound; a mix of catchy power pop with solid guitar work. “Company Time” mines this best, catchy melody with a solid jangling rhythm guitar. They have a seamless blend of nostalgic guitar riffs, echoing the spirit of 1960s London while infusing it with infectious energy. “Davey Parker” is another standout here.

While the lyrics are simple, they suit the material well. Elements of glam (a la Sweet) are in “She’s My Girl,” but songs don’t always stick, for example, “Start Again” feels very repetitive and formulaic. No ballads here also mean that the band has the pedal to the metal, with the same tempo, and it can get a bit tiresome. However, the band does channel the energy well, and fans of retro pop will enjoy it. It’s music that deserves to be heard.

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