The Gin Blossoms and The Dandy Warhols

Here is a review of few major label bands that got my attention:

Gin Blossoms “No Chocolate Cake”
The Gin Blossoms were one of the few power pop bands of the 90’s that had mainstream success with mega-hits including “Hey Jealousy” and “Til I Hear It From You.” Now the band returns after their Major Lodge Victory album, to continue their brand of easy going power pop. The band (Robin Wilson, Jesse Valenzuela, Scott Johnson and Bill Leen) assisted by Danny Wilde (The Rembrandts) on keyboards starts out with the crunchy chords of “Don’t Change For Me.” The band does a fine job here but it sounds too innocuous to be that memorable until we get to the standout track “Miss Disarray” which will remind you of those classic hits. The next song “Wave Bye Bye” is also very good with Wilson’s gentle vocal and a hook in the chorus that keeps you listening.

Another gem is found on “Somewhere Tonight” with some great guitar melodies and Danny Wilde’s influence is very strong here. Unfortunately with the entire band getting song credit on “I’m Ready” it’s so generic and bland it begs you to hit the skip button. The band redeems itself on “Goin’ To California”  with a standout guitar solo and measured rhythms. Overall, No Chocolate Cake has some sweet moments that makes it worthwhile.

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The Dandy Warhols “The Capitol Years 1995-2007”
The Dandies were a band that put the “chic” in heroin chic with their druggy psychedelic pop debut. This retrospective collection of the band shows how a promising group can catch the zeitgeist of an era with the big hits, “Boys Better” and “Not If You Were The Last Junkie On Earth.” Lead singer Courtney Taylor-Taylor was a perfect mix of Bowie and Lou Reed early on with a sarcasm and trippy introspective approach that few could equal. Other songs like “Bohemian Like You” and “We Used To Be Friends” channel The Rolling Stones at their lounge lizard best. The band begins to spiral into a self indulgent mess toward the end on “Plan A” and “Holding Me Up.” I could go on for a page about the love-hate battle with The Brian Jonestown Massacre, but in the end it’s the music that remains. The Dandy Warhols legacy is secure and this is a decent introduction to newbies.

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Jon Lindsay "Escape From Plaza-Midwood"

North Carolinian Jon Lindsay shines on his full length debut full of melodies and magic.  He’s a favorite of musicians Ken Stringfellow (The Posies), Britt Harper Uzzell(Ben Folds) and Caitlin Cary (Whiskeytown). Opening with “These Are The End Times” it’s a mini-symphony Brian Wilson would approve of, complete with a variety of instruments including steel drum and sleigh bells. The next track “Inside Prince Paul” is just as impressive, sounding like a combination of 10cc and Apples in Stereo in the chorus. Another highlight is the anthemic “My Blue Angels” which revels in the pleasures of rock and roll set to a infectious beat with a Chapel Hill touch.

More hooks than a fisherman’s tackle box are evidenced in the tracks “Number Every Summer” and “Bring The Old You Back” with a vocal that has a big range from indie (similar to Robert Scneider or Ben Kweller) to soaring soprano on ballads (“I Take Care Of You Now”). Most every tune here resonates, additional highlights include “Frequent Flyer” where he experiments with plenty of strange instrumental flourishes and rhythms. In fact the majority of the album is so richly packed with pop arrangement magic, that the last few tracks lose momentum by comparison. Overall an amazing debut that should not be missed.

Broken Promise Keeper "Poptimized"

Rob Stuart continues his musical journey with Broken Promise Keeper’s fourth album “Poptimized.” I very much admired last year’s “Ice Cold Pop” and he picks up right where he left off. This is old school DIY power pop played with conviction, starting with “Scarred For Life” all the hallmarks are there (riffs, hand claps, melodic chorus). It leads seamlessly into the catchy beats and Trekkie lyrics of “Hyperdriven.” Next there are lots of layered instrumentation and vocals to highlight “Today I Do.” The lo-fi production tends to bury Rob’s vocal at times, despite the ambitious composition. The gem “We Pray For Rain” starts with a piano intro and turns into an early REM styled mid-tempo guitar tune.

The energetic “Sad But True” is a triumphant rocker that laments on the state of a dead marriage and it’s my favorite track here. Other tracks are pretty consistent, if a bit too similar sounding in the rhythm but there is enough here to keep things interesting.  The legacy of the Athens, GA sound that made it “The Liverpool of the South” lives on here with Broken Promise Keeper.

Skeleton Staff "Solipsism"

This criminally overlooked band from Australia has been rightly described as “like Crowded House being bent over the bar by XTC.” The band is represented by imaginative animated-style characters (they have a comic strip posted on myspace regularly) and has a combination of influences old and new bathed in sugary sweet pop. It’s almost like discovering The Wiggles, except it’s for adults.

Opening with the commercially viable pop of “Big Celebrity,” it shifts into “Skylarking” mode with “If You’ll Be My Adam” with multiple melodic twists and layered choral effects it makes an excellent single. “When She’s Got Her Blackboots” is another winner and invites comparisons to those Finn brothers. Guitarist/vocalist Stanton has a soothing vocal on “One Million Shirts” that proves to be a brilliant melodic ballad. The dramatic harmonies on “Act 2 Scene 3” are a treat as well. The quality of the songwriting flirts with novelty at times (“She’s So Rude”) or even sixties parody (“Didn’t Know Dumb”) but never fails to get your toe tapping. The title, “Solipsism” is the philosophical idea that only one’s own mind is sure to exist. Here is an album that proves great power pop exists too.