Chickenfoot vs. Extreme

Step right up folks! It’s a battle of the bands — both have heavy guitar cred and both feature vocalists who worked previously with Van Halen. Let’s get it on!


Extreme “Saudades De Rock”
Beyond the fact that this is Extreme’s first album in thirteen years, we have both singer Gary Cherone and guitarist Nuno Bettencourt taking this record very seriously. For the band, it’s a welcome return to form on par with the group’s masterwork Three Sides to Every Story as the band proves that they still “got it.” Saudades De Rock boasts Cherone’s forceful vocals and Nuno’s incredible guitar licks on the opener “Star,” about a musical divas fall from grace. Nuno’s guitar brilliance shines on “Take Us Alive” another trademark fast paced rocker full of swagger and bar room funk. The riff on “Comfortably Dumb” sticks in your head, and doesn’t let go either. While the ballad “Interface” won’t make you forget the #1 hit single, “More Than Words”— it does sound melodic and the soulful piano ballad “Ghost” is sincere. And the band is excited to be back together and playing to their collective strengths. And clearly, the accomplishment is not lost on them. “It didn’t take long for us to be reminded of what we were capable of,” Cherone enthuses. “We always knew Extreme was special. We always knew it was a matter of time.” It’s nice to see a reunion that actually works — it’s like they never left.

My Space | Amazon | Itunes


Chickenfoot “Chickenfoot”
It’s a new “supergroup” featuring Joe Satriani, Chad Smith (from the Red Hot Chili Peppers) and two former Van Halen members, Sammy Hagar and Michael Anthony. The majority of the Van Halen/Sammy Hagar fan base will enjoy this, as it’s by-the-numbers corporate rock. And let’s face it, Chickenfoot are just slumming it – they are an bunch of aging rockers who used to kick ass, and now they’re just jamming for their own amusement. They aren’t playing poorly, but they aren’t even remotely close to making it sound more than a well-produced garage jam session. Guitar deity Satriani prevents disaster here by adding a few well placed riffs as the skeleton for several songs. “Soap on a Rope” and “Get it Up” prove Satriani and drummer Smith are able to deliver, but the songs simply don’t move beyond a few bars. Anthony’s bass does his best not to upstage, to the point where he’s invisible. The same riff is repeated over and over, while Hagar does his best David Lee Roth impersonations. Most of the music is lifeless and unmemorable – and puts it in the category of generic rock and roll background music.

MySpace | Amazon | Itunes

Winner by a knockdown: Extreme!

The Leftovers "Eager To Please"

Hailing from Portland, Maine, The Leftovers deliver the combination of sun soaked melodies and raw, driving rhythms – power pop in the truest sense of the words. Produced by power pop fave Linus of Hollywood, we get tight arrangements at a dizzying speed. Sounding like the bastard child of Paul Collins Beat and The Ramones on “Telephone Operator” the band goes the extra mile to keep the music upbeat and catchy. The band has a nice platoon of guest stars, including Kim Shattuck of The Muffs, Brett Anderson of The Donnas, Parry Gripp from Nerf Herder, Coz Canler from the Romantics and Jon Rubin of the Rubinoos. So many highlights are here, “Girlfriend” is piece of power pop gold if ever I heard one and much of the other tracks follow in this mold. “Lost and Found” has the simple lyric about getting dumped, and bouncing back with a terrific riff, bells and hand claps. Fans of three-chord 70’s pop will also fall in love with this release, with even a little Beach Boys backing vocal on “Get Out Of My Head,” keeping the music zooming along at breakneck speed. Unfortunately, it doesn’t slow down at any point with a mid-tempo song, or ballad. But it ends well with “Party Till We Die,” which features a vocal duet with Donnas singer Brett Anderson, doing a sweet update on the Bay City Rollers “Saturday Night”. Fans of Elvis Costello, The Queers, and The Romantics will lap this up too. Without a single weak track, this band is eager to please — and you should be eager to pick this album up.

My Space | Itunes | Not Lame | Kool Kat Musik


See the video to “Dance With Me”

Bleu "A Watched Pot"

Over the years Bleu McAuley has become a touchstone for several high profile collaborations with pop’s brightest stars. He’s also been a songwriter and producer for tons of pop artists (Rooney, Ryan Adams and John Mayer). As a driving force behind L.E.O. and The Major Labels, it’s about time we heard a solo – after all Redhead was released in 2003 and due to label problems, only now we get to A Watched Pot. All this pent up creativity can frustrate many artists, just look at what happened to The Smashing Pumpkins or Axl Rose. Fortunately this is worth the wait as this watched pot boils over with passionate melodies and dramatic energy. Opening with the expansive epic “Save Me,” Bleu chronicles his journey through disappointments, it’s a signature tune with a great big sticky hook in the chorus. The production is flawless and is full of uplifting crescendos like in “Come N’ Go” and for you L.E.O. fans a very lovely Lynne-ish “No Such Thing As Love” is as strong as anything The Secret Powers did earlier this year. Bleu’s approaches are very commercial and “Kiss Me” takes a note from vintage George Michael. The demons of a bad relationship, and blues pop take over “I Won’t F**k You Over” and make it another catchy must-listen, as well as the reason it’s got an advisory sticker. Another highlight is the inspirational “One Day” with a soaring melody. It’s not perfect, as the weariness of “What Now?” and “What Kind of Man Am I?”gets a bit overwrought. It doesn’t stay that way as “The Penguin Song” gets so sweet it would make Paul McCartney pucker. For the most part, this album is a strong contender for top ten of 2009 consideration. It comes out July 14th everywhere. Listen below for a sample!

My Space | Bleutopia | Pre-order from Newbury Comics


Good Old War "Only Way to Be Alone"

Some bands can boast a good lead vocal that can carry even the most mundane songs into memory. And then there is Good Old War. Keith Goodwin, Tim Arnold (Days Away) and Dan Schwartz carry a three part harmony better than the Pernice Brothers ever did. The vocal harmonies here are stunning. This came out last year, but it’s one of those albums that will hook you immediately. It skirts the edges of folk-country and pop, with strong melodies and magical chord changes throughout. Starting out with the Paul Simonesque “Coney Island” all the way to the gospel-tinged “Stay By My Side” the entire album doesn’t have a wasted track. Fans of The Jayhawks and Limbeck will find plenty here to like from the driving “Looking For Shelter” and jaunty “Weak Man” to the solid guitar strum and lyric of “I’m Not For You.” Not playing it safe, the band jangles “We’ve Come A Long Way” as a carousel waltz ballad. A real treat — just listen.

Bob Evans "Goodnight, Bull Creek!"

Bob Evans is one of those rare imported artists that is worth searching for and treasuring. The Australian singer/songwriter Kevin Mitchell, frontman for the Aussie band Jebediah took on the name “Bob Evans” for his solo material. His last album, Suburban Kid was a year end favorite a few years ago, produced by Brad Jones (The Shazam, Marshall Crenshaw). The album was recoreded in Nashville, Tennessee with Jones producing once again. Bull Creek is the name of the southern suburb of Perth where Mitchell grew up. The opener “Someone So Much” is majestic farewell to a childhood friend. Much of the music is instantly catchy and full of those jangling guitars, as evidenced by the single “Pasha Bulker.” The theme of the album is growing up and out, “Hand Me Downs” has smart hooks in the chorus that draw you in and keeps you listening. The wistful “Wintersong” is a lovely ballad that leads to the brilliant “We’re A Mess” – with flowing psyche-pop guitars, multi-tracked vocals and hand claps, all in the name of insecurity. The light and breezy “Power Of Speech” is a sweet bossanova duet with vocalist Melissa Mathers. Every track is wonderful here and it’s recommended to seek this album out. Right now it’s only available as an import (not even on Itunes in the USA yet), hopefully it will find it’s way stateside soon.

My Space | Amazon | Bob Evans Website

If you’d like to hear the older material, check out lala.com which has
Crying in my Sleep and Suburban Songbook