IKE "Where to Begin"

After the departure of Cliff Hillis from IKE, it has become a rawer, louder band fronted by John Faye and supported by Brett Talley. What is most impressive is that this self produced album was supported by fan donations, and everyone who contributed is in the liner notes. Note to you major labels: you are becoming less relevant every day. This is modern power pop closer to the commercial alt. sounds of All American Rejects, or American Hi Fi. This is almost a return to Faye’s form as a member of the Caulfields or The John Faye Power Trip but with the added depth of experience. There is more lyrical insight here behind the fresh melodic riffs than usual. The album starts out with some pretty heavy guitar work and the single “We Like Sugar” seems like good companion to Velvet Revolver (I want this song on Guitar Hero IV). Awesome stuff. My fav here is “The Way I see it” with those handclaps and killer riffs. It’s a great melodic power rock tune. Add to this “Say Luvva” and you hear John Faye at his best. A fully literate and descriptive lyrics with killer hard rock guitars. This is one indie release that has a great chance of breaking through to the younger crowd. The single “We Like Sugar” is getting airplay on a local Philadelphia rock station, and that says it all. The are no ballads here, although it runs to a mid-tempo pace after 2/3 of the album, with “Eleven Eleven” and “Late Bloomer” it kind of wears you down a bit, but it proves that John Faye is one hell of a performer. Purchase this directly from IKE Online and stick it to “the suits.”

IKE Online | My Space

All Night Chemists "Spots"


If the first four tracks of “Spots” don’t move you, then you need a new set of ears. The All Night Chemists new album have the soaring harmonies and melodic genius that bring to mind The Honeydogs or Chris Brown. The group is actually the brainchild of front man and multi-instrumentalist Len Monachello, who hails from Long Island, NY and grew up in a musical family. His dad also owned a record store, so Len grew up soaking in his parents Beatles, Kiss, Foghat and Cream Records. He grew into a sharp musician and joined the band Thisway in 1999. Eventually he matured to release the first All Night Chemists a debut album in 2005. Now on “Spots” Len continues his journey. “Wake Up” grooves on like The Mother Hips meeting The Velvet Crush. Then “Question” is a sombre ballad worthy of Elton John (Tumbleweed Connection-era) or The Finn Brothers. We then take a musical detour with the Harry Nilsson-ish music hall styled “Isabella.” Later on the album it takes a turn to classic Brit-pop a la Supergrass(“Waste of Time”) and Blur (“Look Me in The Eye”, “The Fog”). The last two tracks are a bit rambling, both “Overthrown” and “Searchlights” tend to turn into extended psyche-jams and then halfway through “Searchlights” it packs an Oasis-like power punch of guitars and distortion. Not a single track here is filler and the stylistic changes prevent any kind of musical boredom to set in. Every track has something to say, and it becomes a true musical journey. This is another 2007 best of candidate I missed (Damn it!) but you don’t have to, just get this great music. You can listen to the entire album streaming here.

All Night Chemists Site | My Space | CD Baby | Itunes | Not Lame

Listen to “Listen to “Isabella”

Listen to “Listen to “Waste of Time”

The Krayolas "Best Riffs Only"

Hailed as the “Tex-Mex” Beatles, this San Antonio, Texas band has released a pile of local hits that date back to 1977. This album gathers all the singles between 1977 and 1988, and with assorted band personnel. The sounds are retro perfect Beatlesque of the 1964 – 1966 variety and the production is clean and very similar to The Toms. If you thought that was buried treasure, gobble this one up. The album name comes from a bit of advice that Nick Lowe and Dave Edmunds gave the band when they played together in the late ’70s. This is nice hook-filled candy that not only evokes the Fab Four, but also reminds me of The Buckinghams or Knickerbockers. This is evidenced by the note perfect Merseybeat of “All I do is Try” and the perfect “Sunny Day.” More great power pop comes with the Association-styled “Rhymes of Tomorrow.” Then “Alamo Dragway” throws in some early Southern Culture on the Skids reverb guitar instrumental. “Sometime” is a great Byrds styled mid-tempo number. Other tracks seem like they are from other bands because they are so different stylistically. “Roadrunner” flirts with messy R&B and “Dorothy” is pretty cool new wave 1980’s era tune. Sometimes it gets a bit cheesy, “The Sphinx won’t tell” almost sounds like a song parody. Overall though, most of the songs here are interesting, if not excellent. I had to post two different videos here, so you see the two sides of this cool band. If you order from Kool Kat Musik you get a bonus EP of “Little Fox” (in Spanish and English) and three more tracks.

Krayolas Site | My Space | Kool Kat Musik

Listen to “Little Fox”

Listen to “Find a Girl”

Automat "Automat"

David Doll’s new band Automat is the definition of a great power pop band. Cues from Beatles, Badfinger, 10cc, Dwight Twilley and Big Star are all here on display. And rather than feel forced, it’s a natural part of the Automat sound. This is another great 2007 release that I just missed and it showed up on a few top ten lists. Automat is the real deal here, with a portion of the tracks coming off of David Doll’s EP release of last year (Emusic has this). It starts with the blast of “I Don’t Mind” adding those loud rhythmic guitars and David’s great vocals which are similar in timbre to Cliff Hillis (IKE). “Comeback Special” is a perfect single that will give you goosebumps and will have your body moving in no time. It has more hooks than a seaside bait shop and will “sha-la-la” into your brain. It’s what power pop is all about. “Long Way To Go” has a bit of the Raspberries and Rubinoos mixed together here for a dazzling effect. And of course, the Beatlesque tunes like “Sleep” and “Alright” are most welcome to these ears. The latter chorus, David intones “Here comes heaven and here comes love, it’s everything I thought it would be.” Are we talking about a girl here or the music? The chorus of the Badfingerish “Round and Round” is complete with dualing guitar riffs a la Beatles “The End.” These are truly beautiful songs all capped off by the riff-heavy instrumental “Independence Day.” As Bruce would say “extremely highly recommended” – I second that emotion.

David Doll Site | My Space | Not Lame

Sextus "Stranger Than Fiction"

The Jellyfish has long been considered an iconic power pop group for the ninties, and each of the groups members have met with varied degrees of success. Fans have slavishly followed the careers of Jason Falkner, Andy Strumer and Roger Manning Jr. over the years. One other member of that group was Eric Dover, guitarist during the “Split Milk” era. After joining Manning in the celebrated group Imperial Drag, Eric has performed with guitar gods: Alice Cooper, Gibly Clarke, Slim Jim Phantom, Brian May, Eddie Van Halen and many others over the years.

Well now Eric’s new persona is simply called “Sextus” and his new album “Stranger than Fiction” is poised to drop in February. The albums complex arrangements took nearly 10 years to complete, with most songs being demo’ed extensively. He has also contributed to the Jellyfish Tribute “Sensory Lullabies” with the tune “That is Why.”

So is it worth the wait? Well mostly yes. The guitar work is outstanding and is reminicent of Imperial Drag for sure. I felt the album builds up a bit too slowly, albeit dramatically. The opening intro, brings to mind heavier guitar rock of Steve Hackett or even Yngwie Malmsteen. The point being, you play this music loud. “Wild To Make You Mine” is the most Imperial Drag-like, full of intricate guitar flourishes and layered solos and vocals. This can backfire a bit on “Mystery of O” which sounds like a mashup of both Queen and The Propellerheads. It’s not bad, but so dense with sonic detail, we lose the vocals and melody at times. Mid way through the album it hits it’s stride with the awesome “On The Freak Side” and becomes a real R-rated adventure with “Tricki Tina.” The gems are sprinkled throughout with “Break of Morning” and the raunchy “Ballmi” (Yes, it’s exactly what you think it is). The lyrical wordplay here would make even Prince blush. So overall, Sextus lives up to his name (don’t play this around the kiddies) and fans of Jellyfish, or Imperial Drag will lick it up. Right now it’s only available as a vinyl, but expect wide distribution next month.

Dramapants Records Homepage | My Space