Category: Highly Recommended by Powerpopaholic

Mark Ward and Telejet

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Mark Ward

Mark Ward “Let’er Rip”

What would you say if someone asked you to describe typical American power pop? Mark Ward’s latest album, “Let’er Rip” is a good example. Everything is in its proper place, from the jangling guitars to the massive musical hooks in each chorus. “I’ve Been Around” has echoes of The Raspberries in the intro, and follows the early 80s style template, with a great chorus.

Musically, Ward’s hitting all the right notes, but while his vocals are good, they don’t stand out as much as they should. But then again, the jangling “Love Me Once Again” and “Pixie Girl” wouldn’t be out of place alongside early Nick Lowe singles. The songs get longer as we move beyond the album’s first half. He gets a little more guitar muscle on “Girl Like You” and fuzzy textures on “Paint My House,” and it’s a good stylistic progression. Mark adds a bit of Johnny Cash-style country storytelling to “Villain” and “The River.” Other highlights include the slow-building “Little Frames” and “Home Tonight.” Overall, this is a very good album that’s highly recommended.

Kool Kat Musik | Amazon


Telejet

Telejet “Spiritual Age”

Toronto musician Gene Hughes formed a band with several others known as Telejet. After a digital album in 2021 and several lineup changes, he continues to release new music. The sound is very much in the melodic mold of the poppier side of XTC or Martin Newell.

The optimistic “Beautiful World” has a beautiful, descending chord line, and a harmonious chorus.  Then the relaxing “Indian Summer” is supported by subtle orchestration, with its Jellyfish-like vibes. The wistful title track, “Spiritual Age,” starts simple, but grows to a grand chorus with lots of sonic details and layered instrumentation.  Other highlights include the Beatlesque “She Speaks Her Mind” and “We Had It All” which remind me of Richard X Heyman’s jangling style. While there is nothing revolutionary here, the melodies are so pleasing that they’re worth exploring through re-plays. Thanks to David Bash for discovering this highly recommended gem, even though it was officially released last year.

Kool Kat Musik | Amazon

Redd Kross and Sparkle*jets UK

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The Black Watch

Redd Kross “Redd Kross”

Jeff and Steve McDonald have been doing their brand of power pop for over 45 years, and have transformed themselves from snot-nosed young punks to elder statesmen who can rock and roll all night (and party every day!) This new album carries on from 2019’s Beyond the Door and raises the ante. It’s a massive 18 tracks of their most intense and captivating music to date. Pulsating with vitality, crackling with intensity, and chiming with sweet harmonies, it shows a conspicuous dedication to songcraft.

On glam rockers like “Candy Coated Catastrophe” and “Stunt Queen,” the brothers strive for a heavy stadium sound that is on par with their best songs. On poppier numbers, their Beatlesque influences pop through, like “Good Times Propaganda Band” with its swirling bass line. There are simply too many highlights to list, and the band does vent about rockstar life in “What’s in it for you?,” “Way Too Happy,” and “Terrible Band,” which are both catchy and lyrically interesting. However, the band doesn’t slow down the tempo or tone much. Even power ballads like “The Main Attraction” build up quickly to loud harmonies. Still, this remains a triumph and gets a nod for inclusion in my year-end top ten list. Highly Recommended.

Amazon

Sparklejets UK

Sparkle*Jets UK “Box of Letters”

Sometimes the stars align with a power pop band that hasn’t been heard from in a while. After 2002’s Bamboo Lounge, it looked like the band was done. Even though the album was planned and recorded in 2006, bad luck prevented it from getting finished. But the band got back together for last year’s cover collection, Best of Friends, proving that magic was still there. The core lineup of singer-guitarist Susan West, multi-instrumentalist Michael Simmons, and bassist James Knight are joined by Joel Valder (drums) and Tisha Boonyawatana (keys, vocals). They all sound like they’re having fun here.

Opening with a cover of The Zombies’ “This Will Be Our Year,” it’s a richly layered tune with many impressive sonic details. “Goodbye X3” and “Love Burn” showcase Susan’s vocal personality perfectly, and then we get the Jellyfish-like “Princess Needy” with its bouncy chorus and the disco break midway through. More highlights include “I Can’t Wait for Summer,” a beautiful Beach Boys pastiche, and the title track “Box of Letters, ” a grower that builds on sweet nostalgia and is so catchy. Plenty of gems are sprinkled here, and other than the ‘80s lounge pop of “Where’s The Moment,” it’s all killer, no filler, and highly recommended!

Big Stir Records | Amazon

Hot Summer singles and EPs: The Martial Arts, The Shang Hi Los, The Mediocre Friends, Teenage Tom Petties, Bad Moves, Shake Some Action!

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A cool new video for The Martial Arts (aka Paul Kelly) for the single “Exploding Crushing Inevitable” from his upcoming album ‘In There Like Swimwear.’ It’s tough not to love The Shang Hi Los, with its bouncy rocker “Op-Operator” they continue the party with, “Morganatic Panic,” proving these guys have a big hit album in the making. Remember Gay Elvis from Readymade Breakup? Well, he has a new project, The Mediocre Friends and it’s the opposite of mediocre. Plus, it’s a freebie! I also enjoyed “Kissed Me in Seattle,” by Teenage Tom Petties, with its catchy fuzzy melody, it sounds like a keeper. Two bands I follow are back; Bad Moves has a new album coming out, and Shake Some Action! gives us a great-sounding EP with a crisper retro sound. Check out “I Want You,” and pick this gem up today!





The Black Watch and Valley Lodge

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The Black Watch

The Black Watch “Weird Rooms”

With the help of his son Chandler, who traveled to Austin, TX to record ‘Weird Rooms‘ with producer/multi-instrumentalist Misha Bullock and his wife Sara, lead singer and lyricist John Andrew Fredrick—a writer and prolific songwriter—releases his twenty-third long-player from The Black Watch. In contrast to most bands these days, The Black Watch just gets better with each release.

It starts with “Myrmidon,” a swirling psyche pop gem with a jangling rhythm and thick descending baseline akin to “Dear Prudence” with choral backing. “Miles & Miles” also has a shimmering texture, that builds up a wall of sound with a dreamlike cadence. “Gobbledegook” and the title track “Weird Rooms” follow this with more 80s-styled guitar riffs, displaying a richly composed stream of consciousness. There are bits of “weird” interludes between some tracks, that serve to move us along the album, from one “room” to the next. “Fruit Stripe Gum” has a strong horn and drum-guitar combo that recalls an old western theme. Overall, it is a sensory experience that proves more intoxicating the longer you listen to it. Highly recommended.

Amazon


Valley Lodge

Valley Lodge “Shadows in Paradise”

Vally Lodge (Dave Hill, Phil Costello, Eddie Eyeball, and Rob Pfeiffer) continues to chug along, as one of the top power pop bands out of New York. The group draws inspiration from various sources, including Cheap Trick, Maroon 5, and Thin Lizzy. “Daylights” opens with a rousing guitar riff, it’s a catchy, silly song with lyrics like “I’m not your basketball, but I’ll bounce all over your head.” Next is “I Wrote a Song,” which also bounces along with Olive Hui (Late Cambrian) dancing in the video.

There are a few songs that have a rock vibe with funky electronic beats like “Secret Lover,” and “Dirty Dishes,” but power pop fans will eat up the brilliant “After School,” with its frantic guitar solo and “Hanging Around,” which starts almost like a Foo Fighters song, with a bass-heavy intro and settles into breezy “do-do-do” harmonies. In the end, ‘Shadows in Paradise’ is an enjoyable album with more than enough great songs to make this one highly recommended.

Amazon | Kool Kat Musik

Vegas With Randolph and Mark Bacino

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Vegas With Randolph

Vegas With Randolph “The Future Store”

It’s been over 5 years since Vegas With Randolph’s ‘Legs and Luggage’, came out, so it was time for a new album. John Ratts, Brock Harris, Dave Purol, and Eric Kern remain in fine form, blending melodic power pop with adult-oriented rock and roll. With 22 tracks, this is a massive effort. The opener, “What if?” is a fast-paced rocker that looks to the future.  But even better is the catchy gem “N.S.A.” about a relationship with “no strings attached.” Several other rockers here are winners; “A Pretty Good Run,” and “Don’t Stop for Love.”

Midway through is a 6-part hard rock medley, “Triple Play,” where the band’s persona shifts a bit to more prog-pop, akin to Kanasas or Journey here, and it’s good, although separating the tracks is disruptive. The “Days & Days” segment feels a bit forced here, but overall, the 9-minute suite is best enjoyed together (it’s an unbroken track as a bonus). Then it’s back to your regularly scheduled power pop program. More highlights include “Lake Paradise” and excellent “I’ll Be Waiting For You.” The band sounds like it’s having fun, there are plenty of great songs here with very few missteps. Overall, highly recommended.

Amazon


The Black Watch

Mark Bacino “Top of the World”

It’s been a long road for New York’s Mark Bacino. His debut LP, ‘Pop Job’ from 1998, was one of the albums that started my power pop obsession. His albums were infrequent, but always worth it. It’s been 14 years, and Mark has emerged once again, and his point of view on life is the focus of ‘Top of the World.’ With a mature perspective, his once bouncy pop optimism has given way to a weary, mindful acceptance of things.

The opener “Kaylee Hughes” has a fast, catchy tempo that gives it an energetic and fun feel. It’s a bluesy New Orleans jazz sound typical of artists like Dr. John. However, most of the album is in a mood like “Flop of the World,” with a tuba and piano melody, recalling Harry Nilsson’s “Think About Your Troubles.” The easy-going sad sack on “Why Does This Woman Love Me?” and “Shaky Hand” have a similar vibe. He makes some stabs at lifting the mood on the tin-pan alley pop of “I Like Wearing Clothes” and a spark of optimism on the excellent “Young Heart.” There is some instrumental filler, and “How the Story Ends” is like a lost Randy Neuman tune about health resignation, and how he “forgot cholesterol tasted so great.” Overall, it’s a good album with crisp production and a few memorable songs. If you’re looking for more of a power pop vibe, I’d visit earlier albums.

Amazon | Kool Kat Musik