Category: Power Pop Review

Singles, Demos and Freebies

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The Skullers have covered and recorded a version of punk legend  Richard Hell’s single “I’m Your Man” All proceeds will benefit Career Gear, a non-profit organization helping men in need enter or re-enter the workforce.

Joe Algeri is at it again! The Jangle Band returns with an advance single from the second album! And it is a FREEBIE!

Lo-fi goodness from GUMS. It’s a Glaswegian indie band and this freebie compiles the best bits from EPs and singles from 2012-2016.

Kai Danzberg has released a bunch of demos from his critical hit Pop Up Radio. It shows the time and patience needed to put out a solid pop album.

Tom Curless and The Stan Laurels

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Tom Curless

Tom Curless “Songs Of Movement”

Tom Curless (Your Gracious Host) decides to use his real name for this new release of songs for Futureman Records. Curless did not change his approach too much, as the solid “Genesee County Stomp” has a catchy riff leading its chorus. “The Dream is a Lie” is reminiscent of the Posies and The Connells in spots, and the acoustic “Oceans of Love” has those light harmonies before it builds into a more Klaatu-like ballad.

“Always Bloom Forever” has a fuzzier guitar similar to The Well Wishers. So stylistically, it travels all over the place – and maybe that’s the goal here. Curless is trying new things, which is fine. Not everything sticks (“Guilt Free”) but enough does. Curless is very good with aspirational melodies (“Accelerated Moon”) and rocking cynicism (“Washington DC” and “Certain Additions”).  Overall a good album, with a little something for everyone.

Amazon | Kool Kat Musik

The Stan Laurels

The Stan Laurels “Maybe”

It’s rare to have a band create an original film soundtrack that also functions as a stand-alone album, but John Lathrop (aka The Stan Laurels) has done it. The songs were all used in the indie film “Maybe Shower” and most of the lyrics are about the characters and themes in the film. But you don’t need to see the movie to enjoy this soundtrack. Lathrop’s melodies recall Weezer in spots, but its a completely original sound. That’s jangling rhythms, spacey synths and chunky riffs leading the charge, like the opener “Maybe.”

The big sound grows on you quickly, as “Life, Lemons and An Alien” warn you that life can take an unexpected turn quickly, so be ready. And the full story lyrics are as compelling as the melodies on “Where I Want To Be,” and “Maximum Zen” adds a psyche-pop spin to things. No weak songs here, so its a highly recommended release.

Amazon (Vinyl) | Kool Kat Musik

Danny Wilkerson and Simon Love

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Danny Wilkerson

Danny Wilkerson “Wilkerson”

Drummer Danny Wilkerson (Pengwins) had a dream. That was to make his solo album a definitive statement, so he brought in the big guns of power pop to help out. Produced by Bleu McAuley and Ducky Carlisle, mixing by David Spreng (Bob Dylan) and vocal support from Roger Joesph Manning Jr. (Jellyfish), Joe Sieders (The New Pornographers) and mastered at Abby Road by Miles Showell (Beatles, Stones, Who).

The opener “Everybody Loves To Love” is a richly crafted epic gem with layered guitars, sitars, and harmonies very much in Bleu’s wheelhouse. Its got all these great details, with a spacey synth ending before it roars to life with “Enough For Somebody,” a glossy sunshine pop song that showcases Wilkerson’s great range, full of key changes and handclaps. “Let It Go Tonight” is another sure-fire hit single. The remaining songs are all impressive, as Danny goes through each tune with care. Influences are very clear (ELO, Beatles, Tom Petty, Andrew Gold) but not derivative. Clearly inspired and the melodies are purely original. Not a dud in the block of ten songs. Makes my top ten list (it’s crowded this year!) for 2018, and highly recommended.

Amazon | CD Baby

Simon Love

Simon Love “Sincerely, S. Love X”

Simon Love (The Loves) brings us not so gentle love ballads full of sharp acerbic wit and expletives. The melodic style is full of 60’s inspired touches that stands as a contrast to bold lyrics. “God Bless the Dick Who Let You Go,” sets the tone with soaring strings and horns. The Lou Reed-inspired “Ballad Of Simon Love” is a fun rock star theme, with a neat hand-clapping section.

The Beach Boys-like ode to “Joey Ramone” is a sincere gem that wears its heart on its sleeve. Another sweet tune you wouldn’t play for your mom, “I Fucking Love You” bounces along, and the Beatlesque “Stephen Timothy West” sounds like it fell of The Magical Mystery Tour Bus. It runs out of fresh musical ideas after the midpoint but recovers with the spritely “Not If I See You First.” If you liked the influences I mentioned here, check it out.

Amazon | Kool Kat Musik

The Davenports and Joel Sarakula

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The davenports

The Davenports “Don’t Be Mad At Me”

Brooklyn’s The Davenports (aka Scott Klass) are back with a concept album that gives us stories that feel timeless and personal. The simple piano ballad “Where Shall We Hang Elena?” evokes memories past, but it soon pounds to life with the heavy rhythm rocker “I Don’t Know What To Do,” with its ascending bass notes and harmony-filled chorus. It’s an early favorite here co-written with David Myhr, as the strings and piano come back for the hummable title track. There is a melancholy that sticks with you throughout most of the album, the country-waltz “Miranda in Her Room” a duet with vocalist Shirley Simms (The Magnetic Fields) is a good example.

The catchy guitar composition “Leanne” has that classic Davenports sound and “With Me Or Against Me” does a great job with a subtle minor chord change. Another big surprise here is a bouncy power pop version of George Michael’s “Freedom.” Fans of Fountains of Wayne and McCartney will find a lot to like here. Overall a very good album that grows on your after repeated listens. Highly Recommended.

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Joel Sarakula

Joel Sarakula “Love Club”

Joel Sarakula relives the golden age of 70s soul on his latest LP. There is this period in music right before disco took over, and Marvin Gaye and The Doobie Brothers ruled the airwaves. Sarakula hits that mark. The slow funk of “Understanding” gives you the albums romantic vibe. “In Trouble” brings the horns and tempo up, its perfect Philly soul music for a hot tub.

My favorite here is “Baltic Jam,” that sounds like a lost track from Todd Rundgren’s Something, Anything. It just gets better from there, with the sexy “We Used To Connect” and on the sax funk of “Coldharbour Man” I can almost smell the musk of Isaac Hayes. It experiments with some sitar, synth, and guitar on “Cinnamon Surprise.” Not power pop, but if you feel yourself in the mood for this style of retro-reflection, give it a spin.

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Richard Turgeon and Matt Dorien

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Richard Turgeon

Richard Turgeon “Lost Angeles”

San Francisco musician Richard Turgeon has a new LP about his dreams called Lost Angeles. Turgeon states he’s ”rockin’ til the day I die,” on the opener “Big Break,” a tune full of thickly layered guitar riffs. The album has a solid California feel and the catchy “Look Away,” “Sunny Day” and the title track are good examples of that.

On his debut In Between The Spaces, the infectious as “Bigfoot’s An Alien,” was the clear standout single. Here we have two gems that stand out from the rest – “Be My Wife” cracks with Who-like energy and the Weezer-like guitar rhythm of “The Squirrel” will also stay on my playlist. Turgeon stylistically goes in some different directions, as the alt-rock jangle of “I Wanna Be A Shut-In” and the talked out lyrics of “Workin’ For The Man” are a bit like They Might Be Giants. Fans of Jeff Shelton’s Well Wishers and Bob Mould will also find a lot to like here. Highly Recommended.

Kool Kat Musik

The Spindles

Matt Dorrien “Grey”

Singer-songwriter and keyboardist Matt Dorrien starts the album with the bluesy “Baby I’m So Lost.” As Matt describes it, “…a lot of the songs on this record were written after a pretty difficult breakup.” So grab a whiskey and put on those headphones. Dorrien effortlessly channels the best of Harry Nilsson and Randy Newman on Grey.

The highlight for me is “Underwear Blues,” one of the catchiest songs I’ve heard about loneliness. Then the double-tracked balladry of “I Can’t Remember” is very much in the vein of Carole King. The Newmanesque “Pretty Little Thing” and “Dayton, Ohio – 1983” are sweet musical portraits. Its pure tin pan alley pop, and even though its a downer, its a wonderful listen. Check it out.

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