Category: Power Pop Review

The Tor Guides “Lots of The Pops! Volume 1: Caught In A Sweet Refrain”

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I have to raise my glass in mutual respect for Torbjorn Pettersson and his band. Not too many groups are willing to carry on the shiny pop torch pioneered by The Merrymakers, but The Tor Guides are thrilled to do so. Their last LP Strawberries & Chocolates was pretty sweet, and things get sweeter (and more polished) here.

The glossy opener “Dynamo” recalls ELO’s grand sweep with the tandem of pipe organ and bass guitar in a catchy head bopping melody. “Things We’ll Do Today” flows in perfectly, as light easy listening pop just made for a sunny day. “When The Stars” plays like a lost Wondermints track with its Beach Boys styled rhythm guitar. The love ballad “Apricote” does feel a little too saccharine, and reveals Torbjorns vocal limitations. Fortunately that’s the only miscue, as “Sentimental Fool” is an infectious pop gem that delivers. “Happy” is another gem that is the closest to The Merrymakers with its harmonies and rolling riffs. Torbjorn leaves the template for the four minute plus “Turquoise” and its a compelling chamber pop composition. Overall very highly recommended.

Kool Kat Musik | CD Baby

 

The Charlie Watts Riots and Any Version Of Me

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The Charlie Watts Riots “A Break In The Weather”
Albany based guitar-pop band the Charlie Watts Riots don’t agree on all their musical tastes—though they do share an appreciation for snazzy suits. But bassist Mike Pauley, guitarist Seth Powell and drummer Joe Putrock can cite one primary influence that brought the Charlie Watts Riots together; a love for rock and roll and that rush of combustible energy when they play. They showed potential on their debut, Long Story Short – but now they sound a lot heavier with even better melodies.

Like a power pop version of Nirvana, the dual layered guitar attack of “Bottom” sets the stage. “Curtains” is a mix of Fountains Of Wayne with Foo Fighters.  “Luanne” has a slow build but quickly becomes a fast paced single that won’t leave your head. Each tune keeps you interested, fans of Superdrag and The Posies are sure to love this. Like The Connection, this band has a command of melodic riffs and minor chords aplenty.

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Any Version Of Me “We Are You”
This is the fifth album by this mysterious Frenchman, and here he slowly moves away from this Brian Wilson influences to incorporate a more rounded sound. The opener “Can’t You See” is familiar, but he shifts with electronic synths on “Six and Three.” The barebones acoustic title track shows us a folkie side, but “No Answer” is a much stronger tune and the up-beat “Why Feel So Blue?” is a real charmer, like a Left Banke tune. My favorite here is is “Goodbye” which is kinda if Sondre Lerche played The Monkees. Lots of fun and best of all the download is FREE.

Metropolitan Farms and Wondernaut/Less Love

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Metropolitan Farms “Our Hero Pleads His Flimsy Case”
That Portland band Metropolitan Farms have an alt. pop sound that veers close to Guided By Voices is no surprise. Lead singer Josh Mayer plays in a GBV cover band (Giant Bug Village) and on the opener “Stars All Fall” it immediately reminds us, although this band has less of DYI quality. Several early tracks are fairly forgettable, but the song quality leaps forward on “Tear Me Apart”  with its Posies-like guitar attack. They hit their stride with the excellent “I Could Be Anything.” The gentle acoustic of “Just Below The Clothes” ignores the fact that we are not porn stars, and the melody is super catchy.

Another highlight is the synth-guitar Weezer like “Beer Commercial” which is a teenage fanatasy about life in beer commercial (Coors Light, is my guess). A few more gems are buried here, like “If You’re Asking” with its the Mod-era Who styled harmonies and the easy going “Don’t Wait Up For Me, Katie” with its hummable chorus. Worth discovering for sure.

CD Baby | Amazon

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Wondernaut/Less Love “Paradigms In The Design”
It is not often two bands share an album release, but Oklahoma City bands Wondernaut and Less Love team up to give us Paradigms In Design. These bands play well together, the starting duet “Like Shaking Hands” feels authentic and compelling. Then Wondernaut give us a mid-western Coldplay alternative on “No One But Me” and Less Love go ’80s syth and crashing percussion on “Lollygagging,” like a Bauhaus-Joy Division clone.

The style shifts are jarring and I found myself skipping the hard stuff for soft collaborations of male/female duet in “If You (UK Surf).” The electro-beat version of the song ends the album. Wondernaut benefits from the slower guitar compositions “Mountains In The Sky” and the solid mid-tempo “The Man Who Hated Man.” I found Less Love a tougher sell and tended to skip those tracks, maybe because they sounded like art-pop, or possibly they just didn’t have any consistency.

Amazon | CD Baby

The Nines “The Nines”

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This is the first major release of new material since the Nines’ critically acclaimed album Gran Jukle’s Field. Amazingly, Steve Eggers has come a long way from his 1998 debut on EMI, to working with a Who’s Who of power pop music gods including Andy Partridge (XTC) and Jason Falkner (Jellyfish). This new self-titled album is another pop masterpiece.

Starting with a disco funk bass (shades of Bleu here) intro, Eggers works magic on “Backseat” into an ultra hooky single. With the crowd noise, you almost feel like you’re attending a revival of Frampton Comes Alive! The piano rocker “Far Away” is a perfect segue full of contradictions like “Leave. Please stay. Doesn’t matter now” with an ELO styled middle eight. “Jackie Smokes” is a tonal shift with a heavy guitar and synth, but full of intricately layered vocals – sounding both modern and classic all at once. A few more songs heap on synths and elctro beats, but Steve’s melodies are underneath it all.

“The Virtuous Man” multi-layers the vocal and acoustic guitar with Andy Partridge, and it’s such a great song it makes me miss XTC even more. A fully orchestrated, slickly produced “Seasons” will please McCartney fans, but Steve feels most at home at the old piano with mid tempo ballads like “On The Slidelines” and “Martin.” No one could sing these songs with more earnest. “Goodbye” is another sweet ear confection that would’ve fit neatly on Macca’s Tug of War. Not a single misstep or filler track, and an easy nominee for my 2013 top ten year end list. Welcome back Nines!

CD Baby | Kool Kat Musik