Category: Power Pop Review

Cynical pop fans take note: Jordan Geiger is a one man band under the name of Hospital Ships. It takes a lead from The Flaming Lips (The group was named after a Lips song) and Arcade Fire or Broken Social Secene. The album opener, “Bitter Radio Single”, is a brief but captivating song with it’s forceful “Screw this fucking city” lyric sung by an angelic chorus. The follow up, “Baby For J” is like a lo-fi indie John Lennon with Geiger’s subtle vocals and piano melody. Fourth track on the album, “The Shots I Drank,” is another warm fuzzy sounding, fully orchestrated confesssional. Throughout the album, the layers of nasally vocals supported by piles of keyboards and organs on top of less dense guitars. Some standouts here are “Sink Your Teeth Into Me” and “Oh, No.” These ballads may be suited to our screwed up times – “Tired Of Growing Old” could be the new theme for a stock broker today “You dwell on all you wanted… it’s all gone, over and done.” Other tracks are just bleak sounding filler here. It’s not for everyone and will turn off those looking for happy bouncy pop music. Listen along with Mike Mazzerella’s folk album for a sobering experience.

My Space | e-music

Listen to the “Bitter Radio”

Mighty Fairly plays indie folk pop with a little edge, and some humor. They hail from the frozen northern tundra of Minneapolis, MN and have been playing together since 2004. The first album was pretty impressive with loud hooks and harmonies (listen to the terrific “Wake Up” on the website), this new album is called “Big Words and Power Chords” and I guess it’s meant to be ironic. Other than the nice opening single “Falling To Pieces,” the other songs are just missing the hooks that keep things memorable. The band does provide a good mix of electric and acoustic songs, male/female harmonies, and neat arrangements, but what is missing here is the energy and freshness that made 2006’s Perfectly Good Airplanes a lot of fun to listen to. The lyrics and themes are still great fun here as  “Overachiever” is sung to someone who is arrogant and “free of mediocrity…” And songs like “Simple Minded” have that early hip REM vibe, but other songs are too busy setting up a storyline (“Shadow”) or setting up a mood (“Alaska”) to encourage repeat listens. This band certainly has talent, and although not as clever as They Might Be Giants, they are less geeky and are sure to improve. 

My Space | Mightyfairly website | Not Lame

I got a opportunity to interview the members of one of the coolest power pop bands ever, Splitsville. We get into a few issues and what’s coming next for the band. As Stimpy would say “I can hardly contain myself!” — so you can read the Splitsville interview here or click on the “Artist Interviews” button on the right.

The Riffbrokers are an excellent example of roots rock and power pop combined, with grit and character leading the way. Opening with the hard driving “Told You To Go” lead singer Nick Milward brings an energy similar to Bob Mould in approach. Listening to the next tune, “Evaporate” you get a full frontal guitar assault that compares with The Stones and Paul Collins Beat.The guitar jangle and harmonies are smoothly done on “Myth To Struggle With” recall Tom Petty during his Travelling Wilburys period. Another highlight are the tracks, “Apology” and “Roy Orbison” where the Riffbrokers live up to their name. The latter tune is a really nice tribute to the man in the dark shades being not the only “lonely one” musician. Nick Millward has gathered a fine crop of musical partners from other bands as The Young Sportsmen, North Twin and The Doll Test to help add those great riffs and pure pop harmonies throughout the album. “End of All Things” is another great standout to close off this album. It’s all wonderfully done overall, without any filler that any rock and pop fan will enjoy.

My Space | CD Baby |Kool Kat Musik | Not Lame

Last year, Paul Collins gave us his “Flying High” album. This year the former Nerves front man does a follow up that hits all the right notes. Opening with “Hey DJ” it has a classic power pop beat, and goes into a nostalgic chorus with ringing guitars. The hit to miss ratio is very low overall, and the smooth “Ribbon of Gold” has a magical yet grizzled feel, almost Paul Westerberg-like with Tom Petty overtones. “I Still Want You” has lots of energy and a great hook that Cheap Trick would envy. Paul even laments the “Big Pop Song” with one of his own making, “The one song that never lets you down/ The one that’s always been around.” After a few songs, you realize this is a really, really good album, so by “Falling in Love With Her” the air guitar comes out for me. Big hooks, big guitar licks and like Paul mentions “it feels so good.” There is still that early 80s pop punk vibe tucked away on songs like “She doesn’t Want To Hang Around With You” that will bring back a smile and some memories. The album ends with three ballads, and though they can’t compete with the high energy stuff, the best of the bunch “Flown Away” is a good soulful commentary on the state of Paul’s state of mind. Right now you can buy it directly from his site.

Paul Collins Web | My Space