The O’neders and Goodnight Monsters

The O’nders “That Thing We Done”
A group of Sydney Australia musicians who love power pop got together and put out an album full of their favorite tunes. You gotta love the group name and title, an aussie accented play on The Wonders. This is put out by Michael Carpenters’ Big Radio Records label and it’s one of those releases that reminds me of singing in the shower, it’s fun and easy to sing along to. It’s played live with loving confidence and full of favorites from The Who (“The Kids Are Alright”), Supergrass (“Alright”), Big Star (“In The Street”), Jellyfish (“Joining A Fanclub”) and many more. With 17 tracks it’s a huge selection of excellent songs right now only available as a Bandcamp download. The vocal duties are a mixed bag, where some shine (“I’ll Feel Whole Lot Better”) and others flop, it will not make anyone forget the original recordings but this is clearly a labor of love. On another Carpenter note: Fans interested will want to sign up for The Incomplete Cuban Heels pre-order at Michael’s blog. Each subscription earns an advance album copy and tons of bonus stuff depending on your level of sponsorship.

Goodnight Monsters “Summer Challenge”
Charming pop band from Finland brings us a loose collection of songs that take influences from The Beach Boys, Teenage Fanclub and early Elephant Six groups. “Hanging On To A Bad Dream” is a great single with a bouncy chorus and soft harmonies. “First One On The Beach” has the surf guitar and sunny sound of the Wilson brothers down pat. The band’s approach isn’t that aggressive but songs are tuneful, like the Belle and Sebastian twee pop of “Keep Me As A Secret” and the measured beats of “Mockingbird.” Lead singer Matti Jasu pens many of the poppier tunes. The jangling guitars and catchy “April Fooling” is my favorite here and full of unabashed pop goodness. “Le Beat De Jacques Lapin” (aka “Jackrabbit Stomp”) is another retro-60’s dance number that shines. Overall a warm and jangly album that offers some cool refreshment on a summer day.

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Chad Hollister and Nadia Kazmi

Chad Hollister “s/t”
Fans of John Mayer, Jack Jonson and Dave Matthews will find Chad Hollister’s casual acoustic style just perfect. Chad has opened or performed for Bob Dylan, Tom Petty, Blues Traveler, among others. Chad is a Burlington, Vermont native with an infectious rhythmic sound that’s easy to enjoy on a hot summer day. “Grow” is a perfect example of catchy beat and strong roots riffs that recall both Jason Mraz and The Black Crowes. The light coffee house beat of “Change” is another winner here. “The Answer” is another gem that sounds effortless, and there is a killer acoustic version of The Cars “My Best Friend’s Girlfriend.” Every song has a positive message and an energetic groove with bits of rock, funk and reggae thrown in the mix. Not much else to say but… check it out and you won’t be sorry.

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Nadia Kazmi “Arrival”
Once in a while I am sent something that catches my ear on a good day. Nadia Kazmi is a Canadian singer with a good voice and a love of  the poetic singer songwriters John Lennon, Bob Dylan and Leonard Cohen.  The lovely piano ballad “Julian” is a nice mix of Beatlesque soul and sweetness. Unfortunately I found the remaining tracks missing that high mark. The vocal approach is similar to Joss Stone with blues influenced ballads taking up most of the album. This works with her best written material on “Volcanos,”  “The Blues Always Bleed Red” and “Mother,” but the songwriting on the remaining tracks fail to generate much excitement.  Some tracks are just overwrought and cliched (“Arrival,” “Martians”). Nadia is definitely a talented singer, but she should work more on her songwriting before she takes the next step in her career.

The Mike Benign Compulsion "Rollicking Musical"

Milwaukee’s own Mike Benign has a compulsion to play rock and roll that’s not easily dismissed and with the help of guitarist Joe Vent, bassists Brian Wooldridge and Paul Biemann, keyboardists Tyler Traband and Dan Type, and drummer Mike Koch they’ve got a nice debut. “Rollicking Musical” has great songwrititng and production, and the opener “Legendary Superheroes,” gives us a catchy riff in the chorus too. The sound is a pretty good mix of influences from Elvis Costello, The Byrds, Guided By Voices, Crowded House and Squeeze with Benign’s working class vocals leading the way. The lyrics are thick with cynicism in “All The Married People” but the true gem here is “The Soothing Sounds of Seals and Crofts,” with it’s fuzz guitar and awesome hook, describing an insomniac’s rant that “…Sleep is a sign of weakness.” It’s on this album Benign has found his true voice, but it may take a few spins to get used to his Dylan-like cadence. Much of the albums second half don’t quite reach the highs of the earlier tracks, but “Hotel Bar” is a beautiful guitar ballad that is very moving. So repeat after me… I will get this album. The power of Mike Benign compels you!

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Quakers on Probation "Every Living Thing"

I reviewed a father and son duo earlier this year, so here is another combo: Daniel A. Craig and his son Daniel F. Craig joined by the Wrecking Crew legend Larry Knechtel in one of his final recordings. The band calls the genre they play “TwanglePop” (bit of twang and jangle I suppose) that borrows from the heyday of 60’s and 70’s country rock. The studied rhythms that open “Pay It Forward” are pleasing and Knechtel’s organ playing recall Protocol Harum. The twangy “Your Favorite Song” compares well to The Jayhawks and Wilco. But the focus changes on “I Know A Woman” and the title track, where horns and synths evoke those cheesy AOR lounge tracks that make even Robert Lamm fans cringe.  Thankfully, the album takes a brilliant turn on the descriptive “Yard Sale,” where the gentle harmonies tug at your heart. The album just gets better as it goes forward, with the strong atmospheric “Marysville” and even the drum machine sounds great on the excellent “Hollywood Walk Of Fame.” A lot of fun ends out the last track “Lament For The Aging Rocker” where a familiar guitar ditty speaks the truth here as it names names (“Do you think Def Leppard’s deaf?/When you’re way too old to fake it and you got no hair to shake, boy/Your medication starts kicking in…). The band also covers Sammy John’s “Chevy Van” quiet well. Listen to the album streaming at quakers on probation.com.

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