Category: Power Pop Review

Bill Popp is among the unsung heroes of power pop. Popp is a music veteran of early 60’s rock influences in the classic tradition of The Beatles, REM, and The Who. Popp and his band, The Tapes delivers melodic hooks, combined with dance grooves and poetic harmony, that have a timeless quality. He compares well to Frank Royster, with more of a British Merseybeat flavor. The lyrics are personal and touching in all cases here, and fans who favor DIY artists like Chris Breetveld (“The Breetles”) will go nuts for Bill Popp and seek out his music. The new album starts with “Paradise,” a “don’t-worry-be-happy” mantra set to a nice guitar riff. It’s got a nice Beatley vibe and just the right amount of mellow reassurance in the chorus. The follow up “Perfect Idiot” is a wonderful fast paced diatribe of self-criticism and nervous conversation in under three minutes all set to a wonderful hook. “Love and Lust” is a very Pete Townshend-styled rocker with plenty of jangle and a sweet piano break in the middle of the song. The song “Your Hero” is an perfect autobiographical snapshot of Popp at 50 years old – he’ll literally tell you, “Yeah, I tend to drink a lot, but what else do I got?” in the song. The Popp’s wisdom continues in the song “Love Many Trust Few” – it has a little rap in the middle with guitars, that reminds me a little bit of 10cc. A nice cover of The Beau Brummels “Just a Little” round out this release. It a shame that this band isn’t bigger or more well known than they are. They are one of NYC’s best kept musical secrets. CD Baby is expected to carry the album soon, but you can check out earlier releases there.

Bill Popp’s Site | My Space | CD Baby

“If you ain’t got no money, ain’t nobody calls you honey,” he once said. Criminally underappreciated, Bo was a true rock and roll pioneer who not only perfected a guitar style used by everybody, but also an innovator of electric guitar reverb and tremelo effects. Without him there would be no “rock and roll”, nevermind power pop. When you talk about who stole a riff from somebody else… you have to mention Bo Diddley because EVERYONE copied from him. His major songs included, “Say Man,” “You Can’t Judge a Book by Its Cover,” “Shave and a Haircut,” “Uncle John,” “Who Do You Love?” and “The Mule.” He was 79 years old.

Shimmering pop melodies from Aprilsrain is the result of a collaboration between Roger and Chris Manning (both of Jellyfish) and about ten other musicians. But this is not a Manning album, and it does not resemble Jellyfish. The heavy lifting here is done by Jon Del Arroz, who handles vocals and John Corker, lead guitar. They sound like a clean mix of Death Cab for Cutie and Eric Matthews, with flowing orchestral strings overlayed over phased guitars. “Stumbling” is a highlight with it’s modern piano lead melody and Del Arroz’s strong vocals. “Nova” is another good song, a soothing ballad with the effortless ability to relax the listener. Lots of delicate harmony and baroque chord changes dominate this album which tends to veer toward the mellow side of pop. The pop jangle of “Dagobah” is another standout, similar to The Cosmic Rough Riders, with some memorable guitar work. “Useless Game” is a very contemporary pop song with a reflective playful mood. A pair of sentimental ballads end this ten song album, “Building Up A Wall” is one of them, a sweet duet with Mara Frager complete with violins and acoustic guitar. The Manning brothers production is clean and tight, but not every song has a good hook – so it’s a mixed bag here. Very much like The Pinder Brothers minus the retro spin, baroque and sunshine pop fans may enjoy this. If you are looking for pop angst, go elsewhere.

Aprilsrain site | My Space | CD Baby | Not Lame

Dave Milligan’s solo project Penguin Party is sure to appeal to fans of Martin Newell, with it’s very English nostalgic music hall pop. It opens with the quirky “Someone Else’s Turn To Be Me” a swirling mass of organ and cymbals with a smooth bassline driving the song along. The follow up is a reverb heavy ballad “Beaten, Black and Blue” with a bit of “Fool on The Hill” flute it makes a compelling listen. “Just Like A Chorus” is most definitely like a lost Cleaners From Venus track and this is followed by another low key tune “Mirrorball” which reminds me of an Andy Partridge pop ballad. By mid album, some 80’s synth influences creep back in on songs like “Lullaby” and “She Smells” – and it’s a flashback to Modern English! The best fun here is the pub anthem “Goin‘ Back To Grandma’s” with the hummable chorus and foot stompin‘ beat. There are a lot of subtle shifts in mood and genre on the album up to this point. The remaining tracks have a hard time measuring up, but this album has a charming set of pop that will sit well with ye merry anglophile power pop fans.

My Space | CD Baby | Not Lame | Kool Kat Musik

Essentially a collection of rarities and outtakes for fans of the Apples and lead Apple, Robert Schneider. The music is classic Elephant Six styled-twee goodness that spans the groups entire career. The trippy pops tracks all seem to fit together, even though it was recorded over 11 years. Some of the acoustic guitar solos (“Hold On To This Day” and “The Oasis”) show Schneider’s songwriting prowess and sound better than other groups finished songs. Brilliant ballads like “The Golden Flower” and fuzz rock pop (“On Your Own”) make this worth the effort to get this alone. This album also includes the funky pop gem “Stephen Stephen” that Robert performed live on The Colbert Report for the host. That being said this is not an essential, but a substantial collection of songs. Apples fans will most definitely want this. Optional for the rest of you. If you are new to the group, start with the “Fun Trick Noisemaker” album.

The Apples in Stereo web site | My Space | YepRoc Store | e-music