Category: Power Pop Review

Goodwin is melodic rock at it’s best, and reminds me why I still listen to old Nuno Bettencourt and Extreme CDs. Opening with “Revelation Of Revolution” it’s balls to the wall rock and roll with melodic choruses and massive guitar riffs. And in the break is a lovely “ooh and ahh” harmonic before the axe solo. “Write for You” has a really nice Foo Fighters feel with a great lyrical turn on a weekly love letter campaign. “Grace” starts out as a pretty standard rocker, but ends in a great dramatic epic fashion with an array of chord changes. “Apparently” is a strong uplifting anthemic song that demands to be played loud. It’s my favorite on this album. The constant ringing guitars are ever present here and work well with the Goodwin’s muscular vocals. Another standout is “Two Again” with rush of lead guitar chords and strong drumming that will have you noding your head in time to the beat. An effective effort is also on the song “Red” – the only song that can be called toned-down at all, and we get a great instumental break with a wailing guitar solo that recalls Eddie Van Halen a bit. “Trading Up” is the sole ballad and it showcases the lead vocal prowess and ends the album. No real duds here, as their sound is consistent over the entire album and overall hard rock fans who like melody in the mix (Foo Fighters, Extreme) will really love this. 

The Goodwin Webpage | My Space | CD Baby | KoolKat Musik | Not Lame

I was very glad to have Parthenon Huxley grant me an interview about his music and and his time in the ELO-incarnation simply known as The Orchestra. Check out the ever growing interview section of the site or this P.Hux Interview link. The album “No Rewind” which was long out of print is now available at P.Hux’s site. ELO fans should not miss this one.

The Afternoons are a Cardiff, UK band that uses smooth vocal harmonies and percussion to get the point across. Richard Griffiths vocal style sounds a lot like Ray Davies. The Afternoons are a perfect pop combination of Belle and Sebastian and/or The Shins with the Kinks guitars and lyrical Britishness. The fourth album, “Sweet Action” builds on the previous success of “Rocket Summer” with more bouncy pop hooks than ever. “High Summer Lover” and “Giving Up On You” are excellent singles with a combination of Giffiths and Sarah Rapis’ contrasting vocals. The instrumentation of the title track (“Sweet Action”) chugs along at a good pace. The cool synths get louder in “The Silver Age” and give me flashbacks of Echo & The Bunnymen. Other good songs here are “We Could Start Over” and the amazing “Don’t Look Back” where you swear the jangle can take you back in time – it’s my favorite track here. The softer tracks on the album (“Where The Arrow Falls”) are almost too neat and tidy and aren’t as successful. The ending track here is a fitting bittersweet finale, “Winter is Dead” is a beautiful slow echoing fade with guitar, harmonica and piano. I would love a cover of “Waterloo Sunset” here, but maybe that’s asking too much. Overall, a very good album, worthy of your ipod.

The Afternoons Website | My Space | KoolKat Musik | Not Lame

Before I share the new interview news, I’d like you all to sign-up for those great popcasts by Ed James and James Deem. You can download them on their Charlotte Pop Fest page or through Itunes. Since I broke news of this a few months ago, they have amassed several good interviews with some of my favorite artists; Frank Royster, Leisure McCorkle, Jerry Chapman and more. Both Ed and James have a nice on air banter, even if they do act like total fan-boys with their guests. It’s free, what else do you want?

I also have posted an interview with Andy Goldberg of The Goldbergs whose new album “Under The Radar” was reviewed last week. Visit the artist interviews section or click on this direct link to The Goldbergs Interview

To say Andrew Sandoval is prolific is the height of understatement. He’s recorded and toured with Dave Davies (of the Kinks) and produced reissues of classic baroque pop and rock artists from The Beach Boys to the Zombies and loads of bands in between. In 2005 he wrote THE book on The Monkees and is a DJ with weekly radio show called “Come To The Sunshine” on www.luxuriamusic.com. So how’s the music he does on his own? I compare him to a modern day Curt Boettcher, using light melody and multi-tracked harmonies that even makes a song titled “I Hate Your Guts” sound like a gentle love poem. Andrew is a baroque pop specialist and has a delicate touch to each song similar to Micheal Penn. A good mix of Beach Boys, Van Dyke Parks and Zombies are influences for Andrew’s own laid back California-styled ballads. “From Me To You” goes through several songs about the cycle of heartbreak (what else). A standout here is the Pet Sounds meets Everly Brothers tune “Something For You.” The lyrics are earnest, if sappy and “Something Warm” brings back memories of The Turtles best ballads. What else can I say? This is truly a perfect album “for a blue afternoon in your lonely room.”

Andrew’s Website | My Space | CD Baby | Not Lame