The Bangles and Peter Lacey

The Bangles

The Bangles
“Ladies and Gentlemen… The Bangles”

This treat is a vintage 16-track Bangles collection of remastered ’80s-era rarities, demos, live recordings, including The Bangles’ debut single and all of the tracks from their self-titled EP—produced by legendary Ramones/Blondie producer Craig Leon—unavailable since its initial release on vinyl in 1982. It showcases the talent of The Bangles’ founding and current members—Susanna Hoffs, Debbi Peterson, and Vicki Peterson—as well as now-retired bassist Michael Steele, and the band’s original bass player Annette Zilinskas.

What’s incredible is just how solid the Monkees influences show through on all these early tracks, just listen to “I’m In Line,” “Call On Me”and “How Is The Air Up There.” The Peterson/Hoffs harmonies are full of energy on “Want You” and the garage side comes out on the demo of “Steppin’ Out.” Another fun tune is a cover of The Turtles “Outside Chance.” Highly Recommended to power pop music fans and not just for Bangles devotees.

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Peter Lacey

Peter Lacey “New Way Lane”

Veteran musician Peter Lacey’s music has often been compared to that of Brian Wilson and Paul McCartney’s early work. His newest album was recorded in Peter’s garage and touches on many ’60s pop styles, done with very sparse instrumentation. The album starts with the Beatlesque “Star In Your Own Show” and “New Way Lane,” solid compositions done with a sweetness and simplicity that make the music irresistible.

“Laundromat” is old school soul, with an easy funk beat and deep brass accents. “Bella Donna” is a little too close to the Fab Four’s “Lady Madonna,” and a few songs after this are so mellow I want to take an “Afternoon Nap.” Another highlight is the catchy “Better Make Tracks.” Rewards with repeat listens.

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Automat and Michael Carpenter

Automat

Automat “Turn The Music Up”
The under-rated David Doll and Mat Taylor collaboration return after a long absence, and they deliver some greatness here. Automat continues to be a shining example of power pop, starting with “It’s The Beginning Of The End” its top-notch, hook-filled, guitar-pop taking its influences from The Beatles, The Monkees and Squeeze. “What There Could Have Been” is a McCartney & Wings-styled mid-tempo gem and the gentle acoustic strums of “Fly” recall Jellyfish in its optimistic chorus.

The sound varies at times, but always keeps a compelling melodic line, as “I Need, I Know, I Do”  and “If I’m Talking” are straight from the Glenn Tilbrook playbook. The quality of the music is consistent without note of filler, although the Beatlesque ending “A Minor Miracle” drags out over six minutes. Overall, a spectacular album that deserves your attention and gets added to my now crowded top ten list.

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Michael Carpenter and The Cuban Heels

Michael Carpenter and The Cuban Heels “Ain’t Nothing Left To Say”
How do you follow up retirement? Well Aussie music legend Mr. Carpenter gets his band The Cuban Heels together and delivers what he does best. Like other Cuban Heels albums, the blues and country influences are more pronounced than his solo works – but he throws a few power pop tracks in here.

The title track is a great start, with its steady rhythm, melody line and guitar accents. “I Should Have Told You” and “Wasted Years, Wasted Time” have that familiar steel pedal, and twang. Other highlights include “Photo” and “You’re Givin’ Love A Good Name.” At the end Carpenter gives a shout out to his wife on”Thank You” making for a satisfying finale. Highly Recommended.

Bandcamp only

David Brookings and Gary Ritchie

David Brookings and The Average Lookings

California musician David Brookings has been a steady favorite of mine for many years, refining his songwriting craft and sound with each album since 2000. With his new band The Average Lookings, David delivers a truly unique sound that retains his main influences (Beatles, Beach Boys, Byrds) without sounding imitative. His vocals are a little like Roger Hodgson (Supertramp) so he has better range than most. Each song here hits the bulls-eye; “Hearts” starts us off with its effective catchy chorus, jangling rhythm and ending crescendo. The hand-clapping, bouncy “Time To Go” is a perfect follow up and “The Optimist” is another gem that proves “you’ll never be a winner unless you lose for quite a while.” Even the ballads like “Don’t Stop to Doubt Yourself” are compelling both lyrically and melodically.

Another memorable twist is the country-tinged rocker “I’m in Love With Your Wife,” which is a fictional accounting of Eric Clapton bragging to George Harrison that his girl Patti “looks wonderful tonight.” Beautifully written and produced, its all killer, no filler – and enough variety in style and tone that keeps the music fresh and unpredictable. It’s darn close to a flawless record and rockets to the top of my best LP of 2016 list.

Itunes | Buy direct from David | CD Baby

Here is a great bio video of David…

Gary Ritchie

Gary Ritchie “Poptimistic”

Chicagoan Gary Ritchie returns on Poptimistic and from the bouncy opening “Million Dollars” its very much like a classic Rubinoos single followed by “Let’s Pretend,” a Beatlesque tune full of simple lyrics and Rickenbacker bass lines. Clearly Ritchie has improved his songwriting over the years, as the compositions are tighter than past albums. “Subtle as a Freight Train” allows both Ritchie and co-guitarist Jeff King to show off a bit, and Gary also has a love of old school ’50s pop Buddy Holly style on “Perfect Girl.”

No filler anywhere, and plenty of catchy gems like “Carol Says” about a profile of a fortune teller and “Dial 9,” a mid-tempo Merseybeat charmer. The attitude of all the songs are summed up in “Real Good Feeling,” and if you are a fan of retro-grade pop perfection look no further. Highly Recommended.

Amazon | CD Baby | Kool Kat Musik

EP Reviews: The Top Boost, Easy Roscoe, Boys on The Beach

Automat

The Top Boost “Turn Around” EP

The Top Boost is Vancouver’s newest garage pop trio (Hunter Gogo, Kirill Yurtsev, Greg Johnston), and their debut EP Turn Around was recorded and mixed in Vancouver and mastered at Abbey Road Studios in London. And it sure sounds fantastic, after a quick intro “What If She Loves You” takes its cue from 1980s song structure and psychedelic 60s jangle. Think bands like The Ocean Blue, Aztec Camera, and The La’s. Each compelling, catchy melody resonates from the romantic “Tell That Girl” to the shimmering “Still On My Mind.” The title track is unusual, it has a swirling melodic chorus interrupted by ascending minor chords that give it a sinister feel. One of the best debut EPs I’ve heard so far this year.

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Easy Roscoe “Piñata” EP

Nashville rockers that have an easy going, fun approach with their bright vocals and catchy guitar riffs. “Roll Baby Roll” is a great start, and “Green Leather Jacket” is a little Green Day and Gin Blossoms with a bit of Southern attitude. Some nice harmonies and call and response vocals make “By The Water” another gem. Then add a funk rhythm and bass guitar to those harmonies, and “Whoa-o-o” you have a easy party song on “We Cry.” An impressive debut.

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Boys On The Beach “Addiction”

It’s a stretch to call this an EP, more like a single (2 tracks) but this band from Tokyo, Japan knows how to rock. “I Hate This Addiction” has big echoing fuzz chords and dense percussion. Even better is the B-side “It’s Allright, it’s Okay” with Japanese verse and an English chorus. Hope to hear more from these guys!

Bandcamp | Boysonthebeach.net

The Honeydogs and Champagne

Honeydogs

The Honeydogs “Love & Cannibalism”

The Honeydogs return this year, and lead dog Adam Levy (fresh off his brilliant solo LP Naubinway) unwinds a bluesy pop opener “Vermillion Billows (Shouldn’t Take It So Hard)” with a smart lead riff in the chorus and just like that, The Honeydogs are back. “Devices” has the band sounding tighter than ever, with jazz horn and funk guitar accents. Levy makes music here that is both celebratory and soulful.

“Art & Vandalism” is my favorite here, a Honeydog classic about “counting your blessings” and it has a Steely Dan-like confidence alongside its catchy melody. “Wheels” and “Left Alone” are good upbeat rockers, and “Looking Through the Sun” is another great guitar melody, so no filler here either. The Americana themed “Ordinary Legs” and Caribbean themed “Little Sister” close out this fine album, highly recommended and worthy of many repeat listens.

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Champagne

Champagne “Beach Closed”

Champagne is a band from Cádiz, Spain that explodes on the scene with Beach Closed. The loud opener “Tell Me Why” is a piano-guitar melody that is everything we love about power pop, from the catchy chorus to infectious guitar solo midway through. Despite the euro-accented vocals,”Visiting You” is another gem that rings true with deep riffs closer in style to Weezer or The Gigolo Aunts. It does veer into arena rock territory with “Don’t Feed The Animal” and “The Van,” but the energy level is high and songs still engage you.

“It’s Alright” is a campfire beach sing-along with a simple ukulele and guitar melody and “Where’s Barbara Ann?” is a wonderful Beach Boys themed rocker that’s my favorite here. Another terrific ear-worm is “Plastic Feelings,” with a toe tapping guitar melody and “Weller” is a nice shout out to The Jam frontman. It ends with the lovely harmonies of “Hawaii,” especially the dream-like layered ending. Highly Recommended.

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