Mick Terry “The Grown Ups”
Mick Terry, a buddy of Philadelphia power pop fave Jim Boggia, has a solid background that gathers influences from Beatles and Beach Boys with a dash of Lovin’ Spoonful. The album theme is a look back at childhood dreams, and it opens with the “Hoxton Song” a catchy tune with a nice hook and early seventies vibe. “Northern Exposure” is diary set to a piano melody, with great harmonies during the break – it’s one of the best songs on the album, full of hope and optimism. “Comets” is a Paul Simon-like shuffle tune and the vocal arrangements really stand out here. Other gems here include “T.E.D.” and  the simple ballad “Tinseltown.” Lyrically Terry displays a wisdom suited to a mature singer/songwriter and fans of both Simon and James Taylor will find these stories compelling. There are only nine tracks here, but each one carries the narrative forward – no filler here. Take a trip down memory lane with Mick, you’ll be glad you did.

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T.E.D. by Mick Terry

Baby Scream “Baby Scream”
Juan Mazzola returns with his third musical nugget, and unlike the last album this time he’s letting his classic rock freak flag fly. Juan told me he got a little help from Eric Dover (Jellyfish, Sextus) here, and it’s done some good. As with the aptly titled “Powerpop Crush” the heavy riffs and multi-tracking resemble a classic Teenage Fanclub song. “Exile” is another winner, a Badfinger styled anthemic rocker. The solid song structure on “Jekyll & Hyde” has a building synth and fading chorus that would fit nicely on Pink Floyd’s Final Cut.  “Mental Case” has a driving rhythm and nice guitar work, although Juan’s vocal gets a little overshadowed here. His approach is a nasal mix of John Lennon and Roger Waters. “Watching The End Of The World” is a good example of this, with some good orchestration amongst the chorus. Other tunes, like “Lazy” have a decent hook, and “What About You” showcases some nice guitar flourishes. Overall a good album with lots of musical depth to explore. Keep up the good work Juan!

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Rachel McGoye “Ghetto Gloss” EP
Slick and melodic, the talented Rachel McGoye has a great voice for modern pop with a touch of country soul. Produced by Alex Band (The Calling) this is a nice showcase for Rachel, the sweet strum of guitar and shuffle of “Love Me Good” reminds me of Shania Twain a bit. So it makes sense she’s been touring with Idol runner up and country star Kellie Pickler. Both “Love Seed” and “Oh My My” are good songs and seem destined to make it on a TV soundtrack. The talent is definitely there, but nothing sticks out hook-wise to leave a lasting impression. We’ll need to hear more from Ms. McGoye to make a solid judgement.

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Matt Ryd “Looking For Home”
Compared rightly to Jason Mraz meets The Rembrandts, Matt Ryd is a Chicago artist who serves up sweet pop with clear harmonies and memorable melodies. On the opening track “Impression” he leads with Joan Hoedeman supplying backing vocals. “Healed” has already been featured on TV’s Scrubs soundtrack. This fast tempo track is followed by “For So Long,” which recalls The Barenaked Ladies with it’s sunny tone. Things slow down at the album’s middle, but on “Wondrin'” Matt’s vocal adds real emotion to the ballad. A few missteps (like the annoying “Lie To Me” and dark “When I Fall”) don’t ruin things, as the sparse arrangements and heavy percussive “Over You” and the tender “Shadows Of Your Life” redeems things. Nothing approaches the first half’s “single” oriented tunes, but Matt’s a singer/songwriter worth looking into.

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Tim Kasher “The Game of Monogamy”
Debut solo album from Kasher which features musical assistance from members of his band Cursive and Minus the Bear. Kasher gives us a brilliant concept album about commitment. Starting his opening argument “A Grown Man”is about responsibility in a pop punk rant that gives way to the blaring horns of “I’m Afraid I’m Gonna Die Here.” This is an awesome single that recalls those early Joe Jackson or David Byrne songs about the fatal attitude of our protagonist. Another stroke of pop genius is “Cold Love” with dissonant guitar chords and synth rhythms. The bouncy pop reveals that when it comes to marriage “I’m just inadequate, or maybe this is stupid, we’re just chumps.” Another gem is the wonderful “No Fireworks” which goes to great stylistic lengths to express the loss of love. There is a theatrical flourish to the album with orchestral arrangements that make it feel like you’ve heard a soundtrack to a movie or stage play. A truly impressive debut – Get the single “Cold Love” for free here.

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Dave Stephens “Time Will Tell”
I’ve been a longtime advocate for Dave Stephens past work, this year his newest effort Time Will Tell starts with a rich orchestral effort on the title track that seems tame, but transitions to “Mr. Wonderful” a heavy riff induced burst. This pattern of dramatic Coldplay-like compositions to louder guitar based riff rock is followed throughout the album. Stephens skills as a songwriter are secure with the excellent “Tragedy” and moving ballads like “Peace Of Mind.” The rocking “Josephine” is another highlight, and Dave’s earlier influences (Billy Joel, Elton John) are very subtle this time around. Overall, the album has a lot of songs about soul searching like “More Than Me” and “Dealing With The Past.” Toward the albums end, it gets even more serious with the haunting piano dirge “It’s Not My Dream.” It ends off with the six minute opus “Falling Away” and I am reminded of those melancholy gems from Gordon Lightfoot. A strong solid effort, but I hope Stephens next album can cheer me up a bit more.

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Jesse Brewster “Wrecking Ball At The Concert Hall”
San Francisco native Jesse Brewster is a skillful roots rock musician. His sound to me is combination of Tom Petty, John Mayer and Chris Robinson (Black Crowes). The slow bluesy Americana track “All She Deserves” is a brilliant showcase for his strong songwriting ability and soulful vocal. And the Skynrd-like riffs on “God Fearin’ Man” is near perfect country rock with a wicked solo midway towards songs end. Much of the faster tracks, like “I’m Not Broken” have an anthemic quality, full of smart choruses and harmonies. The albums middle seems a bit light, and a some of these tracks are forgettable (“My Great Escape”). A few of these tracks can be found on his self titled EP from 2008. However the ballads are heart wrenchingly performed, my favorite here being “Sorry Ain’t Enough” where it slowly builds to a guitar crescendo between each verse. Having spent much of his career as a sideman, it’s nice to see Jesse get the spotlight here.

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The Gurus “Closing Circles”
A power pop trio from Barcelona, The Gurus have once again changed things with their fourth album Closing Circles. Previous albums had either a Merseybeat or Psychedelic rock style, but here they tone down all those influences in favor of a more atmospheric trip. Fans of Brian Eno, The Moody Blues, and The Doors will find these Gurus more interesting.

Although they do break out the Rickenbacker for the opener “I Don’t Care About It,” which is a solid Byrdsian rocker. The light folk of “A Walk Again” and gentle pop ballad “Be My Wife” are good songs, and “I Put A Spell On You” is a great Guess Who-styled track. Unfortunately, things drift off into echoing indulgence on “Strange Believer,” as they jump all over the place from plodding David Crosbyesque jams (“I Can’t Go On”) to fast aimless Syd Barrett instrumentals (“Lucifer Sam”) and the remaining tracks commit a cardinal sin; they are simply boring. Fans of Rainbow Quartz neo-psychedelics, and Schnauser will still enjoy this, but others may want to pick out just a handful of worthy tracks.

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The June “Green Fields and Rain”
When you really want a retro-sound, all you need to do is listen to The June from Parma, Italy. Another Rainbow Quartz labeled group, The June take the pop psyche atheistic to it’s proper mind bending place.  Opening with the wonderful “Feel The Sunshine,” these Italians have all the right jangle and vocal harmonies drenched in sitar and buzzing guitar melody. The sounds of “On Fire” are similar to The Creation and “Pete On The Street” bounces along to Kinks like riffs. Some songs can rip off a bit too much, as “I’m Looking Out” cribs “Strawberry Fields Forever” rhythmically almost note for note. Despite this each song has a catchy hook and solid beat, so there is plenty here to enjoy and it’s got also energy to spare, highlights include “Love Is Gone,” “Smile” and the title track, a touching piano ballad. Lovers of vintage 60’s pop should add this gem to their collection without hesitation.

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