Coby Brown and Adam Bones

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Coby Brown “Stars & Curses”
While going through a cancer treatment Los Angeles singer-songwriter Coby Brown has been writing and recording these songs, which are full of melody on the opener “Daylight” but knowing his situation songs like “Madman” resonate with great lines like “Standing at the water’s edge/ landing on a window ledge/ I’m looking for some way to get back in.” But rather than get all depressing, Brown’s theme is a stubborn hope wrapped in a soulful indie shell. Songs are sparsely arranged, and thus more powerful. “Run Like I’m A River” is both catchy and mellow, this will appeal to fans of Josh Rouse, David Mead or Ryan Adams. The most pessimism here is the piano riff “Drop Down Dead” with it’s Lennon meets David Essex (“Rock On”) defiant rant about being in the hospital. Nothing here is fast tempo, but each song here is powerful, “Rise and Fall” being a Bono-like ballad that sounds a triumphant chorus of “up from the ashes..”. The album is a worthy and powerful statement, almost a religious experience without the religion.


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Adam Bones “Feel For Tomorrow” EP
LA based rocker Adam Bones is traditional power pop artists with modern flair and youthful style. Fans of Bleu, Jet and Ok Go will find his debut EP fresh and compelling. His band has opened for several power pop groups including The Wellingtons, The Click Five and Bleu. Opening with the energetic “I Had You” he vocally reminds me of Elvis Presley’s rich baritone, and combined with those melodic guitar riffs, it’s a winner. He recently finished IPO in LA and after the country-pop of “Shouldn’t Love” I’m sure it was a great show. The gentle ballad “Feel For Tomorrow” is a deceptively simple, but an effective song that builds into an arena rock anthem styled after The Who. The buzzing hooks in “How Hard I Needed You” is another keeper along the lines of Lenny Kravitz, and I can’t wait for the full length album already. If you’re looking for a future power pop star — here he is.


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Doug Gillard "Call From Restricted"

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Doug Gillard is best known as the lead guitarist and songwriter in Guided By Voices. An Ohio native, Doug began his solo career with his 2005 debut “Salamander,” but has been in several other bands (Death of Samantha, Gem and Cobra Verde). Doug’s skill and musicianship are impeccable here. Everything that gave GBV a melodic sheen is shown on the opener “Time is Nigh” with steady jangle melody and ascending chords. The title track, “Call from Restricted” has that up-tempo energy and catchy riffage that recall the “Isolation Drills” era. But the crown jewel here is the memorable “For What I’ve Done” – crunching guitar energy that is one of the best garage tunes I’ve heard. It strays from the GBV sound, with “Entwined” sounding a bit like Todd Rundgren’s Utopia. The gentle finger picking style of “Gibraltar” brings to mind Big Star or McCartney at his most wistful. Other highlights include “Gogol Was Rollo” and the “Sun Glow (They Don’t Know)” There are a few spacey excursions (“Without This Light” and “Contractors”) but overall this is a brilliant album. For GBV fans, and if you are getting all of Pollard’s new stuff – then this is a “no-brainer.” Even GBV non-fans will love the variety in tone and pop smarts here. Highly recommended for sure.

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Robbie Fulks does Fountains of Wayne

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Robby Fulks, a fantastically talented country pop singer does his best parody of a typical FOW song here. Called “Fountains of Wayne Hotline” Fulks dissects each part of Adam Schleinger’s typical songwriting approach perfectly. On a sadder note, it was recently reported that the outdoor furniture/sculpture store that bears the original name “Fountains of Wayne” is out of business. It was kind of an New Jersey icon, located on Route 46 in Totowa just before the Willowbrook Mall. Urban legend has it that lead singer Adam Schleinger was related to the owners, but it’s not true. They just lived in Wayne, NJ and thought it was a cool name for the band.

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Glen Tilbrook and The Fluffers "Pandemonium Ensues"

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Squeeze stalwart, Tilbrook has always been one of my personal favorites (and my best concert experience), so I am happy to review his first full album with his band The Fluffers. Unlike earlier solo works, Glenn goes everywhere with this set, but it’s far from “Pandemonium.” Starting with the jaunty Cajun melody of “Best of Times” it starts off a bit like a Dan Zanes album for grown ups. The songs are short and sweet, and even Fluffer bassist Lucy Shaw gets to sing lead on “Product.” Glenn is back with an angry rant on “Slaughtered Artist” but it doesn’t sit right. However I enjoy his mid-tempo melody much more on the compelling “Still.” The soaring group harmonies of “Relentless Pursuit” are pleasing, but again I enjoy solo Glenn more on “Melancholy Emotion.” He still has that awesome pop vocal and songwriting smarts. Another ballad “Little Ships” is another quality song where Glen again explores the transient nature of performing. More highlights are on “Happy Disposition” and light breezy pop of “Black Sheep” but if you are still longing for a Squeeze record, you’ve arrived about 12 years too late, as this is more of an ensemble piece. The Fluffers include Johnny Depp (yes, the actor), who speaks over a lot of psychedelic effects and spacey instrumental keyboards in “Too Close to The Sun” and while it’s interesting in a Syd Barrett sort of way, it’s ultimately forgettable. There are enough Tilbrook signature tunes to keep fans interested here, but for others it may fall flat.

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