Bob of The Pops! Vol.3 – Robyn Gibson (The Junipers) gets better with each group of covers he delivers. Love all this, and it’s a FREE download. Get it now!
Timmy Sean is back with a pure power pop single sure to stay on my playlist all year long.
Andy Reed gives us a slow ballad, and it’s his first solo work this year.
Jay Stansfield hasn’t had an LP ready in a long time, but this new single is a little like Jason Falkner.
Aussie Bryan Estepa delivers a very sweet power-pop tune. Can an album be far behind?
John Dunbar is back with his band The John Sally Ride and he offers some very sage advice. It’s a pep talk set to a catchy beat.
I rarely promote singles on Power Popaholic, but enough of my favorite artists came out with new materials this month, so consider this one of those rare times:
Phil Ajjarapu “I Got a Feeling / Kimberly”
“I Got A Feeling” was cut from the final track listing of Ajjarapu’s album Sing Along Until You Feel Better to make room for the title track, which was written after the sessions with Ken Stringfellow. “Kimberly” was recorded in the same session.
Radio Days “I’m in Love With You, Haruka” is a new song and the B-side is a cover of the classic theme “Teenage Kicks” by The Undertones. The band goes on a European tour this summer.
Bryan Estepa “Rattled and Rolled” is a true collaboration between Aussie musicians Bryan Estepa and Michael Carpenter. Profits from the sales of this single will go to The Heart Foundation.
“Leroy Boy,” a song from Bill DeMain‘s upcoming album Transatlantic Romantic is a loving tribute/sequel to Todd Rundgren’s classic “We Gotta Get You A Woman”from 1970. Lots of fun and I can’t wait for the full-length release.
Lannie Flowers is back, and not a moment too soon. “Kiss a Memory” and “Everything a Man Could Want” have everything power pop fans have come to expect from Lannie; a strong melody and enviable riffs that encourage air guitar play-along.
Get it at CD Baby | Spyderpop Records
San Diego’s noise pop band Mrs. Magician hits the bullseye on their second full-length release. Its punk filtered through 60s thru 90’s power pop, where “Phantoms” foreshadows the gleeful self loathing people have as “everything’s automatic/dogmatic/I’ve had it!” Its all set to catchy layered garage riffs that echo in your head. If Nirvana was power pop band then they’d sing “Eyes All Over Town,” its fuzz guitar riffs sped up to a bouncy beat. Lead vocalist Jacob Turnbloom’s does a great job getting to the heart of nihilism on “Tear Drops” where the ba-ba chorus undercuts the lyric “Life sucks. Tough shit.” His sound and style reminds me of A.C. Newman (The New Pornographers) throughout the album.
There is still a glossy sweetness to the music as Jacob’s layered vocal tells you to “Just burn in hell” like a satanic Beach Boys on the song “Don’t Tell Me What to Do.” Virtually no filler on this brilliant study of contrasts, as another gem “Where’s Shelly” has the harmonies shine through revealing the evil underbelly of tropical paradise. The catchiest melody here, “No More Tears” is about going off the grid and “burying your head in the sand.” This is a brilliant album that makes my top ten list.
Bryan Estepa and The Tempe Two “Every Little Thing”
Bryan Estepa and The Tempe Two (David Keys on Bass and Russell Crawford on Drums) remains one of the best kept musical secrets down under on Every Little Thing. A combination of California and Americana roots styled pop, it starts with a few folk-styled ballads “Think of You” and “At Least You Did Not Know” easing into the the guitar pop of “Object of My Disaffection” which recalls Neil Young’s “Lotta Love” mixed with a little Fleetwood Mac.
“Sooner or Later” is another good ballad that brings to mind Paul Williams. “Don’t Hurry Baby” is a little twist on Brian Wilson, looking at the girl from the dad’s point of view and “Empty Handed” has some smartly added guitar distortion in the solo. But primarily this is Estepa at his most self-reflective in soul searching mode. A grower for sure, and definitely worth repeat listens. Fans of Paul Williams, The Jayhawks, and Elton John will enjoy this one. Highly Recommended.
The Cherry Bluestorms “Bad Penny Opera” The Cherry Bluestorms are the duo of Glen Laughlin (The Dickies) and Deborah Gee, and both shared a love of 60’s guitar-based melodic rock. Its been a long time since I heard a full length rock opera concept, and this LP is epic in scope – the story is roughly about a girl leaving behind her home in 60’s Britain and trying to find a fresh start. Starting with an “Overture” past the 5 minute mark, it highlights Laughlin’s guitar mastery, evoking Pink Floyd and The Beatles simultaneously.
Then it transitions to acoustic guitar and the dual vocals of “By Your Leave” similar to Jefferson Airplane or Dreamboat Annie-era Heart if it was lead by Amiee Mann. “A Better Place” is a packed with horns backing up Gee’s crisp vocals. Next is a fast-paced cover of Donovan’s “Wear Your Love Like Heaven.” Gee’s vibrato sounds great on “Sunday Driving South,” a mid-tempo gem. “The Country Man” is Glen’s vocal highlight, a neo-hippy guitar anthem. Other tracks need a few more listens to appreciate, but the back half of the album drags a bit. Parts of songs are just brilliant, like the opening chords of “To Love You is A Crime,” or the chorus to “World Going Mad.” Definitely worth a place on your music playlist.
Bryan Estepa “Heart vs Mind”
Sydney based singer songwriter, Bryan Estepa shows us a bit more of his easy listening side here. The acoustic “(if you follow) We just might get near” is a statement similar to Jackson Browne where he “heads for the great unknown.”
And the 70’s styled melody of hope in “Seachange” is the centerpiece here, with Estepa longing for “the simple life.” Then the louder “Them Fighting Words” is a solid melodic pop gem, with “In a Minute” quickening the tempo. Both “Nothing At All” and “Nobody Has To Know” are glossy ballads in the style of Bread, with soulful guitar and keyboards, the latter tune feels almost like a spiritual. A solid release.
