Tag: Creamer

FREEBIES, Singles and EPs: The Nap, Andy Reed, Tired Eyes, Packy Lundholm, Bandits on the Run, Zebedee, The JAC, Creamer

powerpopaholic

EPs

I found some really cool EPs and they all are “Name-your-price” downloads. Share, please!

The Nap is a band from Gijón, Spain and they have a cool dramatic ’90s pop sound. “Bed Time” is a little like Hootie and The Blowfish. Check out the harmonies on “Corredor,” and the funky guitar on “Little Cat,” it definitely grows on you.

Andy Reed is back with another selection of tunes, following up his 2015 “Relay, Vol.1.” And this set shows off his skill in different genres. “His Love is Gonna Let You Down” is a ‘70s styled rocker with a bluesy guitar that’s just smoking. A cover of Paul Williams’s “Rainbow Connection” is a sweet update of the classic.

Tired Eyes is the alter ego of Liam James Marsh (Kid Chameleon) and Ellie Vincent. Simple guitar tunes with Liam’s double-tracked vocal have plenty of charm on “It’s Late & I’m Tired” and the frustrating emotions of “Grin.”

Chicago musician/producer/songwriter Packy Lundholm does a good job with varied styles in this “Track Sabbath” EP. “Hosanna” is an epic production with a little bit of everything, and a catchy chorus too. “Cocaine Guys” is another winner with a vocoder and sax solo! Not power pop, but there is more to discover here.

SINGLES

Bandits on the Run is a talented group of NYC musicians who’ve had experience on Broadway and other venues. This single is beautiful, catchy, and inspired a short film! Looking forward to full album of those great harmonies.

Brooklyn-based rockers Zebedee have this late 70’s styled single that chugs along with some inspired bass work. This is psych-pop that will get you jumping on the bed playing air guitar.

The JAC is back! Aussie rocker Joe Algeri (The Brittanicas) gives us a rough cut of the frustration being locked up because of a pandemic. “Just punch me out, give me back my life!”

Philip Creamer knows how to do an epic power ballad as well as anyone. Fans of Bowie, Queen, and Marc Bolland will love this. I can’t wait for the next LP!

Bill Lloyd and Creamer

powerpopaholic
Bill Lloyd

Bill Lloyd “Working the Long Game”

Bill Lloyd has been a power pop paragon since his 1987’s Feeling the Elephant, but hasn’t emerged with new original music for a while. To remedy this he signed on to Spyerpop Records last year and put together a cover LP, Lloyd-ering. But now Bill brings us a classic LP that is his best yet. Each tune is carefully constructed, evokes all the right influences, and features guest songwriters Aaron Lee Tasjan, Buddy Mondlock, Graham Gouldman (10cc), Tom Petersson (Cheap Trick), and Scot Sax (Wanderlust).

Opening with the catchy “Satellite” it’s an easy going melody that recalls Tom Petty, then it goes straight to the glorious Beatlesque title track which explains Lloyd’s obvious persistence. Each song is a distinctive treasure, riffs disguise the subtle bass line of the joyous “Make That Face” and they work just as well with the acoustic heartbreak of the ballad “Wake Up Call.” There is a healthy dose of retro-hits like “Go To Girl” and “What Time Won’t Heal,” but when Lloyd rocks he doesn’t fool around. “Merch Table” is a solid rocker about playing live, he sings “It’s been a decade since you bought new music, got rid of all your old CDs/ You want to clutter up the house with new songs like these?” If it all sounds like this, then absolutely. No doubt here, it makes my top ten list for 2018 and is super highly recommended.

Amazon | CD Baby

Creamer

Creamer “Creamer”

Nashville singer-guitarist Philip Creamer is a new force to contend with in the power pop community. His distinct sound gets its style mining classic ‘70s influences, just imagine if Elton John joined Big Star playing The Raspberries. If that sounds like an earful, you are correct. Creamer starts with the epic scope of “Daydreamer,” with its gentle building melody, deep chords, and impressive crooning. And power pop fans will find the opening bridge of “Record Machine” irresistible with its “ooh-ah” bridge, riffs and handclaps that sound timeless. Creamer tends to extend his songs for both dramatic effect and musical variety, as demonstrated on the infectious “Drugs No More” and “Ride or Die.”

The album’s first half can do no wrong, and he starts to spread beyond the Power Pop and Glam genres on the second half. He gets funky on “Magic” where he’s looking for some “real rock and roll,” and dazzles with Queen-like bravado.  In fact, there isn’t a weak song on the album, except the overtly religious ballad “White Dove.” Overall another contender for top ten album of 2018. Highly Recommended.

Amazon