October singles: Dolour, The Poppermost, Vanilla, Cold Expectations, Eric Barao, The Sobs

Yeah, it’s time for hot new power pop singles! Dolour does a cover of one of the best Beach Boys singles of the Sunflower LP. Can’t miss those harmonies, but if your tastes run more to the Beatlesque side, then check out The Poppermost as they do it again with great skill. Vanilla continues with its 77 projects, and “Show Me A Sign” is a perfect amalgam of the mid-seventies pop influences, that reminds me of Pilot. Boston’s Cold Expectations does a solid job with the organ-heavy “Hey Compromise,” and Eric Barao is back with a magical lullaby full of flowing chord progressions and strings. The Sobs have this killer hook in the upcoming album, and I’ll whet your appetite with the opener “Air Guitar.”






July Singles, EPs and Freebies: Any Version of Me, Dana Countryman, Eric Barao, Anatomy Class, The Valery Trails, Supercrush, Ryan Hamilton

July is here and the AC is on full blast. This is why I like to check on new music from old friends. French artist Any Version of Me does his best Brian Wilson tribute with “Away,” perfect for the beach. If you’d like classic pop greatness, you have the talented Dana Countryman offering up a FREEBIE that you can’t miss; made of assorted selections from his catalog, and “Summer Sand” is another sweet Beach Boys-styled gem. It’s been a long time, but Eric Barao has a delicate ballad that just tugs at your heart; “Whoever You Are.” Aussie rockers Anatomy Class impressed me with its anthemic rich melody, fans of Lemonheads, Swervedriver, and Pixies will adore “Expo 88,” and another band from down under The Valery Trails celebrates the summer with “Jaisalmer,” a bouncy rocker stocked with guitars and horns. Seattle’s Supercrush seriously reminds me of Superdrag and other late 90’s power pop on its perfect EP Melody Maker. and finally, Ryan Hamilton is back and he tells you to write your troubles down, then fold your worries into “Paper Planes.” Hope it flies far!








Eric Barao and I Know Leopard

Eric Barao

Eric Barao “Obsolete” EP

The follow-up album to Eric Barao’s self-titled debut album is finally here and he’s pulled out the big guns in the studio. Mike Viola (Candy Butchers) and Roger Joseph Manning Jr. (Jellyfish) are supporting Eric and all the recording, mixing and production techniques were done in the late 60’s style similar to The Beatles White Album. Jellyfish feels like a big influence throughout, with lots of instrumental flourishes, Queen-like guitar solos, and soft vocal harmonies.

“Nothing to See” slowly builds up from its orchestral prelude to its easygoing chorus that worms its way into your head effortlessly. The title track is an instantly accessible gem, with the pounding piano bed that jauntily gets to our chorus sung by Viola perfectly as he pleads “I’m not obsolete!” Both these tracks have wonderful guitar breaks that compliment the songs. “Unhappy Ending” starts with a Big Star-like riff before heading to Barao-land, layered full with synth effects and mellotron. “Bad For You” stands out because its dramatic and dark, almost like a Broadway villain theme. Next, “My Pussy-Puss” is an overly baroque tune, you almost expect a double entendre here with Roger J Manning Jr.’s multi-tracked vocals. Overall a fantastic EP that stands as one of the best of the year so far.

Amazon

I Know Leopard

I Know Leopard “Love Is A Landmine”

Sydney indie quartet, I Know Leopard is a rare breed of retro pop. They look like a cosplay version of Abba but their sound is an amalgam of ELO, Split Enz, 10cc, and Erasure. The title track is mesmerizing with the perfect amount of synth, piano, guitar, and heartbreak. “Heather” is another neon-drenched love song that sounds like a lost ’80s hit. The synths dominate the remaining tracks and bring with it a lounge-like club atmosphere.

Lead singer Luke O’Loughlin’s soft and pained vocals take center stage and brilliantly envelopes you on “All That She Cared About,” “Blame It On Me” and “Seventy Lies.” With Bassist Rosie Fitzgerald adding the anchor to each song, the harmonies and grooves are wonderful. Some songs feel like filler (“Mums and Dads of Satanists”) but once this band adds more hooks to its repertoire, watch out. Definitely, a band to keep your eye on. Highly Recommended.

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