SLD and Bruce Moody

“SLD"

SLD “Look Back”

With the passing of Tom Parisi, I thought SLD was done. But the duo’s other half, Paul Costanza has managed to keep the project alive. With a renewed sense of purpose, he put together twelve new songs in Tom’s honor loaded with Beatlesque style. Even more impressive is the fact that Paul handled all the songwriting, instruments and recording on his own. And you hear in many of the lyrics a conversation with his cousin.

“Nothing Can Stop Me” begins with layered harmonies in an unusually long (4 min) opener. But it flys by, and next is one of the keepers here “I Believe,” a strong building melody akin to solo Paul McCartney. The album’s first half is exceptionally strong, “A Look Back” is another standout with echos of Harry Nilsson, and “Little Man” enjoys a jangling strum with an emotional resonance in those lyrics. Overall a really good album that Tom would’ve been proud of. Highly Recommended.

Kool Kat Musik on Feb 6


“SLD"

Bruce Moody “Keep Showing Up!”

Bruce Moody is one of those under appreciated artists that pops up every now and again, and here he turns to music for his therapy and our enjoyment. Moody’s style is distinctly in the early 1980’s power pop vein, and fans of The Romantics would feel at home with his style. Moody still has a gift for getting a guitar rhythm in your head, and “Mary Goes Round” does this. Other tunes here are notable, like the jangle and chorus of “Break My Silence” and the light theme “Love Is.” Add to this unique subjects like a love song for 80s model Nastassja Kinski (“Nastassja,”) and a talkative Spirit (“Ghosts”). Another curiosity is an old track “Record Deal” from his band Walkee Talkee. Not everything feels as fresh, but if you dig that era of pop this makes a great listen. Check it out.

The Blood Rush Hour and SLD

Roger Joesph Manning, Jr.

The Blood Rush Hour “Sanity Fare”

Musician and songwriter Robert DeStefano returns with a new Blood Rush Hour LP. He’s recruited a fine group, including producer and musician Willie Dowling (Dowling Poole). The melodies are as grand and intricately constructed as those in a progressive operetta. The opener “Within This Tragedy” bounces along about the modern obsession with the spectacular, while “My Invention” is a chord progression and key change odyssey following a narrative stream of consciousness.

The band has two different lead vocalists. Joseph J. Tobias, Jr. is an effective vocalist on songs like “No One’s There (At All).” However, in songs with Scott Evans, his higher vocals soar on “Here We Go Again,” recalling a young Jon Anderson. The album’s second half (neatly split by an instrumental “Intermezzo“) doesn’t have as many highlights. But the songs are just as strong; “Billy Boy” and “Tunnel’s End” have gorgeous harmonies and soaring guitars. These songs need repeat plays to be appreciated. Fans of Skeleton Staff, Spygenius, and Martin Gordon (Sparks) will all enjoy this cerebral pop. Highly Recommended.

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Sounds Like Digging

SLD “Like Sunshine”

The duo of cousins Paul Costanza and Tom Parisi formed the band SLD (short for the original name “Sounds Like Digging”) The untimely passing of Tom in 2022 meant that gathering these songs was not an easy task, but a welcome reminder of both talents and their ability to craft dense, glossy 60’s-influenced rock.

“A Perfect Day,” “His,” and “Friend of a Friend” boast some great Beatles-styled guitar flourishes and codas. Other songs have moments of greatness, like “Like Sunshine” and “Matter of Time,” with their sunny minor chord shifts, but they lack the hooks needed to remain memorable. Paul’s lead vocals shine across the album, especially on the McCartney-like ballads “Anita” and “Cold Level Heart.” The DIY spirit is evident here, and fans of bands like The Toms will enjoy this collection of final songs by the duo. It remains music that deserves to be heard.

Kool Kat Musik

SLD and Rick Hromadka

SLD

SLD “Lost”

SLD (aka Sounds Like Digging) is back – Tom Parisi and his cousin Paul Costanza return with a smooth rich sound on “He’s Got You Now,” a slick single with a grand chorus backed by psyche pop guitars. This is like a double album with 17 tracks.

“Fly Away” is a McCartney-like piano gem, that slowly picks up steam to its magical chorus, with an upbeat “ooh-la-la,” rhythmic harmonies, and a wicked guitar break that begs for repeat listens. “Don’t Want Get Over You” is a wonderful jangling pop gem full of great chord changes and Tom’s guitar riffs are supported by Paul’s bright vocal that defines the SLD sound. A few songs get bogged down where the rhythm, not the melody is the focus (“No Way,” “She”) but even these are decent.

There are many highlights here: “12 to 5” has brilliant harmonies across each verse, “Lost” is ultra-smooth pop, and “Last Night” is a polished, atmospheric song with an expansive melody. Using synths and an ’80s slow pop rhythm, “Circles” could’ve been a Tears For Fears hit, and “Midnight Eyes” boasts a hand-clapping beat with underlying phased guitar chords. Fans of ELO, Pilot, and The Nines will really enjoy this. Highly Recommended.

Amazon | Kool Kat Musik

Rick Hromadka

Rick Hromadka “Better Days”

A solo new album from Rick Hromadka (Maple Mars, Ruby Free) is a tour de force plus it’s loaded with talented guest stars. Very polished compared to his last LP, starting with the title track it makes clear that’s he’s embracing the “dad rock” label with a variety of vintage rock influences – almost a combination of his previous bands.

“State Of Mind” boasts an addictive chorus and inventive lyrics throughout. Both “Searchlight” and “The Ever After” have terrific guitar work, reminiscent of Thunderclap Newman. As a break from the seriousness, the whimsical “I’m Here To Entertain” makes use of many musical circus tropes, as the video shows.  Additional gems include “Full Blown Freakout,” “Pinwheel,” and the epic harmonies are all over “The Last Volcano.” No real duds here, so it also makes my top ten for 2020 list. Highly Recommended.

Amazon | Kool Kat Musik