Sloan and Jeff Litman

Sloan

Sloan “12”

“There’s only so much time we can kill here” states Chris Murphy on the opening track “Spin Our Wheels,” from the band’s 12th album. Sloan is without question the most consistent and longest lasting power pop band with its original line-up (27 years!) It’s easy to take for granted just how good Sloan is, as the melodies, harmonies and hooks always deliver. Like 2014’s Commonwealth, each member contributes a few songs to what is a “normal” sized Sloan album.

Murphy’s “All of The Voices” has a simple melody line and sounds a little like a power pop version of Nirvana. “Right to Roam” is a jangle-pop gem, that’s more traditionally Sloan-like. Guitarist Patrick Pentland’s “The Day Will Be Mine” boasts those thick riffs and rising chords, as the chugging “Essential Services” breaks things up with a 10cc styled piano and harmonies about the relationship between themselves and the fans. More greatness is found on the rocking “Don’t Stop (If It Feels Good Do It)” and it keeps getting better with “Have Faith.” No real dull songs and the album has a positive vibe mostly, and an epic slow moving finish; “44 Teenagers.” Like most Sloan albums I’ve reviewed, this hits my top ten list for 2018. Highly Recommended (well, DUH).

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Jeff Litman

Jeff Litman “Crowded Hour” EP

NYC indie musician Jeff Litman is back and he’s going in a different direction. The opener “One Foot Forward” is an aching ballad with simple electro-beat that grows with the addition of Andi Rae Healy’s vocals to become a strong affirmation. “Only You” is closer to the Jeff we are familiar with but after that, it’s all atmospheric soul searching. It works best on the title track, where a strong melody, lyrics and echoing production deliver greatness. Fans of early-’80s Peter Gabriel and Joe Jackson will enjoy this one.

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Tribute To Sloan and Rude Awakening

Dany Laj

Various Artists “If it Feels Go Do it: Tribute To Sloan”

The amazing thing about this tribute is that most of Sloan’s songs aren’t as well known or played out as other more popular artists (i.e. Beatles) and this frees the artist from adhering to a strict interpretation. Also Sloan has some gorgeous compositions that fit perfectly with these artists, and its sure to draw attention.

Stereo Tiger not only starts us off with “C’mon C’mon (We’re Gonna Get It Started),” the band is also offering up a quick EP of added covers FREE here. Andy Reed crushes “I Love A Long Goodbye” and The Dead Girls delivers a solid take on “Friendship.” Lots of today’s best artists contribute: Fireking, Chris Richards, Nick Piunti, Pop4, etc. I could continue to list favorites, but with 31 tracks this post would go on too long. Simply stated this is the best tribute album of 2016 so far! So get it from our friends at Futureman Records!

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Rude Awakening “Rude Awakening”

Rude Awakening was formed in Winnsboro, TX in 1985 and disbanded in 1989. They were never signed to a record label, thus never released an official CD, but the band members (Jim Richey, Jeff Hamm, Kenny Swann and Jeffrey Galloway) continued to play together eventually becoming The Pozers. The band specialized in guitar rock based on ’70s and ’80s similar to Cheap Trick, Kiss, AC/DC and Van Halen.

Its worth noting that the musicianship here is solid and the era is re-created perfectly. “First Impression” really rocks out and “One More Cry” sound like lost hits from the proto-metal hair band era. Ballads like “For Angie” and “Traci” remind me of Extreme a little and the speed-metal “Leather and Lace” pulls out all the stops as the drummer goes wild. The album stays stylistically consistent throughout and even if they do go past the four minute mark on songs, it sounds like the band is having fun. “17” is a dead ringer for a lost Kiss single, and you’ll find plenty of favorites to add to your listening mix.

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Pugwash and Sloan

Pugwash

Pugwash “A Rose In A Garden Of Weeds: A Preamble Through The History Of Pugwash”

It isn’t news to most power pop fans that Pugwash is the one of the best bands in Ireland. The band has made the commitment to visit the US on tour this October and it only makes sense to release a great retrospective for the occasion. Lead by the talented multi-instrumentalist Thomas Walsh, the band is the sonic heir to both Electric Light Orchestra and XTC.  The pedigree is further burnished, as Andy Partridge and Dave Gregory have assisted the band on occasion. But you’ll also hear other influences from The Byrds and Beach Boys to Paul McCartney. Pugwash has made six five albums to date (not counting compilations), and each one is represented here with care to showcase the bands incredible versatility and melodic skills.

If you’ve never heard the band before (shame on you) this is a chance to redeem yourself and get all the good tracks in one neat little package. On CD it includes some detailed history, liner notes and photos in the enclosed booklet. And if you are really looking for a treat,  you’ll see this band live – here are the latest tour dates. Definitely, this gets my vote for best single band retrospective album of 2014.

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Sloan

Sloan “Commonwealth”

Toronto-based quartet Sloan has been playing the most consistent quality power pop for over 20 years, and longer than any other band (still active) in the genre. After the career nadir which was 2011’s Double Cross, the band does something off the beaten path once again. This 15-song collection sees Sloan creating one of the most ambitious recordings of their career. Like the touchstone LP Never Hear The End of It, you’ve got a pile of great tracks and like The Beatles’ White Album, each band member creates a unique album section with its own layered personality.

You can listen to one of my favorite tracks below, Jay Ferguson’s “Three Sisters,” with its winding bass lead and delicate harmonies. I go into detail on each section of the album, as this review continues on The Seattle Post-Intelligencer website.

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https://www.youtube.com/watch?v=qYGyW5IonVI