Spring singles, EPs: Yoasobi, Lolas, Red Dwarf Star, Daz & The Demons, Sam Evian, The Armoires


I’ve been a fan of J-pop (it’s a guilty pleasure), and I’ve enjoyed YOASOBI since I first heard their “Monster” about three years ago in the Netflix Beastars anime. They are poised to break out since their English songs are just as good as the Japanese language versions. “Adventure” is a great example of that sunny J-pop melody loaded with catchy hooks. E-Side-3 is the very latest from this talented artist. Next, the criminally underrated Lolas have been very active lately, and they deserve props for the rich jangling melody, “Work is the Blackmail of Survival.” Red Dwarf Star is something I don’t always feature (psychedelic heavy rock), but I just love this deeply atmospheric track, that reminds me of Pink Floyd and Soundgarden. Daz & The Demons have a great power pop sound, check out “You Wait For Something” and “Barcelona.” Sam Evian‘s new LP is only 9 tracks (so it’s like a big EP), and it embraces a spontaneous spirit; listen to “Wild Days” and my fave here, “Jacket,” with its “la la la” drops. Don’t look now, but The Armoires are back, and they “Absolutely Mean It.” A great advance single – enjoy!




Party Leftovers: Singles that deserve to be heard

I counted an additional 258 albums that I did not even get to fully examine last year, but rather than come out with my Top 10 Eps of 2023 (that’s next week) I will give you some much-needed singles (some are freebies) to keep you company.

Shane Tumarc (Dolour) sets the stage with a great cover of the Zombies’ “This Will Be Our Year,” the energy of Rock Europa’s “Pick at the Scab” is infectious with a commanding melody line. Brower’s “Confrontation” is very much in the mold of early Frank Zappa with its faux 50’s call and response. Next, Rooftop Screamers has perfected the arena rocker single “Dead In The Water,” with a solid vocal by Rob Daiker. It’s been a good year, and The Armoires give us the gentle opening salvo on “Music & Animals,” a fitting theme for the ASPCA. Finally, Mo Troper had a big hand in 2023 with producing others (including himself), so “For You To Sing” includes friends Brenden Ramirez (Bory) and Blue Broderick (Diners). Fear not, as I have another singles post of 2023 songs that deserve to be heard! Stay tuned.






The Dollyrots and The Armoires

The Dollyrots

The Dollyrots “Daydream Explosion”

The Dollyrots are one of the best sounding punk-pop bands and have been going strong since 2004. Versatile singer/bassist Kelly Ogden and guitarist Luis Cabezas deliver a joyous mix of vocal sass and fast guitar riffs starting with “Animal.” Ogden’s vocals have a distinctive range that goes from a dreamy coo to an aggressive snarl in the standout “In Your Face.” It’s like a perfect blend of The Go Gos and Blink 182, as Kelly sings “I’ve got friends who’ve got my back, I got things I wanna say, I will do what I can, right in your face!” Fans of Bowling For Soup, Weezer and Joan Jett will just eat this up.

“Naked,” “Talk Too Much” and “I Love You Instead” are catchy standouts with choruses that stick fast in your head, and stay with you. Stylistically the band moves around with slower pop tempos like “Watching The Storm Go By” and “Flippy in My Red Dress” which transforms from smokey jazz to aggressive pop. The songs are all relatable while shining a light on female independence, especially on “No Princess.” Not a single weak song and loaded with energy makes this an excellent party album and super highly recommended.

Amazon


The Armoires

The Armoires “Zibaldone”

Eclectic pop combo, The Armoires are an amalgam of folk, world, rock and pop lead by the duo of Christina Bulbenko and Rex Broome. The sound draws from many different places and recalls The Go-Betweens, Byrds, and Fleetwood Mac. The violin played by Christina’s daughter Larysa is a prominent fixture, along with Rex’s jangling guitar on the opener “Appalachukrainia.” The band sounds inspired by Camper Van Beethoven on “Pushing Forty,” almost daring father time with the lyrics “I hope I live before I get old.” The band’s fluid harmonies are present on “McCadden” and the catchy “(How Did You) A Mistake Like Me)” is a big highlight with it’s Rickenbacker melody.

The band moves around stylistically, from steel pedal mid-tempo “Satellite Business” to the off-Broadway quirk of “Is Drama Sue Here?” The band is assisted by producer Steven Wilson (Plasticsoul) and a bevy of artists from the Big Stir Record label. And when it comes musicianship, they all have the goods. The band spreads around the vocal duties often having multiple leads, which doesn’t always work. But when it flows right, the musical stories of the band’s travels are warm and inviting. Check it out.

Big Stir Records | Kool Kat Musik