Ed Ryan and The Decibels

Ed Ryan

Ed Ryan “A Big Life”

Multi-instrumentalist Ed Ryan is back with his most accomplished album to date. Starting with “Settle Down” it’s a rhythm-driven rocker, with a big finish full of handclaps and optimism across his multi-tracked vocal. The songwriting here is very strong on “As I Am,” and the slowly building “Wonder” boasts some excellent guitar work throughout. The latter is the best song on the album, as he states defiantly “I’ll never grow old.” Ed’s vocal struggles to keep up with the heavier rockers like “Mary Anne,” but the title track “A Big Life” makes good use of the story-like narrative and his verses here are great.

Ed has fun on the catchy “You Keep Me Up All Night,” as it’s very reminiscent of the gems Dave Edmunds or Nick Lowe used to produce. The finale show-ender “Overnight Romance” has a great bouncy beat, and tosses in the kitchen sink musically. Like a heavier version of  Solomon Burke’s “Everybody Needs Somebody To Love,” it’s a real crowd-pleaser. There are enough gems here to make this album highly recommended. Enjoy!

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The Decibels

The Decibels “When Red Lights Flash”

The Sacramento band has lightened up a little on its latest release, which started life during COVID with the jangling gem “Why Bother With Us?” While things are poppier with “Enough” and more 80’s retro-influenced than previous albums. But the band has a timeless sound that stands out on “There’s Just Something About You,” with its easy-flowing melody. The percussion drives a lot of the songs and for the most part, it’s all in under 2 minutes. But sometimes the vocals get buried under the guitars, like on “He Thinks He’s Right (But He’s Wrong)” or the vocals just don’t match the intensity of the playing (“Say Goodbye”).

Despite that, there are plenty of highlights here, like the catchy harmonies of “In Remembrance,” “Today Is Your Day,” the Raspberries-like “Looking Back” and “This Might Be The End.” Workman-like power pop that definitely deserves to be heard.

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More Xmas Presents: Another Sleigh-load of Holiday Singles and More!

Wow! The space under the tree is just packed now. Notable goodies include a full album of music inspired by the classic A Christmas Story by Ralphie’s Red Ryders (a regular contributor to our pages under a new pseudonym) and our annual single by The Slingsby Hornets. Nick Lowe adds his Christmas standards and The Martial Arts do a fine job – check out the brilliant original “Snow Flakes.” Add to this The Decibels, John Dunbar, Stop Calling Me Frank, and The Heatwaves and you’ve got another great holiday mixtape!








The Decibels and Faux Co.

The Decibels

The Decibels “Scene, Not Herd”

Sacramento, CA-based The Decibels were active from 1993–2001 and cut a trio of fine garage-styled power pop albums that were criminally overlooked. The sound combined 60’s Mod influences with 80’s angular guitar leads. Fans of The Plimsouls, Buzzcocks and Paul Collins Beat will enjoy the frantic tempos and sing-along lyrics. The band re-grouped in 2017 and continued from where they left off.

“Hey Emily” is a rousing opener that contrasts with the sad lyrics of middle-aged loneliness. The strong chords of “It’s Not Me” is one of the big standouts here, as the band is “trying to prove a point that went dull long ago.” The band’s Merseybeat tendencies come out on “Misery” with some nice chord shifts and three-part harmonies. Most of the songs are under the three-minute mark and push the energy limit, so it would’ve been nice to hear ballad amongst the dozen tunes here. However, most of the music is very good, and you can explore some of the earlier LPs on Bandcamp.  Check it out!

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Faux Co.

Faux Co. “Radio Silence”

Chicago’s Faux Co. adds a perfect amount of fuzzy psychedelic grit and melodic hook in the opener “Prozac Spaceman.”  The band consists of Ben Mackey, Chris Lee, Christian Whiting, and Jayson Homyak. Their music blends melodic pop with garage rock elements (and horns) for “Set The Record Straight.” These two strong tunes give this short album (only 8 songs) a solid forward momentum.

The catchy fuzz rhythm of “The Sun Will Come Back”  leads to the Lennonesque ballad “Oh Mother Night.” The gorgeous harmonies are a highlight of “It’s Nothing Really” and it approaches epic dreamlike territory on the Oasis-like “Get A Say.” The music is consistently excellent as it concentrates on deep themes of apathy, creativity, love, and loss. Not a speck of filler here. Highly Recommended.

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