The Nines and Simon Felton

The Nines “Alejandro’s Visions”

A labor of love for Steve Eggers, with the help of Bill Majoros (the Foreign Films) this is a cinematic album that harkens back to the 1950s, from doo wop to the advent of rock and roll. Its like an audio movie musical with the cacophony of sounds opening up “Alejandro’s Visions,” and leads to the best Beach Boys meets The Platters song  you ever heard  in “I Have Found You.” The album concept is a familiar “boy-meets-girl” trope but its done both seamlessly and brilliantly.

“My Sweet Marie” brings to mind an early Buddy Holly concert, and then the charmed couple visit a amusement park in “Escape From A Small Town” with both rockabilly swagger and sweet harmonies throughout. Eggers heartfelt vocals are in peak form here, culminating in the a cappella “When Our Love Was In Bloom,” and his strongest dramatic statements “Operator (Coming Home To You)” and “And Suddenly” compare well with the best work Jeff Lynne (ELO) has ever done. Other songs recall old Rodgers and Hammerstein musicals, but overall this was an album that was impossible to put down, and that’s enough to make it a welcome addition to my top ten albums list of 2016. 

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Simon Felton

Simon Felton “Return To Easton Square”

Another collection of therapeutic/confessional songs from Simon Felton (Garfield’s Birthday) that range from sombre to silly. The catchy piano  of “Alibi” has interesting lyrical phrasing “I wanna be your glass of wine…” Simon still has a way with melody as demonstrated on the Donovan-like psychedelic “Goodbye (Again)” and ”It Must Be (A Nightmare).”

While some corny stuff finds its way in “Good Morning Britain” (which sounds like an update of “Act Naturally”) there are plenty of compelling songs here. More highlights include “I Would (If I Wanted To)” and “It’s Obvious.” Give this one a chance and add it to your playlist.

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Kurt Baker and The Nines

Kurt Baker

Kurt Baker “Play It Cool”

Proving to be one of the most productive artists today Kurt Baker is like the Energizer bunny (going and going) quickly moving from his collaboration with The Connection on The New Trocaderos, and he’s back with his favorite producer Wyatt Funderburk on a new high energy album.

It all starts with “Sends Me To Mars” setting a manic pace; its written by Kip Brown (The Wild Hearts) and it fits the Kurt/Connection/Trocaderos style like a glove. “Enough’s Enough” is more straight Kurt Baker style, catchy as hell and deserves multiple repeat listens. The tempo is still speeding when we get to “I Got You” and “Just A Little Bit.” Kurt’s restlessness comes through on his party theme “Monday Night.” The NFL may want to buy this one (my tip, Kurt)!

“Can’t Say No” is like a marriage between Elvis Costello and Green Day, and finally we get a slower (mid-tempo) love song on “Talk Is Talk” with a wonderful Beatlesque chord progression. “Back For Good” has what I hear as a Funderburk-influenced love song with yearning lyrics and a magical middle eight. There are a few songs that tread the same ground, but overall this is another home run for Kurt. Makes my top ten list (was there any doubt?) for 2015.

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The Nines “Night Surfer and the Cassette Kids”

The Nines are back with a rougher, tougher sound and the keyboard is no longer up front. Steve Eggers is still at the core of this Toronto band with the help of Bill Majoros (the Foreign Films). “It’s All in the Head” opens with deep garage rock riffs, and siren effects creating a rough car chase theme. “Just Another Party” has echoes of early XTC, Adam Ant, B-52s and the ’80s dance rock movement, and its great fun. Steve’s melodic composition skill comes out on “Never Take You For Granted” with it’s killer hook in the chorus.

The best impression is with the driving riff attack on “Wasted,” my favorite here – and very much a power pop classic. The tone slows a bit on “Sweet Tangerine” but picks up with the infectious “She Knows It’s Free,” again with the guitar riff in charge here. “Cathy” is another gem that is the best XTC song you never heard. Attempts to go darker, like on “Jimmy’s Girl” set a mood with descending riffs or synths, but don’t compare as well to the earlier tracks. Fans of early ’80’s sound will love it and its definitely highly recommended.

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Best Concert Albums of 2014

The Nines “Nine Lives”

An essential concert album this year, The Nines frontman Steve Eggers visits his discography and throws in a few extras. The recording is clear and gives an excellent representation of the live experience, right down to the shaky vocal warble that opens on “It Hurts You.” Steve has combined numerous live performances from around Toronto (most recorded at Poor Alex Theatre) and other areas into a cohesive concert experience.

Special guests include Mike Viola (Candy Butchers) playing guitar and Andy Reed (American Underdog) playing bass, both sing backing vocals on the song “Virginia.” In addition, seven tracks have never been released before, so you’ll get much more than a greatest hits compilation. As far as newer tracks “Falling Down” is an emotional and resonant highlight, tracking the aftermath of a bitter breakup. Eggers creatively mines territory similar to Billy Joel (“Average Joe”) and Ben Folds (“Gord’s Life,”) each time bringing us along his melodic journey. For those who want a taste of the excitement at a Nines concert, here you go. Get it at CD Baby

Lannie Flowers “Live in NYC”

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The Sharp Things “Live At Galapagos Art Space “

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Updates from Hot Nun, The Nines and Radio Ready

While Jeff Shelton is working on new tracks for a new Well Wishers full length album, his harder edged side project Hot Nun with Braden McGraw  and Pete Bohan (Headslide),  released a lone single this week. The new Well Wishers LP is due out in September, you can always go get the Dunwoody EP in the meantime.

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Also Steve Eggers of The Nines is hard at work on live album. Due out end of the month. Here is a bonus track from Nine Lives, a little cover tune written by an ex-Beatle…

 

Last summer we reviewed a compilation of rare power pop from Texas called Radio Ready, Vol.1, and this year another equally impressive collection has been released. This time Vol.2 goes north to Wisconsin and finds hidden gems that beg for re-discovery. Included in this are The Wigs – a classic power pop band that needs to be heard.

The Nines “The Nines”

This is the first major release of new material since the Nines’ critically acclaimed album Gran Jukle’s Field. Amazingly, Steve Eggers has come a long way from his 1998 debut on EMI, to working with a Who’s Who of power pop music gods including Andy Partridge (XTC) and Jason Falkner (Jellyfish). This new self-titled album is another pop masterpiece.

Starting with a disco funk bass (shades of Bleu here) intro, Eggers works magic on “Backseat” into an ultra hooky single. With the crowd noise, you almost feel like you’re attending a revival of Frampton Comes Alive! The piano rocker “Far Away” is a perfect segue full of contradictions like “Leave. Please stay. Doesn’t matter now” with an ELO styled middle eight. “Jackie Smokes” is a tonal shift with a heavy guitar and synth, but full of intricately layered vocals – sounding both modern and classic all at once. A few more songs heap on synths and elctro beats, but Steve’s melodies are underneath it all.

“The Virtuous Man” multi-layers the vocal and acoustic guitar with Andy Partridge, and it’s such a great song it makes me miss XTC even more. A fully orchestrated, slickly produced “Seasons” will please McCartney fans, but Steve feels most at home at the old piano with mid tempo ballads like “On The Slidelines” and “Martin.” No one could sing these songs with more earnest. “Goodbye” is another sweet ear confection that would’ve fit neatly on Macca’s Tug of War. Not a single misstep or filler track, and an easy nominee for my 2013 top ten year end list. Welcome back Nines!

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