Tag: Tony Molina
The Sun Sawed in 1/2 and Tony Molina
The Sun Sawed in 1/2 “ Triptych”
Sun Sawed in 1/2 is a St. Louis band founded by brothers Ken Rose (bass) and Tim Rose (lead guitar) with vocalist Doug Bobenhouse. They road the resurgence of power pop popularity in the late ’90s (with the standout of 1997’s Fizzy Lift) and are often compared to Jellyfish, The Posies, and XTC.
They are back after a 9-year break with a series of digital-only EPs (Beaches In Bali, Sirens, and Before The Fall) now compiled into a 20-song set called Triptych. The band is in fine form overall, with many ideas and hooks stuffed into each song, like the opener “Dried Cherry Blossoms,” with its hand-clapping chorus, and “Soft Away” with its dreamy harmonies. Sometimes the music follows dramatic winding paths, like “Sirens” and “Call For A Good Time.” Some songs are more immediate than others, highlights include “Twist of Lemon” and the atmospheric epic “The Cool Ivory Wonderful.” They also don’t stick to a single template (“Too High Strung,” “Sitting In A Tree”) as they stylistically shift things often. Overall, an excellent collection – highly recommended.
Tony Molina “In the Fade”
Songs that last less than a minute or so get viewed as filler and can be perceived as lacking the scope or power of longer songs, but it’s a current trend I’m seeing more of with our micro-sized attention spans. The Beatles’ “Her Majesty” count as a hit in this category, and artists like 2nd Grade, Ryan Allen, Mo Troper, and Nick Frater have done albums full of it. But writing excellent music which doesn’t break the minute mark is a skill in and of itself. West Bay native Tony Molina has made it his mission to excel in this niche.
Molina has been doing this since 2014, perfecting his Beatlesque bedroom melodies and fuzzy jams. His newest In the Fade, is very much a concept album about leaving a relationship from different points of view. “The Last Time” has a low fuzz and bouncy rhythm similar to Weezer, “Leave This Town” and “Burn Everyone” effectively channels Teenage Fanclub. “Years Ago pt. 2” is a lovely closing melody, and each song works to effectively support the entire collection. The short phrases are well written and begs multiple repeat plays. Super Highly Recommended.
Paul Steel and Tony Molina
Paul Steel “Carousel Kites”
It’s been ten years since we heard from the production wunderkind Paul Steel. One of the most impressive bedroom pop albums ever, April & I deserved a thematic sequel. The British press considered Steel “a 20-year-old who is Brian Wilson in a parallel universe,” and his style owes much to the former Beach Boy. But it’s more than that, as Steel has been busy co-writing and producing for Mika and Empire of The Sun. So he is definitely used to making irreverent and kaleidoscopic pop confections.
What we end up with is a concept album, where one song blends into another with grand thematic arrangements akin to Brian Wilson, Steely Dan-like guitar, and Quincy Jones-like percussion. The narrative isn’t as clear as April & I, and there is A LOT of filler, but it still holds together.
The overture “Ready to Fly” opens with sweet harmonies, leading to the frantic but operatic “Last Guilt Trip.” Some sequences are simply brilliant, like “Do What Everybody Else Does,” “Skydaddy,” “Never Age a Single Day,” and “Island in The Sky.” The earliest compositions Paul created for the project still work best, like the rousing “I See Sadness.” Overall it’s highly recommended and if you are a fan of Roger Joseph Manning Jr. or Bleu McAuley this is a “must get” album!
Tony Molina “Kill The Lights”
Californian Tony Molina gets out his music in the most abbreviated way. Each song is roughly a minute long. And that’s what is simultaneously both great and frustrating about this album. The amazing opener “Nothing I Can Say” is the perfect amalgam of Byrdisan jangle and Teenage Fanclub like melody. “Wrong Town” and “Afraid to Go Outside” have that reverent church organ and gentle harmonies.
Each song hits the mark, but I wish we got more than a single chorus and verse. In some ballads, the shortness works, and “Jasper’s Theme” actually reaches the 2-minute mark. Many of the songs are elegantly constructed folk-pop, but its all over way too soon. The best way to appreciate this LP is playing it on auto-repeat. Highly Recommended.