Jim Basnight and Trip Wire

Jim Basnight

Jim Basnight “Not Changing”

Veteran musician Jim Basnight made waves in with The Moberlys early in his career and he continues to put out great material to this day. Not Changing is his first new album in seven years and it offers listeners a variety of moods and memories. The album starts with the easy-going “Code to Live By,” a testament to his longevity with a terrific solo guitar break. The title track is a wistful look back on his career, confident that he’s made the right choices as he states “with this guitar, you can dig for gold, but can you dig a soul from a grave?” He returns to the theme of death with the somber “Suicide Evening,” and “Kurt Cobain.”

While there are several quieter tracks, Jim shines when he reaches into that classic blues-rocker style similar to The Rolling Stones on “Big Bang” and “Best Lover In The World.” The rollicking “Making Love for a Living” is a catchy tune sure to get you moving and “Never Get Lost” is another power pop gem. More highlights include “Second Street,” “You Never Cease To Amaze Me” and the radio-friendly finale “Living The Way I Want.” This is a celebration of a man comfortable doing what he loves. So, why change such a good thing? Highly Recommended.

Bandcamp | Amazon

Trip Wire

Trip Wire “Once & Always”

San Francisco stalwarts Trip Wire continue to rock on their fourth LP with Marty Schneider, Bill Hunt, Stu Shader, and Jeff Shelton (The Well Wishers).  The gruff “Had Enough” evokes Bob Mould, and Shelton shines here as the vocalist on “Down” with lots of great energy. “Light Of The Moon” has some interesting composition and sounds like a cross between Lou Reed and REM. The subtle “Golden Gloves” with its strings and the seamless follow-up “Clear,” showcases a simple acoustic melody that builds into a majestic solo jam. It almost sounds like a completely different band. 

But the album is far from over, as they get back on to power pop with “Bottle Rocket.” After this, we get the folk-like jangling pop of “Act Fast” and country twang of “Carolina.”  The band seems most comfortable with roots-inflected rock, and while the other genres aren’t bad, they don’t stick in your head for long. Overall a refreshingly honest rock ‘n’ roll album that deserves to be heard.

Big Stir Records