Ryan Hamilton And The Harlequin Ghosts “This is the Sound”
Ryan Hamilton has bounced around over the past few years as an artist, but he settled in Fort Worth, Texas. And he brings a rowdy party with his band The Harlequin Ghosts. Opening with a song about his whiskey drinkin’ pot smokin’ “Mamacita,” it sets the tone for the loud guitar anthems that follow. What Ryan continues to do is set forth a series of catchy sing-along choruses with heavy rock chords similar to Bowling For Soup, and the most infectious of the bunch “Get Down” takes no prisoners as it rocks away.
Other tracks that keep the party going include “Bottoms Up,” “This Is The Sound” and “Far Cry.” But Ryan knows when to take his foot off the gas a little, and serenades on “Feels Like Falling In Love” and “All Fall Down.” Then “Girl vs. Monster” allows Ryan to explore a more country sound with some slide guitar. The music is both uplifting and heartfelt on “Let You Go,” where loving someone really means letting go. It gets emotional and introspective on the closer “Won’t Stop Now.” I could not find a bad track here, and overall it’s a fine example of modern power pop. Highly Recommended and makes my top ten nominee list for 2019.
Scott Lavene “Broke”
Essex UK musician Scott Lavene is very matter of fact in his debut LP Broke. His spoken narrative style is comparable to Ian Drury, Lou Reed or David Byrne. On the opening track, “My Stereo” has a slight country vibe, with conversation over a bassline that dovetails nicely into a sung chorus. “Apples And Pears” is a punk-like rant through modern life and the universal struggle of job, marriage, etc. In some ways, the non-narrative “Super Clean” is the highlight here – a little Bowiesque approach goes a long way with its bass lead.
While the melodies are okay, and some of the lyrical stories are funny, the next few songs are really strung out. The spacey “Modern World” with its sullen strings or the slow funk on “Moonbeams” made this listener lose momentum. “Light Of The Moon” has some nice Keith Moon styled drumming in the intro before it settles into another conversation with Scott, doing his best “scratching out a living” with his band. Overall an interesting album that needs a few more melodies and less narration. But it’s still worth exploring, so check it out!
