Jonny Polonsky and Wes Hollywood

Jonny Polonsky

Jonny Polonsky “Unreleashed: Demos and Rarities 1996-2018”

For a short time during late 1996 Jonny Polonsky was the next “big thing” in indie power pop. His solo debut was a smash success, like a combo of Jason Falkner and Frank Black he stormed the scene. And then… he didn’t make any new music for 8 years. According to Jonny, “I disappeared into a wine bottle…” By the time The Power of Sound LP arrived, the buzz was gone. Thankfully, he continued to write and record. This collection gathers unreleased material from his entire career.

“Everywhere All The Time” is a great start with a pounding rhythm and rising guitar fuzz, about the chaotic, divisive mean-spiritedness out in the world. “Do You Remember” and “Amazed” are short snippets that also resonate. “What A Wonderful Way To Die” is a mid-tempo mix of T-Rex and Steven Tyler. The other tracks are hit or miss, and the longer jams didn’t really work for me. I liked the quirky “The History of Numbers,” “On The Wire” and “The Auctioneer.” Overall you can pick and choose your favorites from this eclectic selection.

CD Baby

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Wes Hollywood

Wes Hollywood “Dynamite”

Wes Hollywood describes his music as “Ray Davies and Elvis Costello having a punch-up in the front row of a Cheap Trick concert.” This Chicago power popper is influenced by late skinny tie era pop (1978-1980) with a touch of new wave, like The Cars and Bram Tchaikovsky. I didn’t really hear any Cheap Trick influence, but he starts with “Four Pound Twenty,” a catchy gem that sets the tone with its simple lyrics and workmanlike composition.”When Sunday Roll Around” is another highlight, like lost Ray Davies mid-tempo track.

From there several songs have that early Elvis Costello vibe. Hollywood has always been a skilled songwriter and does a great job with the next 5 songs; “Small Talk,” “Dirty Manhattan,” “Nothing To See Here” and “Evelyn.” Honestly, no filler here even if some may see it as too derivative. Hollywood puts his own stamp on these songs and fans of this type of music shouldn’t miss this. In fact, Wes had enough songs for an additional EP, Lipstick. Highly Recommended.

Amazon | CD Baby

The best things in life are Freebies: Drew Beskin, GenPop, PoP, Jeremy Fetzer, The Metal Babies

The new year is here, but I still have some 2018 music to give you. A few neat full-length albums and several EPs worth your time. Please consider buying the other music on their sites. All these are FREE downloads. Your welcome!

Great find here! Drew Beskin is the former The District Attorneys, Party Dolls, and PURSES frontman. This is his second solo LP. Its solid alt-pop goodness, check out the title track, “The Ice Storm” and “Blue Staging.”

Spacey pop stuff from Gen Pop that reminds me of Wilco with a touch of new wave. Gen Pop is Aaron Swaagman (Wisconsin) and Sam Sterk (California). Check out “Don’t Believe You” and “It’s A Trap.”

Red Bank New Jersey band PoP with an EP titled “3” has a strong beat and riff combo, especially on “The Weight of Something”

Jeremy Fetzer gives us a psyche-pop gem in “Wisdom of the Octopus”

Truly great music from The Metal Babies. this four-piece soft rock band is from Sydney, Aus. Explore and get this!

Jeff Whalen and Yorick Van Norden

Jeff Whalen

Jeff Whalen “10 More Rock Super Hits”

Jeff Whalen was the lead vocalist for the power pop band Tsar. The group split in 2005, but Jeff is back with an amazing, Linus Of Hollywood-produced, solo debut. The music is a hybrid of bubblegum/glam/power pop with an infectious enthusiasm that’s hard to ignore. “Goofing Around” is an easy going catchy opener, and “Jendy!” is a sugary pop nugget straight out of the Linus playbook. “Ground Game for Worm” is a straight-ahead jangling gem.

The most impressive song on the LP for me was “The Alien Lanes” where the guitars take a more central part of the melody. It’s like a Cheap Trick tune with less bombast and a more layered chorus. “Don’t Give It Up” is another slice of ear candy you can dance to. In fact, I could not find a bad song here – it’s all killer no filler! This released late in 2018, but only in select outlets — it sees wider release in February. If I could shoehorn this into my 2018 top ten list I would but for now, it’s at the top of my 2019 list for best LP. Highly Recommended. As a bonus, I recently did an interview with Jeff Whalen you can read right now.

Kool Kat Musik

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Yorick van Norden

Yorick van Norden “The Jester”

This was high on David Bash’s list and I had never heard of Yorick van Norden before. He is based in The Netherlands and is very adept at crafting melodies. Having a good sense of psyche-pop influences he starts with the trippy “Forest of The Mind” which sounds like a lost Grip Weeds track. But then he launches into the catchy jangle gem “Train In The Station” and I perked up. His classic pop influences and production techniques are solid as each track gets better than the next. “Another Day in London Town” has a great Beatlesque melody and stream of consciousness lyrics that stick fast.

“More Than Words” is a wonderful sunny mid-tempo gem that recalls Belgian artist Bent Van Looy. He also has 2 musical suites, which use orchestral flourishes to highlight a medley of delicate compositions. “A Song For You” is his own explanation of why he writes music, as the Christmas harmonies of “Winter” bring to mind a warm fireplace. No filler and it’s highly recommended. It definitely would’ve found a spot in my top 20 for 2018.

Amazon

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Dana Countryman and Palmyra Delran

Dana Countryman “Cabaret of Love”

Countryman has been accurately described by John Borack as a “One-man Brill Building.” His influences go from the ‘50s to the early ‘70s and often cross the line into retro-kitsch. But its done with such skill and fine musicianship that it’s a guilty pleasure (without the guilt). And an array of guest talent is here; Terry Draper and Dee Long (Klaatu), Jamie Hoover (The Spongetones), Probyn Gregory (The Brian Wilson Band), Scott McPherson, and Kai Danzberg.

The bossa nova and trumpets start things quietly with the subtle title track and from there the sunshine pop of “I Never Knew” bursts forth like a “lost” Carpenters hit. Kai Danzberg adds his harmonies to The Beach Boys-styled “If I Had A Girl” and “Summer Sand.” Then Jamie Hoover’s Beatlesque guitar leads the catchy “Just See If I Care.”  More highlights include “That’s Why I Love Her” As the album progresses, the shmaltz level increases, some of it the Four Freshmen-like “The Night I Fell In Love With You” and others so sweet (“You Better Watch Out”) you’ll get a toothache. Highly Recommended.

Amazon | Kool Kat Musik

Palmyra Delran

Palmyra Delran and The Doppel Gang “Come Spy With Me”

While it’s been a long time since pop siren Palmyra released a new LP, but she certainly picked a top-notch group of friends to help her along. Special guests include Steven Van Zandt, Debbie Harry (Blondie), and John Carlucci (Fuzztones).

The opening title track has Palmyra in fine form with a “Yeah, Yeah, Yeah” garage pop melody loaded with harmonies and distorted guitar hooks. “Happy Birthday Middle Child” is boosted by Harry’s backing vocals and its eye-rolling sarcasm. Then “Tape A Nickel To The Tonearm” is a throwback to the swivel-hipped dance craze era. The R&B gem “I’m Satisfied” is a cover of hard rock combo Fanny’s deep cut from 1973 and Paul Collins adds his guitar to “(If You’d Like To Make A Call) Please Hang Up.” The latter is almost a musical answer to Collins hit “Hangin’ On The Telephone” with The Nerves. “I Thought You Said You Were Gonna Kill Yourself” is classic Palmyra and another standout. Overall a terrific LP that would’ve made my top 40 list.

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White Lace and Promises: The Songs of Paul Williams

White Lace and Promises: The Songs of Paul Williams

Assorted Artists “White Lace and Promises: The Songs of Paul Williams”

Producer Andrew Curry, who has a soft spot for soft rock (Drink a Toast To Innocence) is back with his sites now on ’70s singer-songwriter Paul Williams. While a recognizable musical performer and actor, Williams legacy as a celebrity often overshadows his formidable songwriting talents. After all, he’s won an Oscar, a Golden Globe, and several Grammys. His work includes hits for Three Dog Night, Barbra Streisand and The Carpenters – all part of this covers collection by some talented indie power pop artists.

Several songs are given new life because many are deep cuts that won’t be instantly recognizable. I enjoyed the faster tempo of The Davenports take on “Evergreen” and Zach Jones faithful version of “Someday Man.” Lisa Mychols totally nails “You and Me Against The World” and Cliff Hillis turns the Carpenters epic “Rainy Days and Mondays” into an intimate personal ballad. Minky Starshine has a wicked version of “The Hell Of It” from the Brain DePalma cult film The Phantom of The Paradise.

But the ballads are where Williams songwriting is best known, and Chris Price’s “I Won’t Last A Day” and Andy Reed’s “Rainbow Connection” infuse Paul’s hopeful emotions perfectly. The Corner Laughers do their best to imitate singing muppets on “Movin’ Right Along” and The Test Pressings (John Borack, Robbie Rist and Karen Bassett) do a cheese-filled version of “The Love Boat,” in which Williams only wrote the lyrics. A few songs don’t quite work, but overall a fun compilation with a high batting average. And that’s highly recommended.

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Many years ago Paul Bertolino covered Paul Williams beautifully. It’s a FREE download that would fit nicely with the collection above. Enjoy!