Category: Highly Recommended by Powerpopaholic

Allen Clapp and The Jayhawks

powerpopaholic
Allen Clapp

Allen Clapp “Six Seasons” EP

Allen Clapp (The Orange Peels) brings us a solo EP that compares the California weather to his emotional states, and its an impressive musical motif. The catchy start “Moss Falls Like Rain” is classic Clapp with guitar jangle underneath its keyboard melody. “Friend Collector” is another winner combining flowing piano chords and charismatic synthesizers. The album weighs more on sonic textures than melodies for its second half, “Seasons 5 & 6” is a magical two part instrumental. Overall a great little EP that deserves to be heard and is highly recommended.

Amazon

[su_spacer size=”40″]

Jayhawks

The Jayhawks “Paging Mr. Proust”
While The Jayhawks have yet to top Rainy Day Music, this is a decent album that’ll keep fans satisfied. “Quiet Corners & Empty Spaces” has that classic Byrdsian jangle and relaxed sound you expect from a Jayhawks album, while “Lost The Summer” is a fuzzy mess that sounds forced. “Lover of The Sun” is a tight Gary Louris gem with a memorable middle eight that stands with his best tunes.

Both “Pretty Roses In Your Hair” and “Leaving The Monsters Behind” have good composition, the latter having a great guitar solo break. The trouble starts when they try Wilco-like experimentation on “Ace,” however “Comeback Kids” has some great storytelling and “The Dust of Long-Dead Stars” cranks up the tempo and energy. As usual the instrumentation is top notch and its a solid addition to the Jayhawks catalog.

Amazon

The Weeklings and Steve Somerset’s Shadow Kabinet

powerpopaholic
The Weeklings

The Weeklings “Studio 2”

Looking for pure unadulterated Beatlesque fun? The Weeklings are a great choice, with the sound and spirit of the legendary moptops circa 1965. Recorded at Abbey Road Studios, in the very same studio as The Beatles themselves. Musicians Glen Burtnik, Bob Burger, John Merjave and Joe Bellia are not your average cover band, as the band members have years of experience. Some have played with McCartney, Styx, Marshall Crenshaw and others. Some have even performed in Beatlemania on Broadway.

The songs are all originals with a few very rare Beatle covers. Start with the Rickenbacker strums of “Morning, Noon & Night” it is a note perfect melody down to the harmonica flourishes. The big single here is “Little Elvis” which has huge riffs and compares well to “That Thing You Do!” for catchiness. I could continue, but almost every song here kicks ass. This is above and beyond your average Beatlesque effort. Makes my top ten list, and should be in your music collection.

Amazon

[su_spacer size=”40″]

Steve Somerset's Shadow Kabinet

Steve Somerset’s Shadow Kabinet “Nostalgia For The Future”

The Shadow Kabinet is the personal vehicle of Steve Somerset, talented singer, songwriter, and melodic story-teller. Nostalgia For The Future was recorded in 2013, but only now sees the light on Kool Kat Musik. Somerset’s style is solidly set in the psychedelic pop world and you’ll hear Sgt. Pepperisms everywhere.

The epic title track is a winding tale with sitar, long bending chords and Steve’s vocal is a bit like Lennon at his trippiest or a more sober Anton Barbeau. The guitar of “Angelville” continues the slow tempo with a spacey theme. “The Notebook” is a very English sounding tale about a personal keepsake. The textured “Dust Descends As Light” could have been a lost Pink Floyd track from Wish You Were Here. Additional highlights include “Lame Duck” and “The Glass Half Empty House,” but the ending track “Let It Go” is a perfect Lennoneque mind game sure to amaze. Plug in the headphones and enjoy this one.

Kool Kat Musik

Ronnie D’Addario and The Favorite Things

powerpopaholic

Ronnie D’Addario “Falling For Love”

It’s always a treat finding “lost” power pop of the past. Ronnie D’Addario has been a musician for many years, mainly as a session player for Tommy Makem of The Clancy Brothers. His solo albums showcase his love of Beatles-styled melodies, and Falling For Love is a real treasure. The title track was written for The Carpenters in 1981, and even though it was recorded by them – it was never released. D’Addario’s original sounds like a perfect fit for the late Karen Carpenter.

D’Addario’s songwriting and composing is very much like Gilbert O’Sullivan or Emitt Rhodes, with a solid hook on “Just Let Me Look At You.” The bouncy McCartney-like piano melody of “I’m On To Something” is another gem, along with the amazing harmonies on “Steps” and “Waiting In The Wings.” A few songs feel more like Carpenters tunes (“Two Little Children” and “Just Passing Through”) and there is not a dud in the bunch. Highly Recommended, and his other albums are worth checking out too. FYI, he’s passed his talent down to his sons who are also known as The Lemon Twigs, a very impressive indie pop group that’s just begun to make major waves.

CD Baby


[su_spacer size=”40″]

The Favorite Things “Coming Clean”

Four long time Minneapolis musicians joined forces to form The Favorite Things, taking their name from The Replacements song, “Favorite Thing” and the band counts them as a big influence. You’ll also hear echos of REM, Nada Surf, and The Gin Blossoms. The opener blasts through (“Coming Clean”) with its fast tempo and energetic chorus.

“Ashes” and “First Time” continues the party, fans of 90s-styled indie rock will enjoy the rich familiar sound. The albums second half eases up the intensity slightly with the alt. country rocker “Friday Night In Tennessee,” but gets back on the buzzing riffs with “In The Summer.” The tempo and style doesn’t vary much from there, and as a result the songs sound homogeneous. But the talent is there and I’m sure The Favorite Things will continue to grow as artists. Check them out.

Itunes

Rob Clark & The Wooltones and Cantina

powerpopaholic
Beaulieu Porch

Rob Clark & The Wooltones “Are You Wooltoned”

Rob Clarke and the Wooltones, deliver Merseybeat guitars drenched in the tones of a Vox AC30 straight from Liverpool, UK. The recordings have a West Coast psyche-pop style melded to its sweaty garage riffs. “Iron Eyes Cody” is a great start, mixing the double edged styles effectively. “Colors (of The Sun)” and “Ambrosine” are decidedly very psychedelic -– closer to The Blue Magoos than anything across The Mersey.

Yet the band’s authenticity is what draws you in, and the style varies from fuzzy space-rock on “Are We Here?” to blues on “Pancake Cupcake” to jangle pop on “End of The End.” Certainly the lack of consistency may turn some off, but if you like all variety of ’60s rock and pop The Wooltones do an admirable job.  Kool Kat’s CD Release has a 7 Track bonus disc that includes covers of “Stepping Stone” and “Pushing Too Hard.” Highly Recommended.

Amazon | Kool Kat Musik


[su_spacer size=”40″]

Cantina

Cantina “A Sea Of Keys”

Cantina is another collective of accomplished musicians; John Dufilho (of The Apples in Stereo, The Deathray Davies), Jason Garner (The Polyphonic Spree), Andy Lester(Deathray Davies), and Philip Peeples (Old 97’s) with a percussive emphasis (after all, most of these guys were drummers!) The player piano melody of “Lucifer” ambles along like Ray Davies meets Mark Oliver Everett (Eels) and Dufilho’s sad slow vocal in the catchy “Bulletproof” contrasts, with its fast-paced banjo, tambourine and slide guitar.

And those contrasts are compelling, with its layered rhythms often done against a drone-like reading of “A Letter of Rejection” reminded me a bit of They Might Be Giants ironic approach. “Sympathy For Strikers” is more melodic and fun to listen to. Often a song opens with a ukulele (“I Keep Floating” or “These Machines”) but sometimes you get a surfer-styled lo-fi gem like “God Is The Sun” or “Hypnotic.” In fact, you’ll hear many lo-fi bedroom pop gems here and while it may not stick in your brain too long – it will lighten your mood and lift your spirits.

Amazon

International Pop Overthrow Vol. 19

powerpopaholic
IPO vol. 19

Although I’ve been reviewing IPO compilations since this blog has been active, this collection is the one of most eclectic I’ve heard in a long time. The breadth of artists here cannot be overstated, and the music really can’t be stuffed into a narrow genre anymore. Also, these 65 tracks appears more balanced than in the past, so there isn’t a “favored” disc out of the three.

Disc 1: Right away the man David Bash himself gets a tribute, “Bash” by The Tearaways. Another gem is “Remake The Stalls” by Cartoon Spirits, and the legendary Ron Dante appears with a Reggae beat on “Skills.” Some retro sounding tracks include “Shake It Out” by Starfire Band channeling The Who, and Hailee Rose and Dave Rave deliver a sweet Motown styled duet on “So Invisible.”

Disc 2: Always enjoyed Zach Jones Rundgrenesque “Everything’s Fine,” and its hard to match the amazing Greg Ieronimo on “Best Day Of Our Life.” I also loved the danceable mantra of “You’re Never Gonna Have Enough Money” by The Black Lemons. The plaintive mid-tempo ballad “All in This Together” by The Hard Way is another melodic and catchy gem. Lighter jangle is part of Hummingbird Syndicate’s “Waterfall Away” and Trip Wire’s “Winter Song.”

Disc 3: Starts out with quirky pop of New Man’s “Maybe I’m Feeling Fine and Jordan Andrew Jefferson’s “White Light.” The romantic “Linda’s A Maybe” by Dave Birk, is an funny ode to the girl who you wish would come to the party. The wild punk melody of “I’m Free” from The Forty Nineteens is a great party anthem, and the Beatlesque “Mohammed On Top Of The Mountain” is a gem from Butch Young. The reverbing bass guitar from The Dives “On The Spot” and Marston’s “These Blues” both make a psychedelic impression.

Overall a great value (as always) and a showcase for the ever expanding array of pop artists that fit under the IPO tent. Highly Recommended!

Kool Kat Musik | Amazon | Pop Geek Heaven

 

I was present for IPO New York at Bar Matchless, Brooklyn — Mike Daly & The Planets were introduced by my buddy Dave “The Boogieman” here. It was a great show with lots of local and international artists, and unfortunately due to illness the festival CEO David Bash couldn’t attend live. He need not worry as the artists came through for him and played to an enthusiastic audience!