Category: Highly Recommended by Powerpopaholic

Andy Bopp and The James Rocket

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Andy Bopp

Andy Bopp “Blisters and Thorns”

Veteran alt. rocker Andy Bopp (Myracle Brah) showcases his formidable songwriting skills here with the mid-tempo gems “Cannibal” and “Lowe.” The music retains Bopp’s signature ‘90s style and each one is perfectly pleasing. A few gems standout; the earnest “Hello” has a wonderful melody with nice twangy guitar and “Every Word” has a well textured arrangement. Those wonderful harmonies come out under the chorus of “Barely Hanging On,” so plenty stylistic variety through 15 tracks.

The country elements stand out here, from the banjo on “Simple Thing” to the steel lap guitar present on several songs, notably “Broken Highway.”  The Rickenbacker guitar leads other gems like “Broken Ties” and “Grey Matter.” Overall, a solid collection of tunes that stands up to repeat listens and deserves more attention. Highly Recommended.

Amazon

The James Rocket “Thrust”

Brooklyn rockers James William Roy (songwriting, vocals, guitars, bass) and Markleford Friedman (drums, production) give the James Rocket its fuel. The sound is like Guided By Voices mixed with The Replacements. “Musicbox” and “Clothers Make The Man” have melodic energy and a touch of punk that makes it compelling.  The punk elements are upfront on “Money Rope” and brisk tempo of “The Things I Saw.”

The James Rocket does mix it up stylistically with simple bass-driven “Call to Hearts” and catchy “Melt Away.” You also hear the influence of The Who (a major GBV influencer) throughout the album. A nice character study “The Bartender’s Boyfriend” ends things. No duds here, and definitely worth a listen.

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Nick Piunti and Look Park

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Nick Piunti

Nick Piunti “Trust Your Instincts”

Nick Piunti has reliably delivered another amazing album. “Trust Your Instincts” is everything exemplary about power pop, the title track layers fantastic guitar melody with a great message to “trust your gut.” The next track “One Hit Wonder” pokes fun at the rush of fleeting music success, with a nice key change in the final verse. Great harmonies and melodies are all over the songs, with Nick’s throaty vocals leading the charge, which I’ve previously compared to Bryan Adams. Back in the studio assisting is Ryan Allen (guitar,backing vocals) Andy Reed (bass, synth) and Donny Brown (drums, backing vocals).

Every song here is a gem, but some favorites stick out like “Dumb It Down” with its a magical chorus and “As Far As I Throw” has the catchiest riffs you’ll ever hear in modern rock music. You’ll also hear multiple influences, but unlike past albums its better integrated into Nick’s overall unique sound. Even without a slow ballad, this easily gets on my top ten album list for 2016. Was there any doubt?

Amazon


Look

Look Park “Look Park”

Chris Collingwood (Fountains of Wayne) goes out of his way to make Look Park feel different from his old band, and it does (to a point.) It’s much more of a “grown-up” softer sound without those guitar hooks thanks to producer Mitchell Froom. Starting out boldly “Shout Part 1” has a shimmering guitar rhythm with Collingwood’s distinct vocals. “Stars of New York” is more laid back ’70s yacht rock with its synth piano and strings.

There are gems to be found, like “You Can Come Round If You Want To” with its simple acoustic strums and “Aeroplane” with its catchy melody. Lots of pastoral sounds are found on “I’m Gonna Haunt This Place” and “Minor is the Lonely Key” where he seems to be channeling Sting. Not everything here works, but its worth exploration. Highly Recommended.

Amazon

Butch Walker and Mild High Club

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Butch Walker

Butch Walker “Stay Gold”

Butch Walker has come a very long way from his days as part of the Marvelous 3. He’s produced many of the biggest artists in modern pop (Avirl Lavigne, Taylor Swift, Fall Out Boy) while managing a impressive solo career. “Stay Gold” moves him towards anthemic rockers with country overtones alongside guys like Ryan Adams or Rhett Miller.

“Stay Gold” directly references the novel (and film) The Outsiders, by S.E.Hinton. It reflects both Ponyboy’s innocence and looking back at happier times, as Walker winks at his own “wild” experiences. Its a catchy guitar gem with a chorus that begs a sing along. “East Coast Girl” is a very Springsteen-like story about a broken life trying at re-invention, wonderfully fleshed out with harmonies and spoken passages. Other songs get more atmospheric, but remain stylistically close to “The Boss” musically (“Ludlow Expectations” is a good example.) The rousing “Irish Exit” is a great bar room rocker with nice fiddle and rhythm guitar flourishes, about staying at a party too long. The most moving story here is a gorgeous duet with Ashley Monroe on “Record Store,” about a shattered relationship trying to reminisce on better days. A stellar studio cast assists Butch here, even fan favorite Roger Manning Jr. (Jellyfish) does keyboards. A solid effort with excellent musicianship and worthy of many repeat listens. Check it out.

Amazon | Kool Kat Musik

Mild High Club

Mild High Club “Skiptracing”

With its mix of soft ’70s pop sounds and swirling synths, its takes a bit to unwind the storyline in multi-instrumentalist Alex Brettin’s second album as Mile High Club. The title track is a slow tempo’ed gem with gentle background vocals and descending tropical notes, like a musical sunset. “Homage” and “Cary Me Back” are a stoned out masterworks, with its detuned lead and string synths. Another standout is “Tessellation,” sounding like Steely Dan slowed to half speed with a catchy psyche pop chorus.

There are jazz stylings and rhythms dripping from each distorted melody as we learn about the gumshoe protagonist tripping out to “Whodunit?” Even though midway through the songs begin to blend into each other and lose its distinctiveness, it’s still compelling. Tune in and trip out to this on headphones.

Amazon

EP Reviews: Colorworks, Todd Wicks, Bracket

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Colorworks “Dream of Mangoes”

Seattle quartet featuring the vocal duo Bret Dylan (guitar) and Nick Myette (bass) alongside percussionist Andrew Ginn and guitarist/keyboardist David Easton. The sound is very sunny pop with a great melodic sense, after the psychedelic “Daydreams” it veers into the bouncy pop of “Pears & Mangoes” with its sweet harmonies and minor chords. “She Said No” is my fave here; part Zombies, part Rundgren – all catchy goodness. These guys recently finished playing IPO Seattle. Highly Recommended.

Amazon

Todd Wicks Dream Cruise “Todd Wicks Dream Cruise”

More traditional rock release from Todd Wicks (Prime Ministers) and the songs focus on universal emotions (obsession, grief, love, resignation) found living in suburban Detroit. Nicely produced, with steady guitar on my favorite track here “Rock Yourself.” Best of all, it’s a FREE download on Bandcamp.

Bracket “The Last Page”

Forestville, California band that gave us the wonderful Hold Your Applause a few years ago, tries an experimental album that is one single track at over an hour and 10 minutes long. It zips through melodies at a quick pace, buzzsaw riffs one minute, Zappa-like instrumentals and multi-tracked harmonies the next. The lyrics say “its a work in progress” at 4 minutes in and it feels like a collection of demos strung together. However some brilliant stuff is buried in here, so be patient. Worth the trip.

Amazon

Cupid’s Carnival and Gleasons Drift

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Cupid’s Carnival “Everything Is Love”

We don’t know where Cupid’s Carnival has been hiding (yes we do), but thanks to Kool Kat Musik we can now discover the music of Roland Skilton and Thomas Gray. The band is an overtly Beatlesque treat at every level starting with the Harrison-like slide guitar riffs on “Girl.” After a psyche-pop “The Right Time,” it runs into the McCartney-like melody of “Working Girl” and then the layered arrangements on “The Magical Mystery Tour” styled “I Was The Boy.”

Literally no bad tracks here and “Summertime” is another sunny gem before a faithful cover of Procol Harum’s “A Whiter Shade of Pale” featuring original Procol Harum organist Matthew Fisher reprising the song’s signature organ parts. The piano echoing on “Our Life” and the title track are a dead ringers for John Lennon solo style. Even the ending track “Sunny Days” liberally takes from ELO’s “Mr. Blue Sky.” Luckily, the all the tunes are a combination of original composition and recognizable stylings that make it into my year end top ten list. Don’t miss this one!

Kool Kat Musik | CD Baby

Gleasons Drift

Gleasons Drift “Gleasons Drift”

Pottsville, PA band with a lot of spunk is actually on their fourth LP, and its got those riff-heavy pub rock melodies similar to The Replacements or The Stones. The opener “Mixx/REM” is almost like Southern Culture On The Skids with its rural garage vibe, and standouts “Ghost In The Corner” and “Pumpkinhead Jones” makes a great showcase for the band’s energy. However things drift into dullsville with “Stop Draggin Me Down” and “Say Goodbye.” Still, enough here to keep most listeners around like “Stag Martyr” and the catchy guitar lead on “Acquiring Satellites.”

Amazon | CD Baby