Category: Highly Recommended by Powerpopaholic

George Usher and Lions In The Street

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George Usher “The End And The Beginning: 1990-2009”

Described by the Village Voice as “one of New York’s best pop craftsmen,” singer-songwriter George Usher has a long, storied history that is expertly curated in this multi-disc retrospective The End And The Beginning. While it doesn’t have everything, its pretty thorough collecting tracks from across Usher’s career. The set starts with the bands House of Usher (1990) and George Usher’s Lazy Gentlemen (1991) where he develops a solid rep doing jangle pop with a baroque style.

When we hit the single “Not The Tremblin’ Kind” from Miracle School (1997), its melodic magic with a strong Beatle vibe that we’re used to. Great songs like “Begging For Rain” and “Days Of Plenty” make you question why Mr. Usher wasn’t a bigger star, but his talent as a songwriter and performer is beyond question. The ballads become more prominent later on, like the pastoral “Love By Any Other Name.” Since much of his earlier work is out-of-print and in some cases hard to find, this collection is essential for power pop fans. Get it directly from George on his website.

George Usher Direct

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Lions In The Street

Lions in The Street “The Years”

Playing tough, swaggering ’70s-styled rock & roll influenced by the Small Faces, Eagles and the Rolling Stones, Vancouver’s Lions in the Street are a band that persevered in spite of years of record company interference. The album “The Years” (named after the band’s original moniker) was held up in lawsuits. Recorded for TVT Records(Lil’ Jon, Pitbull) in New York City with Grammy-nominated producer Dave Cobb (Jamey Johnson, Jason Isbell), a legal dispute with the label put the band in debt and stalled any career progress.

Fortunately, this is now finally released and is a pleasant surprise that still holds up. The gentle harmonies and muscular guitars start on “Someday” are almost like a mix of Badfinger and The Faces. The soulful vocals of Chris Kinnon on “Still The Same” and “Carolina” compare well with Mick Jagger. The country harmonies on “Can You Hear The Sea” strongly contrast with the heavy rock riffs of “In Cold Blood” and “I Know You Wanna” is almost AC/DC-like. Strong songwriting and performances sustain all 11 tracks. A lost gem that’s finally uncovered and highly recommended.

Amazon


Check out this FREE bonus track from the album.

The Lemon Twigs and Joyce Manor

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The Lemon Twigs

The Lemon Twigs “Do Hollywood”

While Ronnie D’Addario’s kids are teens, they picked up their dad’s best music instincts on the Lemon Twigs big label debut. “I Wanna Prove To You” is a retro doo-wop mid-tempo ballad thats twisted around a slick production style similar to 10cc. It takes a few listens to appreciate all the melodic goodies contained within, like the next track “Those Days is Comin’ Soon,” filled with a complex blending of styles. If anything, this allows The Lemon Twigs to stand out against a homogenous indie rock field.

The precious vocals on “Haroomata” and “Baby, Baby” recall Nilsson but don’t stay boxed in any conventional structure, with frantic synth pop la-las bursting out from the slow tempo. “These Words” could be a lost Todd Rundgren tune, full of studio craft and bursting with harmony. “How Lucky Am I” is the most like a conventional love song, but its the unexpected twists in these songs that makes this album special, “Hi + Lo” being a perfect example. Very hard to categorize (on purpose) but it also reminded me of Frank Zappa and The Mothers “We’re In It For The Money,” amongst other timeless pop gems. Highly Recommended.

Amazon

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Joyce Manor

Joyce Manor “Cody”

Joyce Manor is speaking to generation of young males (much the way Weezer did 20 years ago) with 2 minute slices of emotional angst. Opening with “Fake I.D.” which describes the thrill of meeting that smoking hot but superficial girl who asks “what do you think about Kanye West?” All done with a swagger and fuzz, very much like Superdrag as “Eighteen” rocks out a catchy credo “Find something to do, then do it,” but then ending with “I feel so old today.”

An acoustic duet about addiction “Do You Really Want to Not Get Better?” between lead vocalist and guitarist Barry Johnson and Phoebe Bridges provide a good break from the earlier anthems. “Make Me Dumb” leads with a loud minor-key riff and melodic chorus similar to early Rooney. But “Over Before It Began” and “Stairs” are the heart of this album, the latter a mid-tempo ballad about young adulthood “Yeah, I’m 26 and I still live with my parents.” Each song has a good hook and the band solidly connects with its audience. Highly Recommended.

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The Dowling Poole and Vaudevileins

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Dowling Pool
Dowling Pool

The Dowling Pool “Miles Checks Out” and “Bright Spark” EPs

Fresh off of the band’s spring LP One Hyde Park, the duo of Willie Dowling and Jon Poole deliver a pair of singles, buttressed by 4 live tracks from recent Manchester concerts. Combined its a fine addition to your Dowling Poole collection, and while the singles “Miles Checks Out” and “Bright Spark” are fine B-sides, its the live tracks that are the biggest surprise.

“Miles Checks Out” is a jaunty melody, with bossa nova beat and soaring vocals. But the live tracks (all from the debut album Bleak Strategies) are enthralling. “Saving It All For Saturday” and “The Sun is Mine” removes all the heavy production work and lets the melody stand alone with keyboards and vocal harmonies. It proves just how damn good Dowling and Poole’s songcraft is. “Bright Spark” is a very XTC like bit of psychedelic pop, with at least 5 different melody lines jammed into its 3 minutes and 25 seconds. Overall, this should’ve been combined into a single EP but its highly recommended you get both.

Bandcamp | Amazon


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Vaudevileins

Vaudevileins “Magician”

Review by Mike Olinger: Chicago-based Vaudevileins specialize in the kind of straight ahead rock n roll that has all but disappeared from the Top 40 landscape. Their vibrant, crashing guitars help the energetic songs blast along, only breaking to give room to distorted solos and throbbing drums.

The first half of Magician hammers along at break-neck speed, spiced with Midwest punk harmonies that are surprisingly tight. The second act kicks off with the highly melodic “Hell Jazz” and progresses with more dynamic riffs and measured musical offering like tape echoed ballad “Devils” which is the album’s definitive standout track. Overall Magician is a strong offering that holds its greatest gifts for those who make the journey to the end.

Amazon

Kurt Baker and Tommy Sistak

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Kurt Baker

Kurt Baker Combo “In Orbit”

Baker’s back with a new band; the Kurt Baker Combo (who Kurt formed during a tour in Spain) is Juancho Lopez on bass guitar, Jorge Colldan on guitar and backing vocals, and Sam Malakiam on drums. They signed up with Little Steven Van Zandt’s Wicked Cool Records and we’ve got liftoff.

In many ways it the same Kurt we know and love, the combo of power pop and pub rock on “Upside Down” and “Baby’s Gone Bad” are gems on par with past work. The energy level is still high, on the ’50s rhythm of “Rusty Nail” and bar room blues rock of “Count On Me.” A Cheap Trick-like riff sets up ”All For You,” and the refreshing Rickenbacker chords on “Ugly Way To Be” make both tunes a highlight. A cover of Devo’s ”Jerkin Back ‘N’ Forth” is also a nice change of pace. As with most of Kurt’s music it is highly recommended.

Amazon  | Kool Kat Musik


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The Nines

Tommy Sistak “A Good Hat Indeed”

A Good Hat Indeed is the follow up to the first album from Tommy Sistak, Short Songs. The same tradition of early Beatlesque melodies continues with the opener “Not About You,” with a driving riff opening up the multi-tracked harmonies. While its faithful to the source, the chorus of “Its There For You” is a catchy gem that would’ve hit big on AM radio playlists back in the mid ’60s.

The fab “You Can Have Your Way With Me” and “A Better Time” will appeal to Beatle fans, but I’m glad Tommy does vary the style slightly through the album. “If I Only Knew” is a charmer in the skiffle-beat tradition with ukulele and the washboard as primary instruments. “Sure Like Your Love” is a mid tempo ballad that keeps the mood upbeat, and overall while not every melody here hooks you there are enough gems to keep you satisfied.

Amazon | CD Baby | Kool Kat Musik

Allen Clapp and The Jayhawks

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Allen Clapp

Allen Clapp “Six Seasons” EP

Allen Clapp (The Orange Peels) brings us a solo EP that compares the California weather to his emotional states, and its an impressive musical motif. The catchy start “Moss Falls Like Rain” is classic Clapp with guitar jangle underneath its keyboard melody. “Friend Collector” is another winner combining flowing piano chords and charismatic synthesizers. The album weighs more on sonic textures than melodies for its second half, “Seasons 5 & 6” is a magical two part instrumental. Overall a great little EP that deserves to be heard and is highly recommended.

Amazon

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Jayhawks

The Jayhawks “Paging Mr. Proust”
While The Jayhawks have yet to top Rainy Day Music, this is a decent album that’ll keep fans satisfied. “Quiet Corners & Empty Spaces” has that classic Byrdsian jangle and relaxed sound you expect from a Jayhawks album, while “Lost The Summer” is a fuzzy mess that sounds forced. “Lover of The Sun” is a tight Gary Louris gem with a memorable middle eight that stands with his best tunes.

Both “Pretty Roses In Your Hair” and “Leaving The Monsters Behind” have good composition, the latter having a great guitar solo break. The trouble starts when they try Wilco-like experimentation on “Ace,” however “Comeback Kids” has some great storytelling and “The Dust of Long-Dead Stars” cranks up the tempo and energy. As usual the instrumentation is top notch and its a solid addition to the Jayhawks catalog.

Amazon