Category: Highly Recommended by Powerpopaholic

Radio Days and Pezband

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Radio Days “Back in The Day”

Italy’s Radio Days have paired themselves down to a trio and are going back to their roots on “Back In The Day.” In doing so the band moves away from the strict formulaic approach and decided to rock out, capturing an energy that is more like The Beatles on steroids with the opener “Why Don’t You Love Me Anymore?” The next several tracks are catchy and highly addictive, especially the double-time “You Won’t Fool Me Twice.” The title track follows a template closer to The Raspberries and makes its point, looking to the past for those tasty hooks.

The oddity here “Your Words” is a light pop tune with a reggae beat, but the band is quick to return to those chiming guitar chords and each track after is a solid gem. From the ballad ” You Bring Me Down” to the powerful backbeat of “Subway Station Girl,” Radio Days delivers the goods and never falls into a predicable rut, adding garage elements on “Smash This Party” and ending with another Beatlesque love song “Betta” which echoes a little of the Fab’s “Do You Want To Know A Secret?” My only pet peeve here is the compressed sound quality in the studio mix. Overall a great album that makes my top ten list for 2016. Ciao!

Bandcamp | CD Baby | Amazon


Pezband

Pezband “Women & Politics” EP

Chicago’s Pezband was one of the better known power pop bands in the late ’70s, following the path of their bretheren Cheap Trick and The Raspberries. But by 1980 after three albums and two live EPs, interest from their label vaporized and the group disbanded. The next year guitarist Mimi Betinis and drummer Mick Rain were energized and ready to to give Pezband another shot. Joined by original band member John Pazdan, the trio headed to Los Angeles to record “Women & Politics.” Unfortunately in the era of post-Knack backlash, the EP was shelved. Until now.

“Office Girl” has the angular guitars and beat that’s typical of the pre-new wave era. “Waiting In Line” is closer to a classic Pezband single, with its distinctive vocal interplay and jangling rhythm. “Fab Girlfriends” is another gem, with some excellent guitar shedding between the chorus and ending. “Russian Tanks” is a cold war era tune that compares well with The Clash and Public Image Limited. This is a vinyl release and a highly recommended one.

Frodis Records | Amazon

The Nobility and The Small Square

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The Nobility “Ashford Castle”

The Nobility has created a modern pop treat. The opening title track about an Irish Castle boasts gorgeous choral harmonies in the Beach Boys tradition. The bands bouncing modern pop of “Wonderful Night” uses those harmonies effectively in the chorus, with a strong beat evoking the band Sunday Sun here as melody soars. “Heart Is Strange” has echoing vocals and layered guitar/synth combos that give it a new wave touch.

From here it takes the danceable pop route with “Rollin’ in The Aisle” and the energetic “On The Sky,” both perfectly fun. Unfortunately “I Can’t Tell You Why” does wear out its welcome, but the band redeems itself with happy sing-along songs like “Alone,””Mrs. Judy May,” and “Sharks” which are like adult nursery rhymes. Highly Recommended.

CD Baby | Amazon 


The Small Square

The Small Square “The Small Square”

Debut release from a veteran power pop duo with roots in Champaign, Illinois plus Wisconsin & Japan.  Paul Chastain (Velvet Crush, Matthew Sweet) and John L. Richardson (Tommy Keene, Gin Blossoms, Joey Molland/Badfinger) create pure, bittersweet pop with some folk rock mixed in. Joey Molland (Badfinger) is one of several guest players here.

“So Low” is an understated opener, but “Dream Faker (Open Your Heart)” starts up as a solid indie rocker that displays Chastain’s ability to weave guitar lines and layer the songs rhythms on top of each other. “SML” is a gentle alt. country plea to “Save My Life” equal parts Wilco and Big Star. “After The Tears” is a beautiful love song with its sweet harmonies, and a rising chorus. “Otherwhile” boasts the ringing chords and catchy chorus that was a Velvet Crush hallmark. Additionally, fans of  Teenage Fan Club, Nada Surf, and Sloan will definitely want to pick this one up. Highly Recommended.

Amazon 

S.L.D. and Fallon Cush

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S.L.D. “Indigo Gray”

I’m extremely happy to hear that this project finally comes to fruition. A musical collaboration via email between two long lost cousins, Paul Costanza and Tom Parisi from Brooklyn, NY that started as a small EP several years ago. Not only are the “Sounds Like Digging” EP tracks re-worked to sound even better, a treasure trove of new music is packaged into this remarkable debut album.

Paul’s crisp vocals are supported perfectly by Tom’s guitars on the catchy opener “Do Or Say.” The Beatles influence is strong on “Kindergarten Sky,” and the easy going vibe of “Can You Feel It” adds a modern psychedelic touch. Fans of Klaatu and Electric Light Orchestra will also hear influences on “Long Long Gone” and “Free At Last.” Tom shines on the solo between the chorus on “So Glad,” and the pair of piano pop melodies dedicated to girls (“Jenna” and “Stephanie Told Me”) burst with optimism and brilliance. Each song here is a keeper with strong melodies and rich production, so no filler here – in fact its like a collection of hit singles. Highly Recommended and makes my top ten best album list for 2016.

CD Baby | Amazon | Bandcamp


Fallon Cush

Fallon Cush “Bee In Your Bonnet”

Fallon Cush is the vehicle for songwriter Steve Smith, a veteran Sydney musician that has dabbled in power pop, but really has great success with melodic rock Americana style. Influences heard are mainly Bob Dylan, Tom Petty, The Band and The Byrds. This new LP has Steve, Glen Hannah (guitars), Scott Aplin (keyboards) and Josh Schuberth (bass, drums) along with backing vocalists Suzy Goodwin and Stephanie Grace to round things out.

It starts out with the slow build of “There’s A Dark Side To That Moon,” but you notice the rich sound and production once the chorus kicks in. The piano and jangling guitars lead “Less You’re Near,” and even though the style is Dylanesque, it clearly sounds like original Fallon Cush. Some brilliant music follows; “Kings Ransom” is a mid-tempo charmer and slow ballad “For Too Long” is a wistful memory that sticks with you. And the album is even stronger after the mid-point with the melodic “The Honeycomb” and excellent title track. One thing I’ve noticed about Smith’s music over the years is that he gets better with each album. Highly Recommended.

Amazon

Whatever happened to The Rosenbergs? David Fagin Tells His Story.

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One of the hottest bands of 2001 were The Rosenbergs. They personified power pop at the turn of the new millennium, with a hard rock catchy sound that compared well to Cheap Trick. To say they had an intransigent relationship toward the music business is an understatement. They refused to give in to draconian terms record labels offered and paved the way for artist independence and integrity. This was when major labels still had all the power and it was rare to see any up and coming musician reject and defy them. The bands discography is short, but essential: Ameripop (before they were signed in 1999), Mission You (2001) and Department Store Girl (2004)

Read the bands history and what happened to them here in this Powerpopaholic exclusive interview with lead guitarist and vocalist David Fagin.

 

Cliff Hillis and Dropkick

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Cliff Hillis “Love Not War” EP

Cliff is back! Another EP loaded with excellent songs. The catchy title track is finely crafted gem that works on several levels in the pristine production. The follow up “The Buddha’s Belly” has a little honky-tonk styling that just encourages spontaneous dancing. From there the styles shift from folk pop (“Don’t Drown The Wind”) to mid tempo power pop (“Mayor Of Midnight,”) each song a worthy gem that deserves repeat listens. Of course highly recommended, so pick it up!

Itunes

Dropkick

Dropkick “Balance The Light”

The prolific Scottish band formed by brothers Andrew and Alastair Taylor and friend Ian Grier continues to develop some of the best pop on its latest album. The bands influences include The Jayhawks, The Byrds, and Wilco with a West Coast easy going sensibility.  “Save Myself” is a slow mellow confessional that beautifully opens up mid-way through the song to an instrumental cacophony. The tempo stays the same on the excellent ballads “I’m Over It” and “I Wish I Knew.”

The album theme is a meditation on sadness after a breakup, “Where Do You Think I Went Wrong?” continues the relationship post-mortem. “Out Of Love Again” is a highlight with its jangling guitars and sharp harmonies. Another gem is “Homeward,” with its Neil Young-like melody, and the most upbeat song here “Slow Down” compares well with Teenage Fanclub. Despite it being a somber listen, the compositions are well written. Highly Recommended.

Amazon | Kool Kat Musik