The Modulators and Joel Boyea

Modulators

The Modulators “Try, try, try”

New Jersey band The Modulators formed in 1980, released three singles and an album in 1984. They’ve continued to tour (New York’s IPO is a regular spot) and now the band finally delivers the long-awaited self produced sophomore album. The jangle and layered guitar melodies aren’t that different from the bands earlier material, so fans will love it.

Opener “Upper Hand” and the title track are straight forward guitar pop. “What’s On Your Mind” is a wonderful Merseybeat styled throwback, and “Someday” boasts some great vocal harmonies along with a killer rhythmic hook. The vocals are a little deeper, but sung with earnest confidence as evidenced by the ballad “With Your Love.” Fans of old school DIY pop will appreciate the added acoustic textures and roots based influences, and overall no filler here either. If you buy it at Kool Kat you get an exclusive 4 song bonus EP with demos, including the live version of “Down At The Dirt” from 11L RNI Radio NY International. So its definitely Highly Recommended.

Amazon | Kool Kat Musik

We don’t have any samples of the current album to post, but here is the bands original “hit.”

[su_spacer size=”40″]

Dave Rave

Joel Boyea “Here Again, and Lost”

Boyea’s opening “Upbeat” is a great marching anthem, full of ringing guitar melody and solid drum work, one of the better opening singles I’ve heard this year.  The lower key “Breaking Up” has echoes of smooth California styled pop about a relationship that’s run its course. Most of the tunes are closer to this mid-tempo style as the album follows the stories of self actualization from differing points of view.

Strong melodies are layered into the “Impossible Puzzle” and “Until It’s Too Late.” But if you delve into the lyrics, it’s got surprising depth for example, “Outwitted” deals with the nature vs. nurture debate about homosexuality.  Sparsely produced by Andy Reed, Joel’s vocal is similar to Lannie Flowers in style and timbre. Definitely for those who crave meaningful songwriting.

Amazon


[su_spacer size=”40″]

Michael Carpenter and The Speak

Michael Carpenter

Michael Carpenter “The Big Radio”

You’d have to go back almost six years for Michael Carpenter’s last big solo release. Few artists are as reliable as the Australian singer-songwriter, producer, and engineer. You’re just guaranteed to get excellent power pop and he doesn’t disappoint here.  The opener “Don’t Open That Door” is another classic melodic gem, with layered guitars and harmonies underneath a catchy hook. The pounding drum starts “She’s In Love With Herself,” a fast paced put down that breaks into guitar nirvana between each chorus. And the gems continue with “Blind,” the powerful “I’ve Been Lovin’ You” and each tune that follows (not a note of filler here). He gives a shout out to a major influence “Chrissie Hynde” and even a deep bluesy rocker with “Too Late.” Right now its a download only, but CDs are coming in January.

There is a rumor that this may be Michael’s last album, and I can only hope that he doesn’t permanently hang up his recording hat (I’ll wait another six years or more if he keeps giving me music like this). Even though Michael is often dubbed “a one man dynamo” who runs his own label, works as a recording engineer, writes for an Australian recording magazine, etc. I selfishly want more of his great songwriting and performing. Like his last solo album, this easily gets a spot somewhere in my ever crowded top ten list for 2015.

Bandcamp


[su_spacer size=”40″]

The Speak “Beautiful People” EP

The Speak are from Brighton UK, led by singer-songwriter Nick Conroy who “takes up where the sixties left off.” While clearly starting with those classic influences (The Beatles, The Who) The Speak are not some slavish retro band, but a modern pop group that concentrates on melody, synth and solid guitar craft.

“I’ll Be Fine” starts with a rousing Lenny Kravitz-like riff, and gets you moving with a catchy chorus (try to spot all those sixties references). “Beautiful People” and “Sorry” have their moments of slickly produced psyche-rock. “Invisible” reminds me of of Trevor Rabin-era Yes in spots, and “Life” is another highlight with plenty of arena rock grandeur. The band self produced and distribute this one, so pick up a physical copy on their website.

CD Baby
[su_spacer size=”10″]

Tuesday Goodies: Cliff Hillis, Lee Ketch and Steve Rosenbaum

As this is a holiday week, I’d love to start giving out the musical goodies in advance of Thanksgiving. I am so thankful for all these artists, so pass the gravy and a few free downloads:

Philly singer, songwriter, guitarist and producer Cliff Hillis has released a new song, “Love Not War,” from a forthcoming EP out in February. Love And War is Hillis’s followup to the power popster’s 2014 release, Song Machine. Download “Love Not War” from iTunes. Visit itunes.apple.com/us/album/love-no…gle/id1055385972
[su_divider top=”no”]
Contorno and The Obleeks
– Chicago guitarist Lee Ketch (Mooner) has few musical projects here. His brother Andy plays drums and does vocals too. Check it out – its all a FREE download!

[su_divider top=”no”]
Steve Rosenbaum
was a pleasant surprise in the new IPO Vol. 18 compilation. He’s got an three song EP out there “Making A Mess Of Fun” and its a got earnest melodies and plenty of great jangling guitar. It’s not a free download, but it’s easily worth the 3 bucks. Hopefully we’ll see more from Steve in 2016!
Amazon

Elvyn and Cleaners From Venus

Elvyn

Elvyn “Valley Of The Kilowatt Hour”

Elvyn is another artist we haven’t heard from in several years. This Toronto band still knows how to expertly craft a solid melody with catchy hooks as evidenced by the opener “Ellie.” Lead vocalist/lead guitarist Ryan Beerman is in fine form as on “Here We Surrender” is part Alan Parson Project and part Fastball. “Landslide Cities” has an infectious beat with great call-and-response harmonies in the chorus.

And as soft as much of the melodies are, it still can rock with the intensity as “AM” is chock full of vibrant guitar riffs. Other highlights include the Beatlesque sweetness on “True Luv Can’t Hide” and the Everly Brothers styled ballad “Robins Song.”  Overall, each song is a very soothing listen (with just enough riff accents) and highlights the bands wistful approach. Highly Recommended.

Amazon | CD Baby


[su_spacer size=”40″]

Cleaners from Venus

Cleaners From Venus “Rose of the Lanes”

Martin Newell (aka Cleaners From Venus) is still going strong, and for the Anglophile there are few musicians who can compare. Newell is the self described “poet laureate of late summer melancholy,” and the songs are all simply produced using a Tascam DP-006 Pocketstudio. But even stripped down Newell is  joy to hear as he makes his way through these 15 tracks.

The high addictive jangle of “Rose of The Lanes” is a song that lyrically references the BBC’s Doctor Who. “Little French Blue” is a fuzzed-up gem and the acoustic melody of “Isn’t She The Biz” are what you listen to Newell for.  A series of songs look loving back to Newell’s youth with “Third Summer Of Love” and “Liverpool Judy.” The “nite-club” styling of “Tatterenalion” is another charmer.  He runs out of steam a little towards the end, with the exception of the Davies-like “Denmark Street,” but this is still a highly recommended collection of tunes.

Amazon

Power Pop en Español: Jose Estragos and Super Ratones

Jose Estragos “Vol.3”

Madrid Spain has always been a bastion of power pop talent. I was lucky to catch Jose at IPO in New York last week while he was fresh promoting his third album. Jose is an avid Beatles fan, and its shows from his Merseybeat music recorded in Abbey Road studio #2  to his album cover drawn by the legendary Klaus Voorman. This third album completes a trilogy, the earlier albums are available in the USA.

Jose Estragos II | Jose Estragos I | Amazon Spain

[su_divider top=”no”]

Súper Ratones “Mancha Registrada”

This Argentine band has been around since the late ’90s and remains active today. A good place to start would be Mancha Registrada (2000), with influences ranging from Beach Boys, Beatles, ELO and Queen. “Como Un Fantasma” could almost be a James Bond theme, with its dramatic guitars and “Otro Dia En La Vida” certainly has excellent pop production with soaring choruses and punctuating strings. The album was produced by Los Pericos’ guitarist Juanchi Baleiron and “Cómo Estamos Hoy” was a big hit in Argentina. Even though Súper Ratones never broke through to the USA, they still deserve to be heard by power pop fans.

Amazon