Category: Highly Recommended by Powerpopaholic

The Very Most and Adam Daniel

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The Very Most “Just A Pup” EP
The Very Most are an indie band from Idaho, clearly influenced by both The Beach Boys and Belle & Sebastian. The use of tinkling percussion and vocal harmonies create a delicate arrangement for the title track and its seamless transition to “Idaho, America in 2049.”

The light, dreamlike melodies pass over you like cool breeze. In fact the use of sleigh bells does give it a wintery feel. The upbeat “We Don’t Have Any Cuts To Waste” recall ’90s pop of The Beautiful South and The Ocean Blue. Even a spritely cover of Tom Jones “It’s Not Unusual” featuring Liz Hunt, feels welcoming here. Overall a very satisfying release that will leave you wanting more.

Bandcamp | Amazon

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Adam Daniel “Pop, Baby”
 L.A. songwriter and musician Adam Daniel hasn’t given us an album in over 12 years, but the memory of that debut Blue Pop was strong. Like a mix of Elton John and John Mayer, he storms out of the gate with “Summer’s Comin.” Next comes Adam’s statement on male romantic ambivalence with “In and Out Of Love,” a glossy pop single.

Adam varies his styles here, loud horn-guitar density with “Regret Shuffle,” and “Invisible” going in the opposite (softer) direction. Some great melodic tracks include “Your Gravity” and the ballad, “Lullaby.” It doesn’t always work, as “Dream Out Loud” has a ’90s AOR rock undertone that sounds dated. But there is enough here to recommend, as its more varied and dramatic than his debut.

Amazon | CD Baby

Nick Capaldi and The Fadeout

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Nick Capaldi “The Golden Summer” EP
 A budding star is evidenced by Nick Capaldi’s The Golden Summer is a short EP with its glossy power pop. The opener “In My Shoes” is a catchy Tears For Fears styled pop hit that’s ready for radio, and “Dumb it All Up” another gem with its infectious beat has mellotron and horn flourishes. Next, “The Right Time” is an light airy ballad with swelling strings, reminding me of Seth Swirsky and closer “First of the Runaways” has a great Andrew Gold styled piano melody. Each song is a potential hit here, so you’ll want to check out his previous album,  A Shade of Orange with fresh ears. Easily one of the best EPs this year.

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The Fadeout “Shapes of Animals”
The Fadeout are a band from Montreal that specialize in sun-drenched melodies that take its cue from the Beach Boys playbook with a twee touch. Staring with the light “Wake Up (I’m Not There)” the band uses the same instrumentation and harmonies as the Wilson brothers or Phil Spector pioneered. Lead singer Sacha Philippe Hebert-Jodoin has a slightly fey, high-pitched vocal  (similar to a young Michael Quercio) that is very soothing.

Each song follows a consistent pattern with some nice compositions found in “Sinkin’ Ship” and the “Sloop John B” clone “Fantasy.” And therein lies the problem, as the band fails to move beyond their influences to keep things catchy or memorable. The group certainly has the skills and talent to pull it off, but they need better songwriting to move forward.

Sam Phillips and Felsen

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Sam Phillips “Push Any Button”
Prolific singer-songwriter Sam Phillips returns with her 10th studio album, Push Any Button. Thankfully she leaves behind the wanderlust of her recent past and brings us melodic pop that comes closest to her masterwork Martinis & Bikinis. Starting with the organic percussive effects on “Pretty Time Bomb” it sets the stage for the compelling melody of “All Over Me,” with neat little horn flourishes and a churning guitar rhythm. The catchiest song is next, “When I’m Alone” with its fast paced beat and Phillips expressive vocals.

The minimalist orchestral base and plucking strings suits Phillips well on tracks like “Going”and “Speaking Of Pictures.” Another gem “You Know I Won’t” is another sing along melody and with barely a wasted noted, its a perfect showcase of an artisan at her best. Highly recommended AOR listening.

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Felsen “I Don’t Know How To Talk Anymore”
Oakland band Felsen is a hard working local band made up of guitarist Dylan Brock, singer/guitarist Andrew Griffin, bassist Christian Hernandez, and drummer Art McConnell. Felsen has toured throughout the West and puts together a workman-like effort on this new album.

The songs take a while to reach the hook, but they do get there. The lead track “Rock and Roll’s Not Dead” certainly takes its time, as we don’t get any rock guitars till the four minute mark. Much better are the melodies of the title track, “Better Days,” and the catchy “Tokyo Electric .” Where Felsen falters is in the slow meandering epics (“Gunfighting At Dawn”), but if you’re patient you’ll appreciate both the environmental message and the music.

Carnival Season “Misguided Promise: Carnival Season Complete (1984-89)”

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Carnival Season “Misguided Promise: Carnival Season Complete (1984-89)”
As a music collector you often spend some some time looking over “lost” bands that never got the attention they deserved, and thanks to the internet nothing is “lost” anymore. Through a connection with Tommy Keene (FYI: new album coming up next month), I came across this obscure ’80s power pop band from Birmingham, AL that toured with The Replacements and Redd Kross (to name a few). Made up of guitarist Tim Boykin, bassist Brad Quinn, and drummer Mark Reynolds they broke up just as the Seattle grunge scene emerged in the early ’90s.

They certainly deserved more recognition than as mere footnote in power pop history, as Misguided Promise gathers up the bands entire output in one neat package. Read the full review on BlogCritics.org

Amazon | Kool Kat Musik

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Carnival Season “In Our Time”
Carnival Season drummer Mark Reynolds passed away in December of 2012, the band had been sharing song demos for possible inclusion on their first album in 25 years. “In Our Time” would have been one of Mark’s songs to be included on the album. The song was recorded In Kobe, Japan, and Birmingham, Alabama, by Carnival Season’s Brad Quinn (bass, keyboards, vocals) and Tim Boykin (guitars) with guest drummer Eric Wiegmann. So this is the official last single of Carnival Season, it makes as perfect epilogue to the above mentioned anthology.

CD Baby

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Smash Palace and The Wheel Workers

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Smash Palace “Live at The Auction House”
Live concert albums are not so easy to pull off, but this one by Southern New Jersey band Smash Palace proves you can capture the “live” sound with great clarity. Recorded for a PBS broadcast, the 12 songs featured here represent a good mix of the band’s long and prolific career. This line up includes Stephen Butler (lead vocals/guitar), Phil Rizzo(guitar), Wally Smith (keyboards), Fran Smith Jr (bass) and David Uosikkinen (drums). Special guests include Brian Butler who lends vocals to “Count The Days” and DyAnne DiSalvo, who sings on the acoustic version of “Give You My Word.”

If you don’t have the last Smash Palace Greatest Hits, this makes for an even better hits album as it takes from the band’s more recent (and stronger) material. The Butler brothers are master musicians and this highly recommended live performance is a treat for the ears.

Amazon | Kool Kat Musik
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The Wheel Workers “Past To Present”
There are plenty of good “protest message” albums out there (i.e. The Sharp Things) but its rare when the music is as impressive as the message. The Wheel Workers are an indie rock band from Houston, TX with a sound that invites comparisons to “OK Computer”era Radiohead and Midnight Oil. The title track is intense orchestral pop-rock with a wild synth lead that’s both brooding and catchy. Masterminded by singer/guitarist Steven Higginbotham, his environmental messages are overt, but its the melodies that win you over. The best one here is the snappy “Chemicals” which reminds me of Peelgreems a ltttle bit.

Then we shift to the grim, fast paced “Starve The Beast” that ultimately become a defiant theme, as Steven chimes “Let’s get together and occupy the world over.” Nearly all the other tracks work well, fans of Guided By Voices will like the driving melodies of “Drone” and “Compromise.” The musical textures and swirling rhythms throughout also make this album a great listen, although the slower tunes “Animals” and “Want” overstay their welcome. Highly Recommended.

Amazon