Salim Nourallah “Hit Parade”

Texas based  singer/songwriter Nourallah was always a superior ballader, but on Hit Parade he hits paydirt. It sounds as if Ray Davies had joined The Beatles on a new White Album. It made the Absolute Powerpop #1 pick for 2012 and I’d squeeze it into my top ten at seven and a half. “38 Rue de Sevigne” opens slowly but expands with backing harmonies, guitars and drums into a rich tapestry.

It’s a concept album along chronological lines, when you’re young you feel “Unstoppable” but soon it becomes “This Goddamn Life.” While mostly downbeat, the album has some brilliant set pieces like the catchy “Channel 5” and the awesome title track with its rolling drum and bass line where Salim “used to be…”  Thinly disguised humor of “Travolta” reveals tragedy and “The Quitter” shows a maturity and humility that is rarely visible in music today. I’m grateful to those who brought this album to my attention.

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Songs for Sandy Hook

Before I go on to review the “best of” what I missed, I wanted to let you help another cause, Songs for Sandy Hook. 100% of all proceeds to Danbury Hospital in Connecticut. It’s got top notch talent and hauntingly beautiful songs. Highlights include tracks by Brandon Schott, Mike Viola, Herb Eimerman, and The Popdudes. Both volumes are available at Bandcamp.


Best power pop artist crossover of 2012

Every now and then a band with a power pop or indie streak, wises up and “goes commercial,” leaving behind some of the cult audience to experience mass audience acceptance and adulation. The best example of this was a little known L.A. band called Kara’s Flowers, who in 1997 wowed me with their debut The Fourth World on Reprise Records. Like most new “star” talent it had great songwriting and massive hooks on the single “Soap Disco.” But it wasn’t until lead singer Adam Levine ditched the tight group harmonies, and started emulating Stevie Wonder’s soulful approach he was able to breakout as the band Maroon 5.

This year the new “breakout” band to reach mass popularity is the Fun. While Aim and Ignite was one of 2009’s best power pop LPs, the band then moved away from those classic power pop influences (Beatles, Queen, ELO). Nate Ruess (vocal), Jack Antonoff (guitar) and Andrew Dost embraced popular hip hop culture and style for Some Nights. They even used Auto-Tune and had Janelle Monáe assist on their breakout hit We Are Young. Thankfully, the band’s core strengths stay intact: uplifting melodies and emotional lyrics have made this one of the best releases for a pop band.

It’s not in my main list this year because its not really a power pop band anymore, but its mainstream success should be applauded.

The tour of Ice Station Zebra + a review of our comp!

This is a fascinating tour of Ice Station Zebra, the home of producer, engineer and performer Ducky Carlisle. Filmed with Bleu, Ducky shows us around and mentions some of the great artists he’s worked with, like Mike Viola. Bleu’s next album was on our Help A Musician page (it’s been fully funded) so I expect greatness for the 2013 release.

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Shameless Self-Promotion Dept.: A big shout out goes to the blog Pop That Goes Crunch! who was kind enough to review our compilation Power Popaholic Fest Original Soundtrack Vol.1 and mention a few other compilations that are available.

Stag and Colour Me Red

Stag “Stag”
After an impressive EP last year, Seattle’s Stag presents its new self-titled LP chock full of pretty pop melodies and big hook filled guitar riffs. Similar to Cheap Trick, Big Star, Redd Kross and Guided By Voices it blasts off with “These Times,” a strong anthem for you to get up and take action.

For those who worked in record stores “Love Her Records” is a great tribute with its Big Star riff. “Don’t Lead With Your Heart” is another melodic gem about another heartbreak, and overall there are no real duds here, although the slower tunes don’t resonate as much. Other standouts include: “Tiffany Rose,” Ides of March” with a cool horn flourish, and my favorite here -“Don’t Call Me” with its classic power pop rhythm.

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Stars and Sons “Colour Me Red”
The fantastic opener “Chance Or Such” shows this Brighton UK band moving forward from its last album and flirts with greatness here. A bit like The Eels or Supergrass mixed with Travis, the chords and harmonies are infectious with just a hint of anxiety. Its rocking that cow bell on “Effectively Dead” and then “Family Tree” has a willowy harmony in the chorus.The acoustic ballad “Brewer Street” is a brilliant tribute to a childhood memory filled with creeping menace. In fact most of the album is themed around leaving childhood behind – sometimes over the top (“Urge Yourself”) but mostly beautifully poignant. And the price is right — so pick it up!

Name your price at Bandcamp