Category: Highly Recommended by Powerpopaholic

Ivan Julian "The Naked Flame"

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Ivan Julian is one of punk’s unsung talents as long time guitarist for The Voidoids. He’s jammed with the Isley Brothers, The Clash and Matthew Sweet, so it’s a bit surprising we are finally hearing a solo album. The album is classic pop punk with a relentless energy and Julian’s distinct vocals. “Waves” opens the doors with a Ramones-like chorus, but the big standout is “A Young Man’s Money” with it’s pitch perfect riffs and lyrical rants.

The title track is a dark urban love song filled with grit and distorted guitars. Julian is assisted by the Argentinian indie band Capsula, who does a great job here fleshing out the compositions. The beat and ringing guitars of “Hardwired” and “Constricted” are also standouts that recall the heyday of the CBGB’s era. “The Beat” adds a touch of psychedelic drone and “Godiva” will appeal to your inner Hendrix for sure. For fans of Iggy Pop, Velvet Underground and Lou Reed this is an essential album to add to your collection.

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Marc Robillard and John Laprade

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Marc Robillard “Left London”
A Canadian transplant living in L.A., Robillard delivers a solid sophomore pop album that focuses on recollections of failed relationships. The production team of Andrew Bojanic and Liz Hooper keep things crisp and it suits Marc well. Marc’s tortured delivery on “Love Song” is similar to Chris Martin, yet with a warmer demeanor. Next, “Unfold” is an acoustic guitar gem similar to David Mead and “Ghost” is a haunting ballad that slowly burns into your consciousness. Once again we follow the theme on “Everstop” with those perfect “break-up” lyrics.

While each song is beautifully rendered, the protagonist Marc creates is essentially a moping broken heart with no escape from his depression. By the time we get to “Crazy” he asks “is there anybody there who cares?” ‘Left London’ is a brilliant album – each song is finely crafted, my favorites here being pop goodness of “Conclude” and “Bleed.” No filler here as this album stays with you long after the final track plays.

John Laprade “World Class Faker”
John Laprade adds to his EP from 2008 with this full length debut that adds a pile of new tracks. The opener “Soul Shaker” is a standout with its up-tempo, positive message and solid melody. Many of the newer songs have a slower tempo that fit solidly into the singer-songwriter vibe, a good example here is “World-Class Faker” where the production is clean and sentiments are genuine. Fans of James Taylor will really love the gentle “Infinity,” as it provides a nice contrast to the rocker “Knock You Down.” My favorite new song here is the bouncy piano of “Anytime” which resembles Michael Carpenter in the chorus. A really good album that rewards with repeat listens.

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Brass Bed "Melt White"

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This Lafayette, Louisiana quartet are often described as sullen, sarcastic and full of sunshine.  I enjoyed the eclectic 60’s pop of Midnight Matinee a few years ago. But now with ‘Melt White’ they take their game to the next level, full of symphonic psychedelic power that recalls the best of the Elephant 6 collective. A great headphones album that is not to be missed. Read the full review at The Rock and Roll Report.

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Jim Bianco and Beady Eye

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Jim Bianco “Loudmouth”
With St. Patrick’s Day almost here, I’ve got a brilliant drinking song for you. If “Sinners” doesn’t get the bar singing along, nothing will. Bianco has that great Tom Waits meets Peter Gabriel whiskey soaked croon. On “Talented” it’s almost a gospel number with it’s slow majestic chords and honest biting lyric. The stripped down Stones like blues of “But I Still Want You” charms quickly. The anthemic “OK, I Suppose” shows a deep understanding of human pathos on a gut level. It’s not all slow tempo stuff either, as “Take You Home” is a bouncy pop gem. Bianco’s wry approach will appeal to fans of both Bob Seger and Randy Newman.  Amazingly, this release was funded by his rabid fans. Some advance copies are under $3 on Amazon, this is the best value a music fan can ask for. Otherwise wait til official release on April 5th.

 

Beady Eye “Different Gear, Still Speeding”
And life after Oasis moves on, in the form of Liam Gallager’s new band Beady Eye. Liam’s signature vocal and sliky smooth riffs permeate every track, notably the Lennon-like “The Roller” and obvious tribute “Beatles and Stones” which is a rant about how he’ll play the way he wants, damn the trend. Well if classic rock and blues is what he serves up, then I’m all in here. Excellent tunes include the Creedence-like guitar riffs on “Wind Up Dream” and mod rhythm of “Millionaire.”

This nothing less than a rebirth and clearly Liam has found his mojo as most songs here hit the mark perfectly. Even psychedelic ballads like “The Morning Son” shows a new maturity and the amount of gems here land it in my top ten list. And if this is what it takes to bring Brit pop to a new generation of listeners, so be it.

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Mimi Betinis and The Test Dream

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Mimi Betinis “All That Glitters”
As the driving force behind Chicago’s pioneering power-pop group, Pezband in the 70’s – Mimi Betinis offers up his first solo album. “All That Glitters” features classic guitar heavy gems like the opener “Love Is Just A Thin Veneer.” Betinis sounds great and his rhythms and structures are more eclectic and fine tuned than ever.

“Come On Down To My House” is a funky rock treat that almost flirts with hip hop.The production is very dense and layered with multiple guitar lines and beats. Stylistically it goes everywhere as “Blue Sky” has a catchy melody complemented by Chuck Soumar and Dave Stalhberg’s horn bursts. Another winner is the Beatlesque “Romance Me” with Rickenbacker licks and poetic lyrics. It gets a bit difficult to keep the pace past the album’s second half, although the Lennon-like “What’s Your Name” is welcoming diversion. Fans of classic rock and Pezband will want this one for sure.

The Test Dream “Shades Of Love”
I reviewed the debut of this Long Island band not so long ago.  Lead vocalist Ryan Colt Levy is a bit more understated here on “My Reflection.” The song has the same compelling mix of hooks and slick production that made the debut impressive. “Comeundone” has some nice harmonies here, but the melody is fleeting. The band shifts gears on the overly commercial “Open Wide” and it almost turns into easy listening, but lucky for us things improve with “Oil & Wine” and “Father Time” where the layered melodies work better with the instrumental parts. You’ll hear influences from Maroon 5 to Jellyfish in spots, and most power pop fans will appreciate the nice guitar break on “Game Over.” The album is consistently good but nothing blew me away. Overall its a mature effort by a talented band that continues to grow.

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