Robbers On High Street “Hey There Golden Hair”

Previous albums from Robbers On High Street made comparisons to Spoon, but four years later things have changed. With Hey There Golden Hair, they dive head first into Beatlesque power pop. The opener “Hollow Hill” is a perfect example of taking elements of Fab Four style and crafting something new and wonderful. There is not a single dud on the album, mixing Hammond Organ, fuzz guitar riffs and horns to melodic perfection. Other 60’s and 70’s stylistic touches are sprinkled throughout, as “Crystal Run” and “Electric Eye” are legit hits if they made the radio. And the band does not let up as “Second Chance” chorus bounces along, and the psychedelic “Face In The Fog” has a brilliant hand-clapping rhythm section with organ break.

If anyone ever tells you retro-styled rock is played out, have them listen to this album and specifically the funk beats and staccato guitar riffs of “Hey Unbelievers” or the driving urgency on “Monkey.” Vocalist Ben Trokan has the perfect vocal rasp for the groovy tunes here with some fine songwriting as well. It feels like a band very comfortable in its own skin, letting its hair down. Fans of late sixties rock and pop need this album. It is a rare power pop triumph that earns a nomination to this years top ten.

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Skeleton Staff “Psychomorphism”

The debut album of this Sydney Australian band showed promise last year, and now it comes through in a big way. “I Told You I Was Poor” is a dizzying pop number, that starts with harpiscord a la Mozart’s “Eine kleine Nachtmusik” and adds jarring heavy rock riffs in main chorus. The Queen-like guitar touches and hooks are catchy as heck, and the album doesn’t miss a beat with the bouncy “Capsize” with it’s baroque composition and heavenly harmonies.

The highlights keep coming and the sunny melodies of “Gateway To The Stars” are contrasted by the cantata “Rat Poison,” that sounds like it belongs in a Sweeny Todd musical. Nothing predictable here, fans of 10cc will simply love the quirky “Turnstyle” and an evil point of view is expressed on “I Was Drunk,” with our protagonist giving the excuse for rotten behavior. The ballads here are also well written with lead vocal Stanton Marriott giving us the poignant “Becoming My Old Man.” The term Psychomorphism refers to the attribution of feelings to animals and inanimate objects. No filler either and it looks like The Wellingtons are going to have to make room for another Aussie power pop band that gets my top ten of 2011 nomination.

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Freebie Monday: Ryan Allen & His Extra Arms + Destroy This Place

Ryan Allen is singer and guitarist for the band, The Friendly Foes and he is a wonderfully bi-polar rocker. His power pop debut is “Ryan Allen & His Extra Arms” an excellent selection of terrific guitar pop. Opening with the melodic “Oh Yeah” it showcases his solid songwriting chops and excellent guitar work. Next the handclaps, tambourine and harmonies are all over the amazing “Why Can’t I Sleep?”  The dense production on “That’s How I Came To Be” doesn’t disguise the strong melody. And his frustrations about shyness are fully evident on the ballad “Kids R Dicks” in best Big Star mode. Every song here is impressive — it’s one of the best releases this year easily! This album alone earns a top ten nod, but there is more…

Ryan has a darker side, shown in his second project Destroy This Place with “Resurrect The Mammoth.” Here Ryan gets a bit louder, with the opening thunderous feedback and pounding chords on “Safe To Say” similar in style to Guided By Voices. The music remains catchy here on the solid “All That Glitters” and “Hold Tights” so fans of GBV, Ted Leo and The Eels will find plenty to enjoy here. And as a special holiday gift, Ryan is giving both albums to you all as a FREE download.

Free Download of Ryan Allen & His Extra Arms | Free Download of Destroy The Place

Michael Mazzarella “Songwriter”

I can think of no better gift this holiday season for the power pop fan than this Michael Mazzarella 4-CDR “Songwriter” collection. The set represents all of Michael’s released material to date, covering his songs with The Broken Hearts, The Rooks and solo albums. Michael is best known as leader of the cult power pop band The Rooks, yet his solo work is full of lovingly crafted melodies and heartfelt lyrics. The discs were purposely not sequenced in order but, as varied compilations to showcase his consistent and different (yet compatible) styles as a songwriter. So what is new here? Exclusively through Kool Kat Musik, Mazzarella is offering a BONUS DISC of 21 previously unreleased demos. Many were written either for The Rooks (“Christine Obscene”, “Shine Your Light On Me”, “To Tell The Truth”, “Crimson Girl”) while others (“Save Me Baby”, “Out Of The Rain And The Thunder”, “Metropolis Mine”, “We’re Gonna Move”) were written for Michael’s current band Sonic Blue Sound Revue.

For fans, the bonus disc is essential listening, my favorites include “A Great Prentender” and “Save Me Baby.” Even IPO founder David Bash called this collection “…the most beautiful and frank songs this side of John Lennon.”

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Ben Wilkins “Ben Wilkins”

Ben Wilkins “Ben Wilkins”
Ontario-born Ben Wilkins was already a well-rounded musician, having studied classical music at Montreal’s McGill University and spent his post grad studies in Shanghai, China, when he began working with musical producers Pascal Shefteshy and Pierre Marchand (Sarah McLachlan, Rufus Wainwright) to put together his debut album. The warm classical pop sound permeates most of this album, but the disjointed “Opening” has a mix of indie jazz percussive effects, piano and classical strings contrasting Ben’s clean vocals. It sounds like he has thrown everything but the kitchen sink into the mix to let us know he’s avant garde.

But what comes next is nothing short of a revelation. “Soup for One” is a perfect amalgam of Ben Folds and George Michael, with a simple piano chord that grows into a lushly orchestrated melody. The arrangement and vocals here are pitch perfect and draw you into his world. “Through to You” leans more to the sound of Ben Folds or Adrian Whitehead, with slick harmonies and clean horns. Read my full review at The Rock and Roll Report. But trust me on this, several songs have found a permanent home on my ipod – a stunning debut!

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