The Orbans "When We Were Wild"

The debut from The Orbans is a perfect cure for you if you’ve been suffering from alt. country and pop withdrawal. Try to imagine of Ryan Adams and Wilco teaming up with Coldplay and jamming out. “New Dress” is a distinct pop opener with strong guitar riff and marching chorus. Following this is the awesome “Songs We Sing” with dance hall piano tinkle, ripping guitar solo and pure pop bliss in the melody.  Lead guitarist Kenny Wayne’s hook filled riffs are a huge asset atop each song, and slowly the tenor of the album gets more countrified by the fourth track, “Don’t Lose Yourself.”

The band also has a knack for rich three-part harmonies on “Barely Someone’s Known” and the soft ballads (“Darlin’ My Dreams” and “Go”) are both poignant and well written. The twang gets heavy on “When We Were Wild” — I felt like Duane Eddy was playing here. The composition on “Alibi” is another power pop classic, and Peter Black’s vocals give each track the perfect balance between alternative and country sounds.  The songs throughout the album are consistently great, as no single track dominates and that makes for great repeat listens. One of the best debuts this year, it earns a top ten nod. 

Timmy Sean "Songs From & Inspired By Noisewater"

After logging time in with his band Luzer, Timmy has spent the past four years developing this solo album (and growing a beard). In the tradition of pop impresarios like Todd Rundgren or more recently Paul Steel, Timmy  performs nearly every instrument and dabbles in virtually all his childhood influences here. Bookended by an instrumental overture and reprise it has a grandiose scope that touches on McCartney, Brain Wilson, ELO and Queen it certainly sets up your expectations. “Girl From Omaha” carries through it’s promises with a hook-filled chorus and richly textured composition. Another brilliant track is the McCartney-Wings era piano of “If Your Mother Has Her Way” full of horn flourishes and multi-tracked harmonies.

Timmy’s vocals sometimes feel lost in all the instrumental richness, but it’s best displayed on the ballad “There’s No Other Way” which actually reminds me of Extreme’s “More Than Words” a little. And Jeff Lynne fans will flip for “Wait” with it’s orchestral synth bending chords and dramatic chorus. Every track has a detailed and compelling melody from beginning to end. Overall, a brilliant debut that could be a soundtrack to a imaginary musical.  Get a the “Noisewater Overture” FREE here and judge for yourself.

My Space | CD Baby | Amazon

The Offbeat and Nick Vernier Band

The Offbeat “In Love Field”
The Beatlesque band takes all the tracks from the great EP “To The Rescue” and adds a few more to make it even better. Since I already raved about those tracks, the band pretty much continues where it left off with “Where is The Girl” complete with it’s McCartney styled melody and crisp harmonies.  A country-folk harmony leads the warm sing along “Whern You Got Love” and this easy feeling continues on “A Love To Last.” The band has gone beyond just sounding Fab, but stretching to include other bands of the era like The Hollies, Herman’s Hermits, and even the closing track “Jennifer Says” recalls The Moody Blues. You have to give the boys (Darren Finlan, Tony Cox, and Nigel Clark of Dodgy) full credit for serving up such sweet slices of pop nostalgia to close out the summer with.

CD Baby | Amazon

The Nick Vernier Band “Sessions”
Nick Vernier is an alias for musician-producer Eric Van Den Brink, and he’s put together an eclectic treat by teaming up with several well known artists on each track. Starting with Paul Jones “I’m Your Kingpin” it has a funky sax and harmonica that recall classic Steely Dan. Next comes the album highlight, “I Send Up My Prayer” done with Probyn Gregory (Wondermints) full of rich melodic texture and hints of the old Mints are easy to hear. Next a collaboration with Emitt Rhodes on a sitar version of “Time Will Show the Wiser” with Iain Matthews (Fairport Convention) will mellow you for sure. The strangest song here is a reworking of The Monkees “Zilch” with musical accompaniment and the actual song samples – it kind of works as “Mister Bob.” Another notable track is “Now Sue” a Gerry Beckley (America) original mid-tempo charmer, with beautiful backing harmonies from Jeffrey Foskett (Brian Wilson’s band). Other tracks experiment with jazz, world music, and blues – but the pop tracks standout nicely and are welcome on my ipod.

MySpace | itunes
icon

International Pop Overthrow "Vol. 13"

Once again, David Bash’s labor of love comes together on IPO Vol.13 featuring a mind numbing 66 songs dedicated to the newest and best power pop from around the globe. This being a 3 disc affair, I’ll try to highlight my favorites off of each disc. But overall this year’s crop is a considerable improvement from last year, where Mr. Bash has decidedly pushed the boundaries of what power pop sounds like. Including a solid representation by female power poppers.
Disc 1 features a pile of notable tracks, The Royalites “Bring It On” is a great riff-driven song and the Beatlesque track “Rain Parade” by Mayflower will have you humming along.  Deadbeat Poets contribute a stellar Kinks like track “People These Days” and The James Clark Institute contributes a jangle-filled “Splinter In The Soul.”

Disc 2 gets a bit heavier with a classic rock styled “What are We Gonna Do?” By the Stanleys and Rob Bonfiglio’s excellent “How To Mend A Heart.” A pair of energetic tracks are Popgun’s “All Messed Up” and “All Systems Go”by Smash Fashion. Tiny Volcano contributes a catchy piano melody with “Emily” and we are treated to Buddy Love’s greatest and newest single “Crying Town.”

Disc 3 starts with Zoe Scott’s “Hard Habit,” a radio worthy hit single that arguably deserves major media attention. Unconventional sounding rockers in “Gilded Frankenstein” by Hijinx and  “Please Operator” by Pounders are interesting, but a gorgeous mid-tempo “I Want It Anyway” by The Afternoons recalls Gerry and The Pacemakers. The driving tempo and guitars of The Wags “Just Keep Movin’ On” will encourage repeat listens. A few novelty tracks here and there (like Cosmo Topper’s “Hippy Christmas”) keep the mood playful between the “serious” tracks. Every year Mr. Bash discovers power pop gold nuggets throughout the IPO festivals and this year is no exception. Keep mining Dave, and we’ll keep our ears glued to the headphones. 

My Space | Not Lame Records | Amazon

Circe Link and The Cinnamon Fuzz

Circe Link and the Discount Candy Family Band “California Kid”
Although she has put out several albums under her own name I found very little information on Circe Link. Produced and assisted by Christian Nesmith (yes, son of The Monkees guitarist Michael) so you know this group has experience right out of the gate. Circe’s got a strong blues-pop vocal approach, much like Sheryl Crow or Natalie Imbruglia. This works great on the fantastic opener “Salvation” with it’s bar room piano melody. “Random Acts of Kindness” is a sweet mid-tempo song with country guitar flourishes and great lyrical message. Things get trippy fast on psychedelic “Getting High (On Your Own Supply).” Clearly the main influence on the majority of tracks is blues-rock like The Allman Brothers and Tom Petty. Lots of acoustic strumming pop with a slight country feel and the title track is a good example. The best track here is the easy going “Shangriladeeda Farm” with a tight beat and catchy chorus. Another standout is “Tiger Swami” with Circe’s beautiful multi-tracked vocal harmonies and guitar rhythm by Nesmith. A great roots rock album that definitely grows on you after a few listens.

My Space | CD Baby | Amazon

The Cinnamon Fuzz “Cruise of The Century”EP
Remember the 80’s? I lived through that era. This Boston band has passing musical resemblance to Duran Duran and Orchestral Maneuvers in The Dark on the first few tracks. But that’s just the start, as the band goes into power pop territory with heavy guitar riffs on “Now I Know” and the slinky Depeche Mode meets Bryan Scary styled “Strangers.” This EP is available at a “pay-what-you-like” price from Bandcamp. I would encourage the band to continue on the power pop path, as the production and musicianship is top notch and Jonah Burstein vocals remind me of both Dave Gahan (Depeche Mode) and Andrew Eldritch (Sisters of Mercy) simultaneously.

MySpace | Itunes | Bandcamp