Category: Highly Recommended by Powerpopaholic

Channeling Fleetwood Mac’s musical stylings with a hint of late-era Beatles, Family of the Year braid catchy melodies, stellar male/female vocals and personal folk tales to create some of the happiest and saddest music you’ve ever heard. Opening up with “Feel Good Track Of Rosemead” it’s a delicate harmony and rock guitar combo, very much like The New Pornographers, or The Polyphonic Spree. Actually, it’s singers Joe Keefe (formerly of The Billionaires) and Vanessa Long who harmonize and get lots of milage out of their pop chemistry and aural dynamics. Fans of The Beach Boys’ Pet Sounds who hear the gems “Let’s Be Honest” and “Summer Girl” will find a connection there for sure. The folky guitar balladry of “Putting Money and Stuff” recall classic Mamas & The Papas, both “What a Suprise” and “No Good At Nothing” excel at telling a story musically. Hey, nobody else I’ve heard can toss off a great song about your favorite pair of blown-out blue jeans in “Intervention (Staple Jeans). “Castoff” and “Psyche Or Like Scope” moves into a synth heavy, new wave styled pop, with Vanessa leading the dance grooves, along the lines of Sinead O’Connor. The band was handpicked by Ben Folds to open for him and The Boston Pops at Symphony Hall. SPIN.com has selected the band as one 25 Must-Hear Artists from the 2009 CMJ Festival. I happen to agree – this is one of those “must get” pop albums. Another bonus: this album is available on a “pay-what-you-want” basis on the band’s website. Note: Coming soon, a full interview with lead singer Vanessa Long.

My Space | Family Of The Year Site

Nate Ruess (The Format) has decided to push some musical buttons here, much like Bryan Scary and The Shedding Tears by layering dense instrumentation, gospel choirs, electronic pulses and the kitchen sink. That kitchen sink includes pop god Roger Manning Jr. and producer Steven McDonald (Redd Kross). Opening with “Be Calm” it’s deceptively sweet ballad opening ironically turns into loud theatrical melodic chaos. Along with with ex-Anatholla member Andrew Dost and Steel Train frontman Jack Antonoff, the band is relentlessly accurate in it’s name. But I would add a capital “F” for fantastic. “Benson Hedges” continues the multi-instrumental grandiose pop chorus, a mix of Queen’s vocal harmonies and Tally Hall’s quirky soundscape. “All The Pretty Girls” is a killer single, and steals Mika’s old thunder this year. It’s catchy as hell as they tell you “the eighties is old” and with that violin following the melody. The over the top approach works beautifully in spots, like “Light A Roman Candle” which Jellyfish fans will just flip for. After hearing “Walking The Dog” I am reminded of the goofiness that Sugar Ray used to get away with when people took them seriously. The melodies shift so many times, on a few songs (“At Least I’m Not As Sad”) the hooks can get lost in the shuffle. But Nate’s vocals are so strong here, it’s hard to find fault with many songs, although the faux gospel can overwhelm listeners on “Barlights” and the Billy Joel-esque “The Gambler” is a welcome respite. The quite moments here are also bit too infrequent, but you’ll get carried away by this musical circus too quickly to notice. Epic pop this lush should not be overlooked.

My Space | Itunes | Amazon

If you like Michael Carpenter, then chances are you’ll enjoy Russell Crawford. A member of Carpenter’s band, Russell broke out with his brilliant solo debut in 2006. Now Crawford has slowly pulled away from Carpenters orbit here. It’s a straight pop album minus any gimmicks or needless bells and whistles. His music fits in the “timeless” category being rooted in piano, bass, guitar, drums approach. Many tracks are highlights but “Bad Luck” is a true standout here, with an inventive build out to a multi-tracked chorus. Russell is a blend of both Ben Fold’s “attitude” and Neil Finn’s “sensitivity” in equal parts, from the snarky “Overachiever” to the aching “If You Ask Me.” Another highlight is the overly dramatic “Nigel” which seems an anthem to the dangers of naming your kid “Nigel.” Russell starts to loosen up midway through the album on “My Love” and “Shake it.” Every song here offers something and is easy on the ears, along the lines of Adrian Whitehead and Mr. Carpenter himself. It ends with a rousing cover of Andrew Gold’s “Thank You Being A Friend.” On repeated listens it rewards you, so don’t miss this gem from Australia’s Popboomerang records.

My Space | Not Lame | CD Baby | Kool Kat Musik

St. Louis’ Grace Basement is led by multi-instrumentalist Kevin Buckley who has quite a knack for writing concise pop gems. It’s pretty evident from the opening track “There He Goes” that the harmonies and chord minor changes are very infectious, and the addition of fiddle backing is an added bonus. The dance hall influenced melody of “Tilly Lingers” is another catchy gem along the lines of Harry Nilsson and XTC. Unlike the solo approach of the debut album New Sense, Buckley is assisted by guitarist Ben Phillips, bassist Mike Zapf and drummer Sean Price – it gives the entire album fuller sound. The smart pop sound avoids being too quirky — like Jon Brion or Ben Kweller without the over indulgent dramatics. The urbane arrangements at the albums mid point (like “Why Would I Wait For Another?” and “Warships”) come closer to the latter-era Camper Van Beethoven or Whiskeytown. The mature acoustic guitar on “Highway” is meticulously constructed and “Golden Bell” has a wonderful melody and weary vocal that brings to mind Scott McCaughey (Minus Five) or Ryan Adams. The album ends with the orchestral flourishes of “Land of Endless Change,” a fitting finale of Beach Boys styled vocal harmony, guitar and strings. This LP is a high watermark in the bands development and it’s most definitely worth adding to your pop collection.

My Space | Amazon

As the last note ends in IPO New York, I wanted to listen to the latest compilation, David Bash’s International Pop Overthrow Vol.12. This year the bands are more varied and less constricted by genre orthodoxy and this makes for a better and more representative group of power pop bands. There are 3CDs full of 70 bands and 70 songs, so I’ll pick out some of my favorite tracks here.