Valley Lodge "Semester at Sea"

Valley Lodge is the rock machine comprised of singer/guitar player, and world-class entertainer Dave Hill (Sons of Elvis, Uptown Sinclair, Cobra Verde); guitar player/singer John Kimbrough (Walt Mink), bass player/singer Phil Costello (Tragedy, Satanicide, Stynx, Children of the Unicorn), and drummer Rob Pfeiffer (Sense Field). In 2005, the debut album was one of the best power pop albums ever (in most critics top ten that year). Well the wait for a follow up is over and it kicks major butt. A sonic guitar attack worthy of Matthew Sweet opens up the album with “Break Your Heart” and the singalong chorus is instant ear candy. The album takes lots of late 70’s music cues, like “The Door” is a strutting combination of Slade, Sweet and Gary Glitter. The album gives no quarter as the sound gets smarter and the guitar work is just miles above other bands on tracks like “Baby, It’s A Shame” and “Barricade”. The energy here is similar to Sloan and Supergrass, and the Gene Simmons-like cocky attitude translates well to tracks like “If You Love Me” – where he tells his woman “if you love me come on down…” And the cover of Bob Welch’s hit “Sentimental Lady” is the only time the band slows down a bit, if you don’t count the acoustic ender “Lose Your Man” which sounds tacked on. But this does not take away from the amazing performances through most of the album. Although I’ve gushed on about Kimbrough and Hills’ guitar godliness, it’s also the strong songwriting and arrangements on every single tune that deserve equal tribute. Yes, power pop fans — this is a “must get” album.

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Fastball "Little White Lies"

Fastball was formed in 1994 by native Texans Joey Shuffield and Miles Zuniga along with So-Cal transplant Tony Scalzo. After “The Way” was released in 1998, Fastball moved to the big time and has been putting out quality albums ever since. After a four year break, Little White Lies is released today. One thing the band has kept up is the knack for coming up with great hooks that don’t leave your head. “All I Was Looking For Was You” is a textbook example of melodic rock with immediately accessible riffs and hand claps. The sweet harmonies are as tight as ever on “Always/Never” and showcases the bands mellower side. Another standout “The Malcontent (The Modern World)” is very reminiscent of “The Way” in song structure, and the lyrics are a scathing comment on the rock star life. The other tracks here are also fully engaging, including the title track “Little White Lies” and the European flavored “Angelie.” My favorite track here is the awesome instrumentation and arrangements on “Mono to Stereo” guaranteed to get your head moving to the beat. The approaches slightly change from track to track and keep things moving well, “She’s Got the Rain” is another gem, lead with a great piano rhythm. The band loosens up even more as the album moves forward, for example the part Stones, part Dylan-like “We’ll Always Have Paris” is rousing bar room guitar romp, with some nice harmony accents. This is a refreshing release that fans of Fastball will cherish, as well as newer fans that aren’t familiar with them. So yes, this is a highly enjoyable and recommended addition to your ipod playlist.

The Office "Mecca" FREE ALBUM DOWNLOAD

I’ve always been a fans of Chicago’s Office and it’s catchy indie pop sound. Band leader Scott Mason recently gave us pop fans a gift — their new album as a free download. And oh yes, it well worth the effort. Mecca has a steady rhythm and swaggering guitar riffs blended with a thick synth gloss. I like to think of them as Sparks meets The Shins. The songs start off on the Queen influenced “Sticky Dew” with a great chorus and it just gets better from there. You can’t beat the chiming genius of “Enter Me, Exit You,” where melodic multi tracking bliss and a big beat are just awesome ear candy. In Scott’s Blog he gives us the raw tracks on how he built this album’s signature song. This is a fascinating listen with all the parts broken out (so you musicians take note). The other songs are all really good too, (no filler here) and at this price I will not complain. This is a great follow up to the sound of “Q&A” from a few years ago, and Mason’s band just gets better the more I hear it. Fans of Queen, 10cc and  The Minus Five will simply go spastic over this manna from The Office. You have no reason NOT to get this one.

Clare and The Reasons "The Movie"

And now for something completely different. Contemporary orchestral jazz pop, complete with a string section that has wonderful top notch melody and production. Clare Muldaur has a voice as sweet and smooth as honey here. The album is an 11-track foray into theatrical, space-themed chamber pop that falls somewhere between the score of a Broadway musical and a collection of sweet and playful nursery rhymes. Using a bevy of collaborators, including Sufjan Stevens and Van Dyke Parks, Muldaur gets just the right touch to many of these lush pop songs. Opening with plucked strings of “Pluto” it laments the poor planets’ current status. What follows is the somber “Nothing/Nowhere” with a beautiful hook and orchestral pop sweeps that achieve greatness. “Under the Water,” is an equally gorgeous ballad that brings to mind a sunny summer day, with Muldaur’s soothing vocal taking us there. Other standouts include the ethereal and metropolitan “Alphabet City,” and the cosmic themed “Science Fiction Man” is a dreamy love story. The playful “Rodi” is almost like a sing-a-long done by The Manhattan Transfer, but it’s catchy no doubt. Things get a bit maudlin with “Sugar In My Hair,” but for the most part the album is pure joy to those who appreciate sophisticated pop. 

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Under The Water – Clare & The …

Nothing/Nowhere – Clare & The …

The Milk & Honey Band "Dog Eared Moonlight"

It begins with the gentle strum and piano that brings “Just You” to life on The Milk and Honey Band’s newest album “Dog Eared Moonlight.” The band’s pastoral sound has more in common with Alan Parsons or Nick Drake than Andy Partridge in this sophomore LP. The XTC influence is still there, but pushed to the back a bit. Guitarist and singer Robert White brings some muscle to the guitar heavy treat “Waste Of Time” as the light pop motifs give way to a more intense sound. The wonderful ballad “Maryfaith Autumn” brings forth rich imagery in both the lyrics and sound, with the rhythmic piano resembling the patter of raindrops. “Absolutely Wrong” is full of that gorgeous English styled jangle and backing vocal harmonies. The middle of the album sags a little under the emotional weight of country folk “No World At All” and “Disappear.” But, the long country ballad “Cut The Line,” is an epic with amazingly smart chord changes. You don’t expect such hooks on a low key song and that’s what makes this release a great one. Robert mentioned “I was intent that it feature a mixture of styles, I always liked that on records by artists I love like The Beatles. Look at Revolver or Sgt. Pepper or The White Album – so diverse, loud stuff mixed amongst acoustic. No rules as long as it all flows together.” And flow this album does. Highly recommended for sure.

Get a FREE mp3 download of the NEW Milk and Honey Band single ‘Disappear’

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